The Hot Blog Archive for July, 2008

Bat Haiku

You know, I love it when a commenter has a stroke of genius… or in some cases, just a stroke.
But seriously, folks…
The idea of the BAT HAIKU came up and, heck, why not give it a try?
Nolan up to Bat
So much more than a comic
But a comic still

The Joker is cool
Makes The Batman just a mouse
Dent’s teeth feel the breeze

Your turn…
And yes, there will be a prize. (We’ll figure out what it is in time.)

59 Comments »

More Great News For Paramount

They landed Brett Ratner… WOOO HOOO!
Take a breath….
Ratner has good taste. He can make $100 million look like the most beautiful $75 million you’ve ever seen on screen.
So what is Paramount getting itself into?
Well, the relationship seems mostly about Beverly Hills Cop IV, being written by the geniuses who “wrote” Wanted… I seem to remember a few words somewhere in that crapfest… and soon to be directed by Ratner, who will surely have the very hottest ethnic women in Hollywood in the backround of every scene of Axel Foley walking around Beverly Hills.
The biggest question about the “first look deal” is whether Ratner can deliver his first “tentpole” that’s not a 3rd X-Men or a Rush Hour film to gross over $210 milion worldwide.
Even though the last Beverly Hills Cop was 14 years ago – have you notcied that Par is now acting like MGM and teh Walking TE Corpse Of New Line, desperately trying to revive any former hit? – it is a sequel. So there is no point in comparing it to Ratner’s originals, none of which has grossed as much as $125m worldwide. But Red Dragon, at $209m ww, seems fair to worry about. And the fact that Rush Hour 3 grossed less than either of its predesessors domestically and about the same as the first film worldwide (27% off of RH2) is also a cause of concern.
A decade into his career as a director, there is no indication that Ratner is a better bet on a project than, say, Dennis Dugan or Brian Robbins. Goiod luck all around.
1 – X – Men: The Last Stand – $459.3 – 2006
2 – Rush Hour 2 – $347.3 – 2001
3 – Rush Hour 3 – $255.0 – 2007
4 – Rush Hour – $244.4 – 1998
5 – Red Dragon – $209.2 – 2002
6 – The Family Man – $124.7 – 2000
7 – After the Sunset – $61.3 – 2004
8 – Money Talks – $48.4 – 1997

353 Comments »

Selling A Paramount Turnaround

The Variety headline reads, “Paramount films fuel Viacom – (sub-head) Revenues up 21% to $3.9 billion last quarter
How does one take the trade seriously when they don’t offer the real facts, but the spin as a headline?
The real deal from the Paramount/Viacom press release….
Was Paramount the cause of the increase in overall revenues (not net, which is down)? Philippe Dauman leads with something else – “The advantages of our growing multiple revenue streams were evident in the quarter, as we delivered double-digit growth in both our affiliate and ancillary revenues, led by the top-selling Rock Band music
video game.”
Then, he gets into the movies.
And what are the actual numbers of the movie side?
In terms of box office, the studio had about $863 million in domestic gross box office dollars compared to $536m in the same quarter last year

6 Comments »

Matson Is All Thumbs

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The cartoon…

9 Comments »

Hot Button – Circles Of Lies

Oy… this is what I get for watching The View.
The ladies spent 5 minutes discussing how the Western Wall prayer that was taken out of the wall and published in Israel was, according to the paper that published the presumably private document, Ma’ariv, pre-approved for publication by Obama even before the note was stuck in the wall. The claim from an unnamed Ma’ariv editor was legitimized by publication in The Jerusalem Post as part of a story about a potential legal probe and boycott of Ma’ariv for publishing the note.
The Wall Street Journal pushed the story further by publishing a series of web attacks on Obama without bothering to do what they do best… report news.
“Maariv’s response: “Obama’s note was published in Maariv and other international publications following his authorization to make the content of the note public. Obama submitted a copy of the note to media outlets when he left his hotel in Jerusalem. Moreover, since he is not Jewish, there is no violation of privacy as there would be for a Jewish person who places a note in the wall.”
Problem is… the story was a lie.

The rest…

13 Comments »

The Swing Vote Campaign That You Should Have Seen



13 Comments »

BYOEarthquake

If an earthquake hits Hollywood in late July, does anyone actually feel it?

27 Comments »

Hot Button – Batting Around Titanic Numbers

Is it anything less than a dereliction of duty, whether it be Horn’s choice or his editors’ choice, to not even mention the worldwide box office success of Titanic, which really is what makes the box office landmark the equal of what

80 Comments »

El Mummy Tres Sucks And Sucks Hard

Just when you thought it might be safe to go back to a Rob Cohen movie

104 Comments »

P-n-P Blog Factory

I was planning on holding an update on The Pete-n-Pat Blog Show for a while. After all, we

7 Comments »

BYOB – Manic Monday

42 Comments »

Hot Button Review – Tropic Thunder

Tropic Thunder strikes me as the ultimate example of Stars Gone Wild. Let

36 Comments »

W


50 Comments »

Sunday Estimates by Klady

sundayest072708.jpg

33 Comments »

Worth 1000's Renaissance Star Wars Contest

jabba.jpg
Jabba the VIII
Other entries…

5 Comments »

The Hot Blog

Hcat on: BYO Keanu

movieman on: BYO Keanu

Sideshow Bill on: BYO Keanu

Triple Option on: BYO Keanu

Triple Option on: BYO Keanu

leahnz on: BYO Summertime Blues

movieman on: BYO Keanu

Serg on: BYO Keanu

Hcat on: BYO Keanu

BO Sock Puppet on: BYO Keanu

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott