Awards Archive for February, 2009

The Weekend That Was

Things have changed a lot over the years

4 Comments »

More Slumavation

ACE Awards…
BEST EDITED FEATURE FILM (DRAMATIC):
SLUMDOG MILLIONAIRE
Chris Dickens
BEST EDITED FEATURE FILM (COMEDY OR MUSICAL):
WALL-E
Stephen Schaffer
BEST EDITED DOCUMENTARY:
Man on Wire
Jinx Godfrey
STUDENT EDITING COMPETITION
Junna Xiao

1 Comment »

Slumdog Wins Another Award… Shocker, Huh?

Los Angeles 14 February 2009

33 Comments »

BAFTA As Predictor

I don’t want to spend too much time on this, but…
All four acting slots that won BAFTA the last two years won Oscars.
In both of those last two years, only one of the four slots was really a surprise of any kind… Tilda last year and Alan Arkin the year before. Huzzah – even though guessing the Oscars is not really the point – for them.
Before that, they were about .500 predicting acting wins.
No other categories are reliable in any way.
Thank you for your momentary attention.

4 Comments »

Images From A Season

fincherbafta.jpg
I was really struck by a quick reaction shot of David Fincher at BAFTA yesterday… his face seemed to say it all… “how did we become an also-ran?”…
Thing is, Fincher and everyone at Paramount has been nothing but gracious as the year that was supposed to be theirs became the Year of the ‘Dog. In the end, there is nothing more (or less) that they could have done. In the end, in this year as in almost every other one, it is the movies that guide the awards’ final destination. And for all the magnificent craft of BB, it seems the awards world’s heart belongs to Danny.
Sigh…

12 Comments »

BAFTA Has Spoken…

Okay… here is a list of winners
I will comment – 100% SPOLIERS – after the jump…

Read the full article »

27 Comments »

BAFTA Rolls Along…

The Guardian is live-blogging the event from inside the theater.
Oh, how I hate live-blogging.
It’s funny… when I talk to people about Blu-ray BD-Live features, like IMing during a synced movie, they almost always get a vomitty look on their face. But for me, I consider that in that case, kids have almost invariably seen the film over and over again on the Blu-ray or regular DVD and that the interaction is, indeed, of some value. Like a director

2 Comments »

Gus van Sant Shoots Dustin Lance Black For Vogue Paris pour Hommes

milkvogue2.jpg
The awards season brings out the weird in many people.
How I came to end up with a copy of what purports to be the Fall/Winter edition of Vogue Hommes International with a photo shoot that Gus van Sant shot and Dustin Lance Black posed for in various states of dress and undress is really not the point.
But to the studio that feels slammed and endangered by the images in this profile, written by Bruce Benderson and Philippe Garnier, it is a low blow meant to derail their movie

11 Comments »

Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick