BYOB Archive for March, 2009

BYOB – Dallas

36 Comments »

BYOB – Thursday The 26th

44 Comments »

BYOB – Humpday

67 Comments »

BYOB For A New Week

61 Comments »

BYOB Weekend

52 Comments »

BYOBermuda

45 Comments »

BYOB – Almost Wednesday In The City

The city never sleeps… but I must…

61 Comments »

BYOB – Travel Tuesday

At the start of a long journey (26 days), I want to make sure the doors are locked, the electronics are off, that I have all the toys I need for the trip… and that things in here stay civil. It is on long trips like this when suddenly, one day, a bunch of e-mails start coming in, begging me to wrangle this commenter or that one.
Please… no drunk commenting… no boners… no bold and capped abuse.
I will not be truly unavailable for a few days… but I am hoping that all of you will set the tone the you would like to see as the tone for all, not to turn this blog space into your own personal soapbox.
Thanks… back in a few hours…

75 Comments »

BYOB – Monday

Civility.

175 Comments »

BYOB Sunday

27 Comments »

BYOB Weekend

78 Comments »

BYOB Thursday 3-12=-09

sunshinecleaning.jpg
Sunshine Cleaning cleans up… my house.

32 Comments »

BYOB – Humpday 31109

52 Comments »

BYOB – A New Week

Hopefully, some of the louder people – well, one – will be calmer this week.
Not a whole lot going on these days… maybe y’all have something great to chat about…

127 Comments »

BYOB 368

I’ve been learning/wwrestling with new technology in the form of AVCHD… looks great… but all kinds of new formatting issues. Once I figure them out, I think it will be a love affair. Until then, frustrating as hell. But we have some great stuff from Bill Mechanic, Mary Stewart Masterson/Kristin Stewart/Aaron Stanford, and Mark Duplass coming your way with more after that as I head into my annual March/April travel frenzy.
Meanwhile, I leave you some more space to talk amongst yourselves… thanks for being civil…

34 Comments »

Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato