The Hot Blog Archive for September, 2006

Klady's Friday Estimates & BO Hell – 9/30

(Note: A typo in friday’s numbers put Jackass: Number Two at $6.2 million. The correct number was $4.2 million)
Title | Distributor | Gross * | Theaters | % Change | Cume
Open Season | Sony | 6.2 | 3833 | | 6.2
The Guardian | BV | 5.8 | 3241 | | 5.8
Jackass: Number Two | Par | 4.2 | 3063 | -63% | 41.9
School for Scoundrels | MGM | 2.7 | 3004 | | 2.7
Fearless | Focus | 1.4 | 1810 | -61% | 14.5
Gridiron Gang | Sony | 1.3 | 3033 | -56% | 30
The Illusionist | FS/YF/Odeon | 0.8 | 1319 | -21% | 29.4
Flyboys | MGM | 0.7 | 2033 | -64% | 8.3
The Black Dahlia | Uni | 0.6 | 2009 | -55% | 19.2
Little Miss Sunshine | Searchlight | 0.6 | 1065 | -31% | 51.7
All the King’s Men | Sony | 0.5 | 1520 | -63% | 5.1
Also Debuting
Facing the Giants | IDP | 0.4 | 441
The Last King of Scotland | Searchlight | 41,000 | 4
A Guide to Recognizing Saints | First Look | 28,000 | 8
Journals of Knud Rasmussen | Odeon | 12,000 | 43
Broken Sky | Strand | 1,500 | 1
bohell930.jpg

21 Comments »

Clarity On Gurus

I don

56 Comments »

Rinko Kikuchi

She’s one of the two little-known “it” girls of Babel and she landed in Los Angeles ever so briefly..
rinko.jpg
A quick QT look…

15 Comments »

Good Sheet/Bad Sheet?

AND NOW – The Trailer
doap.jpg
A great poster or a terrible poster? I’m really not sure myself…

36 Comments »

Gurus Of Gray – Post-Toronto Wrangling

Penelope Cruz is getting the media committment that might shove her into an actual nomination… George Clooney gets thrown into the ring sight unseen… Love for The Departed starts turning up in earnest… and Dreamgirls, Mirren & Whitaker are your early leaders…
The new charts

57 Comments »

Lunch With David – Atonement Day Is Coming!

lwd.jpg
Here It Is

22 Comments »

Von Triers Does Art Porno

Just when you thought the bad sex movie posing as art was killed off by the suprisingly superior Shortbus, Lars Von Trier invests in a dirty movie that looks like a 70s skin flick. But he got distribution in the U.S… on DVD… by porn distributor Wicked Pictures. Oy.
The film is called All About Anna and it even has its own MySpace page.
The nice thing is that there is both a very earnest explanation of the film and a Dogma 95 Manifesto specifically for films like this, called “The Puzzy Power Manifesto“. It includes such tidbits as: “It is not enough for four unknown actors to enter stage right, drop their pants and simply get down” and “The films must be based on woman

20 Comments »

Sometimes A Blackberry…

blackberry2.jpg
When two e-mail subject lines are funnier than one… or maybe not.

6 Comments »

Why We Don't Link To Caryn James Much

A reader sent in a note asking:
“I was reading the NY Times article on All the King’s Men and was wondering about their referral of Toronto as a “nonexclusive” festival. My knowledge seems to contrast their reference, or am I taking their comment out of context? Are they referring to strictly Oscar races that Toronto would not aide?”
I wasn’t really sure what this person was talking about because I bailed out of the Caryn James piece when it was clear that she was doing her usual “I told you so” after the fact schtick, loaded with assumptions she really knows nothing about. When she is right about something like this, it is by mistake.
But looking for the specific reference the e-mailer was calling out, I found:
“Oscar-ready films that have opened in September, like

54 Comments »

Departed Discussions

departedtrio.jpg
Leonardo DiCaprio
Matt Damon
Vera Farmiga

19 Comments »

Harvey's New Scam

With Bobby resting uncomfortably on life support, Harvey needs a brand new bag.
And that bag is… Sienna Miller.
The sad part of the Harvey ramp-up is that it has become so ham fisted that this kind of laughable nonsense now leaks out of the same handful of walking orifices every time. That group now includes Tom O’Neill, Jeffrey Wells, and the late charging (in this case) Roger Friedman, who should be doing a story on Sienna as an Oscar frontrunner about…. now.
Have you noticed that Harvey’s other game of the year – the record breaking standing ovation – is now happening at every festival where American journalists don’t seem to be in attendance at the screening. Clerks II at Cannes

51 Comments »

Holy One Sheet!

gdgerman_1sht.jpg
Looks like it’s either going to be so audacious as to be a major event or so audacious that it loses 85% of the audience… we soon shall see…

26 Comments »

Why Studio 60 Sucks

I hated the pilot… but the pilot made the second episode look like genius.
The truth of the matter seems to be that Aaron Sorkin is making a show about making an hour long drama and not really about live TV or SNL or anything else. Not surprisingly, Sorkin doesn

64 Comments »

THB – And so, another circle jerk begins.

After it screened for a selected audience guaranteed to love it and for an Ain’t It Cool News crowd in Austin that was guaranteed to love it, the jungle drums are beating over Apocalypto.
So let me take a moment now to engage with reality.
This is exactly the strategy he used on The Passion of the Christ, though its screenings were further from the release date and, because of the material, it was inherently more divisive. There is nothing surprising in any filmmaker repeating the steps that led to a big success on their last film.
Mel Gibson knows how to make an action film with intense emotional peaks. Always has, drunk, sober, crazy, sane, anti-Semitic or in love with Barbra Streisand. There was never any question that Apocalypto was going to be interesting, likely visually compelling, and that language was not going to be an issue, anymore than it was for The Passion of The Christ – which, like it or not, was a strong, extremely brutal action film.

The rest…

43 Comments »

Sunday Estimates by Klady

bo092406.jpg

39 Comments »

The Hot Blog

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas