The Hot Blog Archive for July, 2007


We’ve had a bunch of original content on MCN this week…
There are two pieces on This Is England, first by Gary Dretzka, the second by Noah Forrest.
Larry Gross’ appreciation of Ingmar Bergman will soon be followed by Ray Pride’s.


A Clever Idea

And by the way… the first of what are sure to be many Dreamgirls sing-a-longs took place a couple fo weeks ago, at an outdoor theater at Outfest.
And next, the grunt-a-long version of 300.


What The HELL?!?!?!

Ingmar Bergman.
Tom Snyder.
Bill Walsh.
Michel Serrault.
Ulrich M


De Duva


Behind The Superbad Wall

Once again, they are looking for name, birthdate, and zip code. Good luck, foreigners!
All three clips are from the first 20 minutes of the film or so, though they also contain some of the great dialogue runs that define the film.
The site…


Shoot 'Em Up… Don't Stop 'Til You Get Enough

Shoot ‘Em Up is the grindhouse movie that Harvey Weinstein seemed to think he was going to get when he gave free reign to Tarantino and Rodriguez. As B movie thrill rides go, the screenplay by Michael Davis kicks Grindhouse ass.
Now don’t get me wrong. As a director, Michael Davis is not in the class of Tarantino, Rodriguez, Bay, or even Wiseman at this point in his directing career (the very start). He had a bigger budget for this film than for any of his direct-to-DVD features that he previously knocked out … but still nothing in comparison to any of the other directors. Would the extra money have helped? Who knows how much or how little?
However, Davis as screenwriter – with a hand from producers Murphy, Montford, and Benattar and, of course, veteran make-it-work editor Peter Amundson – doesn’t let us look at his directing limitations for very long. Usually when people say a movie is wall-to-wall action, they are engaged in hyperbole. Not this time.

The rest…


Watchmen Poster

The ComicCon Movie Poster
Original Covers


Bergman Dies

Antonius Block: I want knowledge! Not faith, not assumptions, but knowledge. I want God to stretch out His hand, uncover His face and speak to me.
Death: But He remains silent.
Antonius Block: I call out to Him in the darkness. But it’s as if no one was there.
Death: Perhaps there isn’t anyone.
Antonius Block: Then life is a preposterous horror. No man can live faced with Death, knowing everything’s nothingness.
Death: Most people think neither of death nor nothingness.
Antonius Block: But one day you stand at the edge of life and face darkness.
Death: That day.
Antonius Block: I understand what you mean.

For me, I will start with the Billie August directed The Best Intentions, which was Bergman’s pre-birth and then post-birth look at his parents, where they and then he came from… the beginning of his tale. Then we can jump right into Smiles of a Summer Night, his breakthrough here, now 52 years old… and on…


Stat O' The Day

For those of you wondering…
Ove the first 90 days of Summer, 2007 is once again the Best Summer Ever
2007 – $2.87b


Sunday Estimates by Klady – July 27

The Simpsons reminds us, yet again, at how silly it is for all of us/any of us to be throwing around OPT (Other People


Friday Estimates by Klady… Simpsonize



Box Office Hell – 7/27

(Updated @ 2:19p to include late, post-east coast matinee, post-BO Hell posting entries by La Fnke.)


Sweeney Todd Teaser Poster

(a close-up after the jump)

Read the full article »



There was little new or news to chew on at the Paramount event at ComicCon.
But before they got started was the “hello” from the ComicCon staff. And with that came some new rules. As has been noted before, we are now in the error/era of the PG-13 ComicCon. But they have also decided to censor the question and answer process, pointing out that on top of vetting your questions and expecting you to stick to the script, they expect the audience to be completely respectful of the talent


The Hot Blog


Quote Unquotesee all »

“I run a movie for myself the first time, and if I can forget I had anything to do with the picture, and I’m halfway through the movie and I’m just the audience, then that is my litmus test for a film working. It doesn’t mean it’s going to work for anybody outside of myself, but when I lose the aesthetic distance between the screen and where I’m sitting, the first time I run a picture that I’ve directed for myself, if I’m aware to the very end that I’m the director, and all I can do is find things to fault, then I know I have my work cut out for me. And I have to roll up my sleeves and fix everything. But when I can watch a movie and I can forget that I made the movie, that’s the first sign that I’m going to be pretty happy with it, that I’m going to be able to live with it.”
~ Steven Spielberg On When He Thinks A Movie Is Working

“I was brought up on newspapers. I love newspapers. I love old-fashioned newspapers, but today I read them on the Internet because of time. And in New York, I read the morning papers, then I read the London papers on my iPad. But entertainment is very important. With broadband coming, everything is changing. People now spend four or five hours on their iPhones, their smartphones, which is changing the world totally. I found it with my young children. They are on their iPhones while they are watching television, doing two things at once. The fact that now we have 2.5 billion people with smartphones, with access to knowledge all over the world, with access to each other, government is going to change, the world is going to change. And it’s going to change very fast. We’ve only had smartphones for eight years, and now we have 2.5 billion of them. In another eight years, we will have 5 billion. The whole world will be on them… If newspapers have opinions, if they are really well-written, if they’re very reliable, people will pay for them. Then they are viable. We found [that] with the Wall Street Journal. You have newspapers on the Internet which are so good people will pay for them. There are people who steal things, rewrite them and put them out, like Google, but they are not reliable at all.”
~ Rupert Murdoch