The Hot Blog Archive for November, 2007

Sweenie & The Plasma Factory

There is a freaky embargo on Sweeney Todd, given that it had a junket, unofficial reviews are all over the place, it was reviewed by Harry Knowles a month ago, and I (and most of my colleagues) already know what dozens of people think of the film

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Lunch With… Marion Cotillard

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The star of La Vie en Rose talks about making the film.

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Lunch With… Todd Haynes & Christine Vachon

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How did I’m Not There come together? Find out from Todd Haynes and his producer (and producer to much of the indie community), the legendary Christine Vachon.
The conversation…

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A New WGA Direction

While hopes for a brighter week in reality next week in the negotiations is being held out and Bryan Lourd kept breaking the press blackout that existed until tonight, WGA started laying out the next round of strategy for the strike.
“The Showrunners Strike,” as the first month has been called, is pretty much over. The 10 or so showrunners who crossed lines are now done with whatever was pending. Television is as dead as it’s going to get until the strike ends.
The sense inside the union is that hopes for a quick end to the strike are now over. The very real threat that this strike will last until SAG negotiations are done is quickly becoming a consensus opinion. Underlying all of this is the question of when the other side wants the strike to end, because right now, there is little being offered.
The next phase is trying to have a direct effect on the movies that are currently in production… especially showrunner JJ Abrams’ feature, Star Trek. (Apparently, Eastwood’s The Changeling, another prime target, is hidden well enough behind studio walls that the effort to disrupt the show has been set aside.)
There are around 100 scripts that are currently considered within range of being produced at the studios in the near future. Projects do continue to fall through because “the scripts are not ready,” but whether actors are actually supporting the strike of being self-preserving, using the strike as cover for dropping out of iffy projects, is unclear.
Meanwhile, The Committee of Hyphenates, the 1400 or so writer-directors who are in both WGA and DGA, are starting a serious push to get DGA to join in real support of the WGA, as SAG has done.
And as far as the press goes, there is growing sentiment amongst the ranks that the media is being effectively played by – get this – being too encouraging, therefore crushing morale when things like this week it’s-gonna-happen talk or the notion that there would be real Teamster support turns out to be a dead end of nothing new. Guild members are being told not to trust any media gossip… even/especially if it makes them happy.
Personally, my favorite new adjustment by WGA is offering a set dollar amount for how little the union demands would cost the industry… just over $50 million a year. If the AMPTP had a sense of humor – a nasty one – they would just offer the union the $150 million over the three year contract as a flat rate addition to the current contract to change nothing. And if WGA had a sense of humor, they would offer to take the offer of an annual flat $250 per episode for free hourlong show streaming by making it for every 100,000 downloads… which is still only a quarter of a cent per view, which is about what the rate is for network reruns.
Every day I see the whole thing as more like another more familiar battleground… red vs blue… Democrat vs Republican. The WGA seems to be endlessly interested in talking about being righteous. And the money men just keep being about money… maybe it’s not moral high ground, but it is absolutely consistent and quantifiable. The problem is, in a war of public opinion, the Republicans won, against all logic, the last two presidential races.
Michael Moore is doing a quick stop in L.A. soon… maybe he can shake things up.

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Pointing North – The Golden Compass Review

How much do I really have to say about The Golden Compass?
I liked it.
I don

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The Theater Ate My Show!

Ever hear someone talk about a theater actor

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Lunch With… The Actors Of The Diving Bell & The Butterfly

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Meet Mathieu Amalric, Marie-Jos

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Lunch With… The Diving Bell & The Butterfly Production Team

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Meet screenwriter Ronald Harwood, director Julian Schnabel, cinematographer Janusz Kaminski, and producer Jon Kilik, the team behind the scenes of The Diving Bell & The Butterfly as they discuss the evolution of the project, how it was shot, and how things fell together.
Here’s the 30 minute conversation…
(Coming tomorrow… those who are on camera in the film.)

One Strike Down

Not the one most of you were hoping for…
But at the end of Young Frankenstein tonight, Roger Bart announced that the Broadway strike was over.
Ironically, tonight’s performance had the worst stagehand glitches of any professsional show I have ever seen. However, on the east coast, on stage, things should be back to normal by Friday night.

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No Variety For Young Men

Charlie Koones’ exit from Variety is only surprising in that he lost the battle for the soul of Reed Business. It is more than a little ironic that the new guy is being sold as a web pro, when Charlie Koones has been pushing hard for the web-based future of Variety and associated properties.
My one daliance with Variety was over one such venture. The trouble, I found, was insane expectations for what the web could mean to the paper. It wasn’t enough that Variety be the first, aside from the WSJ (and now, increasingly, the NYT) to build a great web success off of a print business. They were envisioning a web success of significantly bigger levels than any Reed brand had ever achieved, online or off.
Charlie was fighting, according to insiders, Peter Bart’s old-schoolism a lot in the last year, building a web presence over Bart’s not-dead body. It is possible that “the new guy” will move Variety forward in an way that suits the product.
Charlie Koones, by the view of everyone I have ever known and respected, a major builder. And Old Media is still, for the most part, crawling. If Reed was not willing to push it, it is very easy to see why Koones wanted to head into them thar hills while the gold rush is still on. And while it’s not what it was, make no mistake… It’s still on.

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An Open Letter To Roger Ebert from Jeff Lipsky

Dear David,
As I sit at my desk, dressed to the eight-and-a-halves in anticipation of this evening

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I've Got Spirit, How About You?

A rather odd list from the Indie Spirit crew this year. No one can really accuse the group of pandering to celebrity with its version of Best Picture

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Charlie Wilson's War

Charlie Wilson

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By Request: The No Country For Old Men Thread

This is a SPOILER comment thread for No Country… it has been asked for, discussed, avoided, and fought about…
If you don’t want the ending SPOILED, stay out of the thread. You are warned!!1

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Paul Dano, Off-Broadway

Things We Want is the new show from Jonathan Marc Sherman, author of more than a half dozen off-Broadway shows. Having not seen any of the other work, it is hard to put this work into context, other than to say that you can feel from the play that it is a direct descendent of David Rabe

The Hot Blog

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“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o