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BYOB Archive for March, 2009

BYOB – Dallas

36 Comments »

BYOB – Thursday The 26th

44 Comments »

BYOB – Humpday

67 Comments »

BYOB For A New Week

61 Comments »

BYOB Weekend

52 Comments »

BYOBermuda

45 Comments »

BYOB – Almost Wednesday In The City

The city never sleeps… but I must…

61 Comments »

BYOB – Travel Tuesday

At the start of a long journey (26 days), I want to make sure the doors are locked, the electronics are off, that I have all the toys I need for the trip… and that things in here stay civil. It is on long trips like this when suddenly, one day, a bunch of e-mails start coming in, begging me to wrangle this commenter or that one.
Please… no drunk commenting… no boners… no bold and capped abuse.
I will not be truly unavailable for a few days… but I am hoping that all of you will set the tone the you would like to see as the tone for all, not to turn this blog space into your own personal soapbox.
Thanks… back in a few hours…

75 Comments »

BYOB – Monday

Civility.

175 Comments »

BYOB Sunday

27 Comments »

BYOB Weekend

78 Comments »

BYOB Thursday 3-12=-09

sunshinecleaning.jpg
Sunshine Cleaning cleans up… my house.

32 Comments »

BYOB – Humpday 31109

52 Comments »

BYOB – A New Week

Hopefully, some of the louder people – well, one – will be calmer this week.
Not a whole lot going on these days… maybe y’all have something great to chat about…

127 Comments »

BYOB 368

I’ve been learning/wwrestling with new technology in the form of AVCHD… looks great… but all kinds of new formatting issues. Once I figure them out, I think it will be a love affair. Until then, frustrating as hell. But we have some great stuff from Bill Mechanic, Mary Stewart Masterson/Kristin Stewart/Aaron Stanford, and Mark Duplass coming your way with more after that as I head into my annual March/April travel frenzy.
Meanwhile, I leave you some more space to talk amongst yourselves… thanks for being civil…

34 Comments »

Quote Unquotesee all »

Aloha is the movie equivalent of a man in a donkey suit with a tree branch growing out of his forehead. I don’t know what the fuck this movie is. It feels like Cameron Crowe tried to make some Pynchonesque contemporary riff on Casablanca, then either or he or the studio chickened out halfway through and tried to turn it back into Jerry Maguire. But don’t confuse Aloha with hackwork. It’s more like a mad scientist had 10 beakers bubbling, and instead of unlocking cold fusion, he blew up his lab and melted an ear. I swear, this movie is like some bastard offspring of Casablanca, Inherent Vice, ‘Goosebumps,’ and ‘Baywatch Hawaii.’ My takeaway? Making movies is hard, yo.”
~ Vince Mancini

“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

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