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The Hot Blog Archive for August, 2006

Embargoing Too Far?

In the course of his regular schtick of calling out quote whores, UGO’s Erik Childress does a much more interesting piece on the status of The Embargo in Hollywood these days.
His perspective, from Chicago, causes him to make a few missteps in his opinion sifting. And that

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DOAP

FOR IMMEDIATE RELEASE
PRESIDENT BUSH ASSASSINATION FILM MAKES ITS WORLD PREMIERE AT THE 2006 TORONTO INTERNATIONAL FILM FESTIVAL
New York, NY (August 31, 2006) – The Toronto International Film Festival released new details today regarding a film in their line-up. Previously referred to as D.O.A.P., the film’s actual title is DEATH OF A PRESIDENT. This fictional drama, which mixes archival footage with narrative elements, focuses on the assassination of President George W. Bush in the style of a retrospective documentary. DEATH OF A PRESIDENT makes its world premiere in the festival’s Visions section on September 10th at 8:30 p.m. at the Paramount 3 Theatre in Toronto.
“We

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Filler? I Hardly Know Her!

I’m sure there is something worth discussing here on the blog today…. but damned if I know what it is!

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Monday Monday…

I don’t know when I will be back at at he computer today… so here is a free-for-all page… have at it…
Here’s Monday’s Hot Button to chew on…

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Another Case Of Idiotic Non-News Hype

The opening of the Emmy Awards on Sunday night was a 5-minute sketch that ran across six different Emmy winning shows at a cost of no less than half a million dollars.
And there was a tragic plane accident in Kentucky that killed 49 people after the plane failed to take off at 6am this morning.
The first show that was part of the Emmy package was Lost, which started its run with a mid-air plane crash.
And now, a Kentucky TV station general manager, Matt Drudge and others seem to think that the sketch, which involves the air mishap joke for all of 22 seconds, is a national embarrassment. (You can see the 22 seconds and not the whole 5 minute segment, which also makes light of Tom Cruise’s sexuality and the child molester-catching episodes of Dateline here.) Ultimately, the joke of the Lost bit was that it was invited to the Emmys last year and not this year.
Are we really that sensitive that a joke about a TV show gets couched into some sort of condemnable insensitivity to a real life tragedy? And will we in the media ever see anything with clear eyes instead of as a self-promotional opportunity again?

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More Toronto Trailers

La Tourneuse de pages
The Wind That Shakes The Barley
Quelques jours en Septembre
Shortbus
One To Another (via Twitch)
Severance (via Twitch)
And last week’s list, with links that do work if you click through.
PLUS – A non-fest trailer for a sexy Spanish female hitwoman flick owned by Sony International

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Weekend Estimates by Klady – 8/27/06

Another weekend without much worth discussing.
The Devil Wears Prada finally cracked $120 million.
Pirates of the Caribbean: Dead Man

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Friday Estimates by Klady – 8/26/06

A fairly ugly weekend heating up

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Box Office Hell – 8/25/06

bohell825.jpg

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And What Did You Think?

And so, with the summer at an end, what were your favorite moments, worst moments, and most memorable moments… on or off screen…

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Lunch With David VII – Cruise Control

“Have you picked a side yet?”
Here it is…

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20 Weeks Of Summer Are Over

We started with Tom Cruise and we end with Tom Cruise

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Flies On Shit

Been out all day… just back in time to be disgusted by the ongoing pile-on of Traditional and Online Media over the decidedly minor Tom Cruise story.
We have crossed over into tabloid hell.
At least Mel Gibson actually drove drunk, he was actually arrested, and he actually said anti-semetic things.
Yes, I was a monkey in the monkey tree yesterday. But this story has overstayed its welcome. And like Gibson, will be a non-story in all of two weeks.
And really, shouldn’t we all be embarrassed to be trying to capture attention by leveraging Tom Cruise’s business relationship?

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The Hot Blog

Quote Unquotesee all »

“I was a brat back when I made Pootie Tang. I was dealing with people every day whose pressures I didn’t understand, and I wasn’t very nice about how I said no to them. I put myself in a position I didn’t have to be in. A lot of what makes this kind of stuff work is empathy. If you’re taking money from somebody, they have a right to look after it. It’s all just trying to be clear about the arrangement. That’s why when I set up ‘Louie,’ I just said, ‘This is what I’m comfortable doing, and if you don’t want to do it, I don’t blame you. But in exchange, I’ll take very little money.’ I was only getting $200,000 per show from them, which is insane, and it goes up just by tiny increments every year. The other part of the arrangement with FX is that if this stops working for them, they should just tell me and we’ll stop doing it. Contractually, FX has a right to demand that the scripts be filtered through them before I shoot them, just like any other show. But from the beginning, they haven’t read anything, and they like the show. If I start turning in shit, then they’re going to start asking to see scripts, and that’s perfectly fair.”
~ Louis C. K.

BOMB: Do you give a lot of direction?

ASSAYAS: I give zero indications. Nothing. To me, it’s all physical. It is all about getting the right actors. They understand the part. They’re not idiots. They’re going to sit down, and they’re going to work. They don’t need my explanations. The problem is that actors listen to directors. They respect them. So, when you say something, it becomes gospel. In a certain way, this limits their imagination. I’d rather say nothing. Then, when we shoot, I fix whatever I don’t like. I channel it as softly as I can in a direction where, maybe, there’s something to gain. But, usually, if you are working with the right people, their instinct will be correct. They will bring something of their own to the character, and to the situation. Ultimately, there will be some kind of human truth to what they are doing.
~ Olivier Assayas on directing

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