Awards Archive for February, 2009

The Weekend That Was

Things have changed a lot over the years

4 Comments »

More Slumavation

ACE Awards…
BEST EDITED FEATURE FILM (DRAMATIC):
SLUMDOG MILLIONAIRE
Chris Dickens
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
WALL-E
Stephen Schaffer
BEST EDITED DOCUMENTARY:
Man on Wire
Jinx Godfrey
STUDENT EDITING COMPETITION
Junna Xiao

1 Comment »

Slumdog Wins Another Award… Shocker, Huh?

Los Angeles 14 February 2009

33 Comments »

BAFTA As Predictor

I don’t want to spend too much time on this, but…
All four acting slots that won BAFTA the last two years won Oscars.
In both of those last two years, only one of the four slots was really a surprise of any kind… Tilda last year and Alan Arkin the year before. Huzzah – even though guessing the Oscars is not really the point – for them.
Before that, they were about .500 predicting acting wins.
No other categories are reliable in any way.
Thank you for your momentary attention.

4 Comments »

Images From A Season

fincherbafta.jpg
I was really struck by a quick reaction shot of David Fincher at BAFTA yesterday… his face seemed to say it all… “how did we become an also-ran?”…
Thing is, Fincher and everyone at Paramount has been nothing but gracious as the year that was supposed to be theirs became the Year of the ‘Dog. In the end, there is nothing more (or less) that they could have done. In the end, in this year as in almost every other one, it is the movies that guide the awards’ final destination. And for all the magnificent craft of BB, it seems the awards world’s heart belongs to Danny.
Sigh…

12 Comments »

BAFTA Has Spoken…

Okay… here is a list of winners
I will comment – 100% SPOLIERS – after the jump…

Read the full article »

27 Comments »

BAFTA Rolls Along…

The Guardian is live-blogging the event from inside the theater.
Oh, how I hate live-blogging.
It’s funny… when I talk to people about Blu-ray BD-Live features, like IMing during a synced movie, they almost always get a vomitty look on their face. But for me, I consider that in that case, kids have almost invariably seen the film over and over again on the Blu-ray or regular DVD and that the interaction is, indeed, of some value. Like a director

2 Comments »

Gus van Sant Shoots Dustin Lance Black For Vogue Paris pour Hommes

milkvogue2.jpg
The awards season brings out the weird in many people.
How I came to end up with a copy of what purports to be the Fall/Winter edition of Vogue Hommes International with a photo shoot that Gus van Sant shot and Dustin Lance Black posed for in various states of dress and undress is really not the point.
But to the studio that feels slammed and endangered by the images in this profile, written by Bruce Benderson and Philippe Garnier, it is a low blow meant to derail their movie

11 Comments »

Quote Unquotesee all »

“You can’t make films about something the audience knows nothing about. The trick is getting the audience to tell their own stories in the story so that they know what will happen. And then, just before they get bored, you must surprise them and move the story in a new direction.”
~ Mogens Rukov

“In some parts of the world, for instance among intellectuals in Italy, you do still feel the need to defend entertainment – where there is still a commitment to a certain traditional left realist project, or the ideas of Brecht or Godard and so on. But in Great Britain and North America and many parts of Europe, no, I don’t think there is a need. The question is: is there such a thing as entertainment anymore? That’s what I am not sure about. Entertainment is very much posited upon an idea of escape. When I started thinking about entertainment people would say things like ‘It takes you out of yourself’, or ‘It takes your mind off things’. And of course people still have problems, but there was very much the sense then that most of life was hard but you had entertainment to take you away from it for a bit. While now, because of all sorts of changes, you can listen to music anywhere you go all the time – and even choose the music, not just accept the music that is there. That sense of a gap between a bad life and something to escape into has disappeared or is greatly diminished. I don’t know whether that is a good or a bad thing but it changes the nature of entertainment. In that sense I would no longer know what I would then be defending. That despising of the popular, that despising of what is enjoyable, may still be there, but it is not a discourse that has so much weight anymore.”
~ Critic-Academic Richard Dyer On “Entertainment”

Z Weekend Report