BYOB Archive for November, 2007

BYOB – November 26

Running around New York today… hoping that the Broadway strike ends so I can see Brian Cox in Tom Stoppard’s Rock-n-Roll tomorrow night. If not, The Gothams could await!
Here is some room for y’all to stretch.

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BYOB – Post-Thanksgiving

Still flying about… but the weather in Bermuda was lovely and NY, upcoming, is cold and wet, so I gather… still, quite a lot to be thankful for…
Here’s room to stretch out. I don’t think we’ll be obsessing on box office on MCN until Saturday, so feel free to start here…

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BYOB – Another Day, Another Airport…

You know, much as I love my own voice. if I were you, I would invest some time listening to the WGA strike discussion… and Holbrook… and Adams… and another couple LWDs that are coming up this week. But that’s just me. (Sadly, you’ll get stuck listening to my voice again in the process, but hopefully I get out of the way of some very smart, very interesting people who have something of real value to say.)
My internet access will be spotty until the weekend. I’m sure I’ll turn up a few times. But as ever, you have the floor while I am gone. Play nice and enjoy the run for the gobble gobble… even you foreigners!

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BYOB – November 18

It’s a travel day… and though I have figured out how to post via iPhone, I will be flying when box office numbers land. So here’s some space for you.

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BYOB – Nov 14

It’s funny how even an internet project can start to feel like “real” television.
We continue to knock out Lunch With Davids that will, I am told, arrive soon… we swear. Very time consuming, but very, very pleasurable. Amongst the LWDs that are in the editing bay right now are the entire Diving Bell & The Butterfly family, Hal Holbrook and Emile Hirsch from Into The Wild, Phillip Bosco from The Savages, Todd Haynes & Christine Vachon from I’m Not There, the director of Hairspray, Adam Shankman, and more.
Right now, it’s a little like a production. I’ve done my work. Now it’s in post. Then we have to get it out to you. The team is getting better, in front of and behind the camera, each week. And tomorrow, we’re shooting A Very Special LWD.
In the meanwhile, sorry if I am not as blog attentive as usual. I also missed my weekly Hot Button this morning, which I am still working on. But you all have been great in your responses to a couple of the recent posts.
And again

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BYOB – Too Much

Just a note and some free space before I run off again.
This week has been relentless and the blog has suffered. On the other hand, I have no interest in being a Disposall for every e-mail that comes my way regarding the strike. God bless those who wish to position themselves so, but there is so little discussion of the real issues and so much discussions of celebrities on picket lines, alleged “secret meetings.” firings that never happened, etc.
The sad part is that everyone knows that very few people are interested in a serious discussion of the issues… even less so when the strike ends.
I wish it were a lot more complicated than knowing that when WGA actually struck, the studios went into a well-planned mode of response, which will actually make about a month of the strike profitable for the studios. If you want to know why there is so little coverage of the strike in town, it’s because there is no news… just more rumors and personalities. The borderline for some between gossip and news seems permanently busted.
Meanwhile, careers go on, production continues across the globe, and the story of how this strike is all about working writers making another $10k a year isn’t really playing. The stakes just aren’t high enough or important enough to make it a national story more important than whether you’ll see a new Leno next Monday. And remember, all the talk shows combined reach less than 10% of the American population these days.
Sigh… off to another screening…

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BYOB – November 7

My entries are getting longer and rantier… so here is some space for you to relieve yourselves.

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BYOB – November 5

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Quote Unquotesee all »

“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier