Awards Archive for February, 2009

The Weekend That Was

Things have changed a lot over the years

4 Comments »

More Slumavation

ACE Awards…
BEST EDITED FEATURE FILM (DRAMATIC):
SLUMDOG MILLIONAIRE
Chris Dickens
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
WALL-E
Stephen Schaffer
BEST EDITED DOCUMENTARY:
Man on Wire
Jinx Godfrey
STUDENT EDITING COMPETITION
Junna Xiao

1 Comment »

Slumdog Wins Another Award… Shocker, Huh?

Los Angeles 14 February 2009

33 Comments »

BAFTA As Predictor

I don’t want to spend too much time on this, but…
All four acting slots that won BAFTA the last two years won Oscars.
In both of those last two years, only one of the four slots was really a surprise of any kind… Tilda last year and Alan Arkin the year before. Huzzah – even though guessing the Oscars is not really the point – for them.
Before that, they were about .500 predicting acting wins.
No other categories are reliable in any way.
Thank you for your momentary attention.

4 Comments »

Images From A Season

fincherbafta.jpg
I was really struck by a quick reaction shot of David Fincher at BAFTA yesterday… his face seemed to say it all… “how did we become an also-ran?”…
Thing is, Fincher and everyone at Paramount has been nothing but gracious as the year that was supposed to be theirs became the Year of the ‘Dog. In the end, there is nothing more (or less) that they could have done. In the end, in this year as in almost every other one, it is the movies that guide the awards’ final destination. And for all the magnificent craft of BB, it seems the awards world’s heart belongs to Danny.
Sigh…

12 Comments »

BAFTA Has Spoken…

Okay… here is a list of winners
I will comment – 100% SPOLIERS – after the jump…

Read the full article »

27 Comments »

BAFTA Rolls Along…

The Guardian is live-blogging the event from inside the theater.
Oh, how I hate live-blogging.
It’s funny… when I talk to people about Blu-ray BD-Live features, like IMing during a synced movie, they almost always get a vomitty look on their face. But for me, I consider that in that case, kids have almost invariably seen the film over and over again on the Blu-ray or regular DVD and that the interaction is, indeed, of some value. Like a director

2 Comments »

Gus van Sant Shoots Dustin Lance Black For Vogue Paris pour Hommes

milkvogue2.jpg
The awards season brings out the weird in many people.
How I came to end up with a copy of what purports to be the Fall/Winter edition of Vogue Hommes International with a photo shoot that Gus van Sant shot and Dustin Lance Black posed for in various states of dress and undress is really not the point.
But to the studio that feels slammed and endangered by the images in this profile, written by Bruce Benderson and Philippe Garnier, it is a low blow meant to derail their movie

11 Comments »

Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour