Awards Archive for February, 2009

The Weekend That Was

Things have changed a lot over the years

4 Comments »

More Slumavation

ACE Awards…
BEST EDITED FEATURE FILM (DRAMATIC):
SLUMDOG MILLIONAIRE
Chris Dickens
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
WALL-E
Stephen Schaffer
BEST EDITED DOCUMENTARY:
Man on Wire
Jinx Godfrey
STUDENT EDITING COMPETITION
Junna Xiao

1 Comment »

Slumdog Wins Another Award… Shocker, Huh?

Los Angeles 14 February 2009

33 Comments »

BAFTA As Predictor

I don’t want to spend too much time on this, but…
All four acting slots that won BAFTA the last two years won Oscars.
In both of those last two years, only one of the four slots was really a surprise of any kind… Tilda last year and Alan Arkin the year before. Huzzah – even though guessing the Oscars is not really the point – for them.
Before that, they were about .500 predicting acting wins.
No other categories are reliable in any way.
Thank you for your momentary attention.

4 Comments »

Images From A Season

fincherbafta.jpg
I was really struck by a quick reaction shot of David Fincher at BAFTA yesterday… his face seemed to say it all… “how did we become an also-ran?”…
Thing is, Fincher and everyone at Paramount has been nothing but gracious as the year that was supposed to be theirs became the Year of the ‘Dog. In the end, there is nothing more (or less) that they could have done. In the end, in this year as in almost every other one, it is the movies that guide the awards’ final destination. And for all the magnificent craft of BB, it seems the awards world’s heart belongs to Danny.
Sigh…

12 Comments »

BAFTA Has Spoken…

Okay… here is a list of winners
I will comment – 100% SPOLIERS – after the jump…

Read the full article »

27 Comments »

BAFTA Rolls Along…

The Guardian is live-blogging the event from inside the theater.
Oh, how I hate live-blogging.
It’s funny… when I talk to people about Blu-ray BD-Live features, like IMing during a synced movie, they almost always get a vomitty look on their face. But for me, I consider that in that case, kids have almost invariably seen the film over and over again on the Blu-ray or regular DVD and that the interaction is, indeed, of some value. Like a director

2 Comments »

Gus van Sant Shoots Dustin Lance Black For Vogue Paris pour Hommes

milkvogue2.jpg
The awards season brings out the weird in many people.
How I came to end up with a copy of what purports to be the Fall/Winter edition of Vogue Hommes International with a photo shoot that Gus van Sant shot and Dustin Lance Black posed for in various states of dress and undress is really not the point.
But to the studio that feels slammed and endangered by the images in this profile, written by Bruce Benderson and Philippe Garnier, it is a low blow meant to derail their movie

11 Comments »

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman