The Hot Blog Archive for September, 2006

Klady's Friday Estimates & BO Hell – 9/30

(Note: A typo in friday’s numbers put Jackass: Number Two at $6.2 million. The correct number was $4.2 million)
Title | Distributor | Gross * | Theaters | % Change | Cume
Open Season | Sony | 6.2 | 3833 | | 6.2
The Guardian | BV | 5.8 | 3241 | | 5.8
Jackass: Number Two | Par | 4.2 | 3063 | -63% | 41.9
School for Scoundrels | MGM | 2.7 | 3004 | | 2.7
Fearless | Focus | 1.4 | 1810 | -61% | 14.5
Gridiron Gang | Sony | 1.3 | 3033 | -56% | 30
The Illusionist | FS/YF/Odeon | 0.8 | 1319 | -21% | 29.4
Flyboys | MGM | 0.7 | 2033 | -64% | 8.3
The Black Dahlia | Uni | 0.6 | 2009 | -55% | 19.2
Little Miss Sunshine | Searchlight | 0.6 | 1065 | -31% | 51.7
All the King’s Men | Sony | 0.5 | 1520 | -63% | 5.1
Also Debuting
Facing the Giants | IDP | 0.4 | 441
The Last King of Scotland | Searchlight | 41,000 | 4
A Guide to Recognizing Saints | First Look | 28,000 | 8
Journals of Knud Rasmussen | Odeon | 12,000 | 43
Broken Sky | Strand | 1,500 | 1
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Clarity On Gurus

I don

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Rinko Kikuchi

She’s one of the two little-known “it” girls of Babel and she landed in Los Angeles ever so briefly..
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A quick QT look…

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Good Sheet/Bad Sheet?

AND NOW – The Trailer
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A great poster or a terrible poster? I’m really not sure myself…

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Gurus Of Gray – Post-Toronto Wrangling

Penelope Cruz is getting the media committment that might shove her into an actual nomination… George Clooney gets thrown into the ring sight unseen… Love for The Departed starts turning up in earnest… and Dreamgirls, Mirren & Whitaker are your early leaders…
The new charts

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Lunch With David – Atonement Day Is Coming!

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Here It Is

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Von Triers Does Art Porno

Just when you thought the bad sex movie posing as art was killed off by the suprisingly superior Shortbus, Lars Von Trier invests in a dirty movie that looks like a 70s skin flick. But he got distribution in the U.S… on DVD… by porn distributor Wicked Pictures. Oy.
The film is called All About Anna and it even has its own MySpace page.
The nice thing is that there is both a very earnest explanation of the film and a Dogma 95 Manifesto specifically for films like this, called “The Puzzy Power Manifesto“. It includes such tidbits as: “It is not enough for four unknown actors to enter stage right, drop their pants and simply get down” and “The films must be based on woman

20 Comments »

Sometimes A Blackberry…

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When two e-mail subject lines are funnier than one… or maybe not.

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Why We Don't Link To Caryn James Much

A reader sent in a note asking:
“I was reading the NY Times article on All the King’s Men and was wondering about their referral of Toronto as a “nonexclusive” festival. My knowledge seems to contrast their reference, or am I taking their comment out of context? Are they referring to strictly Oscar races that Toronto would not aide?”
I wasn’t really sure what this person was talking about because I bailed out of the Caryn James piece when it was clear that she was doing her usual “I told you so” after the fact schtick, loaded with assumptions she really knows nothing about. When she is right about something like this, it is by mistake.
But looking for the specific reference the e-mailer was calling out, I found:
“Oscar-ready films that have opened in September, like

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Departed Discussions

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Leonardo DiCaprio
Matt Damon
Vera Farmiga

19 Comments »

Harvey's New Scam

With Bobby resting uncomfortably on life support, Harvey needs a brand new bag.
And that bag is… Sienna Miller.
The sad part of the Harvey ramp-up is that it has become so ham fisted that this kind of laughable nonsense now leaks out of the same handful of walking orifices every time. That group now includes Tom O’Neill, Jeffrey Wells, and the late charging (in this case) Roger Friedman, who should be doing a story on Sienna as an Oscar frontrunner about…. now.
Have you noticed that Harvey’s other game of the year – the record breaking standing ovation – is now happening at every festival where American journalists don’t seem to be in attendance at the screening. Clerks II at Cannes

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Holy One Sheet!

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Looks like it’s either going to be so audacious as to be a major event or so audacious that it loses 85% of the audience… we soon shall see…

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Why Studio 60 Sucks

I hated the pilot… but the pilot made the second episode look like genius.
The truth of the matter seems to be that Aaron Sorkin is making a show about making an hour long drama and not really about live TV or SNL or anything else. Not surprisingly, Sorkin doesn

64 Comments »

THB – And so, another circle jerk begins.

After it screened for a selected audience guaranteed to love it and for an Ain’t It Cool News crowd in Austin that was guaranteed to love it, the jungle drums are beating over Apocalypto.
So let me take a moment now to engage with reality.
This is exactly the strategy he used on The Passion of the Christ, though its screenings were further from the release date and, because of the material, it was inherently more divisive. There is nothing surprising in any filmmaker repeating the steps that led to a big success on their last film.
Mel Gibson knows how to make an action film with intense emotional peaks. Always has, drunk, sober, crazy, sane, anti-Semitic or in love with Barbra Streisand. There was never any question that Apocalypto was going to be interesting, likely visually compelling, and that language was not going to be an issue, anymore than it was for The Passion of The Christ – which, like it or not, was a strong, extremely brutal action film.

The rest…

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Sunday Estimates by Klady

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The Hot Blog

Quote Unquotesee all »

“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray