The Hot Blog Archive for July, 2007

MCN-A-Go-Go

We’ve had a bunch of original content on MCN this week…
There are two pieces on This Is England, first by Gary Dretzka, the second by Noah Forrest.
Larry Gross’ appreciation of Ingmar Bergman will soon be followed by Ray Pride’s.

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A Clever Idea

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And by the way… the first of what are sure to be many Dreamgirls sing-a-longs took place a couple fo weeks ago, at an outdoor theater at Outfest.
And next, the grunt-a-long version of 300.

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What The HELL?!?!?!

Ingmar Bergman.
Tom Snyder.
Bill Walsh.
Michel Serrault.
Ulrich M

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De Duva

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Behind The Superbad Wall

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Once again, they are looking for name, birthdate, and zip code. Good luck, foreigners!
All three clips are from the first 20 minutes of the film or so, though they also contain some of the great dialogue runs that define the film.
The site…

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Shoot 'Em Up… Don't Stop 'Til You Get Enough

Shoot ‘Em Up is the grindhouse movie that Harvey Weinstein seemed to think he was going to get when he gave free reign to Tarantino and Rodriguez. As B movie thrill rides go, the screenplay by Michael Davis kicks Grindhouse ass.
Now don’t get me wrong. As a director, Michael Davis is not in the class of Tarantino, Rodriguez, Bay, or even Wiseman at this point in his directing career (the very start). He had a bigger budget for this film than for any of his direct-to-DVD features that he previously knocked out … but still nothing in comparison to any of the other directors. Would the extra money have helped? Who knows how much or how little?
However, Davis as screenwriter – with a hand from producers Murphy, Montford, and Benattar and, of course, veteran make-it-work editor Peter Amundson – doesn’t let us look at his directing limitations for very long. Usually when people say a movie is wall-to-wall action, they are engaged in hyperbole. Not this time.

The rest…

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Watchmen Poster

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The ComicCon Movie Poster
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Original Covers

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Bergman Dies

Antonius Block: I want knowledge! Not faith, not assumptions, but knowledge. I want God to stretch out His hand, uncover His face and speak to me.
Death: But He remains silent.
Antonius Block: I call out to Him in the darkness. But it’s as if no one was there.
Death: Perhaps there isn’t anyone.
Antonius Block: Then life is a preposterous horror. No man can live faced with Death, knowing everything’s nothingness.
Death: Most people think neither of death nor nothingness.
Antonius Block: But one day you stand at the edge of life and face darkness.
Death: That day.
Antonius Block: I understand what you mean.

For me, I will start with the Billie August directed The Best Intentions, which was Bergman’s pre-birth and then post-birth look at his parents, where they and then he came from… the beginning of his tale. Then we can jump right into Smiles of a Summer Night, his breakthrough here, now 52 years old… and on…

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Stat O' The Day

For those of you wondering…
Ove the first 90 days of Summer, 2007 is once again the Best Summer Ever
2007 – $2.87b
2006

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Sunday Estimates by Klady – July 27

The Simpsons reminds us, yet again, at how silly it is for all of us/any of us to be throwing around OPT (Other People

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Friday Estimates by Klady… Simpsonize

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Box Office Hell – 7/27

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(Updated @ 2:19p to include late, post-east coast matinee, post-BO Hell posting entries by La Fnke.)

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Sweeney Todd Teaser Poster

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(a close-up after the jump)

Read the full article »

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DreamaParaConAmount

There was little new or news to chew on at the Paramount event at ComicCon.
But before they got started was the “hello” from the ComicCon staff. And with that came some new rules. As has been noted before, we are now in the error/era of the PG-13 ComicCon. But they have also decided to censor the question and answer process, pointing out that on top of vetting your questions and expecting you to stick to the script, they expect the audience to be completely respectful of the talent

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The Hot Blog

Quote Unquotesee all »

“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray