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The Hot Blog Archive for August, 2006

Embargoing Too Far?

In the course of his regular schtick of calling out quote whores, UGO’s Erik Childress does a much more interesting piece on the status of The Embargo in Hollywood these days.
His perspective, from Chicago, causes him to make a few missteps in his opinion sifting. And that

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DOAP

FOR IMMEDIATE RELEASE
PRESIDENT BUSH ASSASSINATION FILM MAKES ITS WORLD PREMIERE AT THE 2006 TORONTO INTERNATIONAL FILM FESTIVAL
New York, NY (August 31, 2006) – The Toronto International Film Festival released new details today regarding a film in their line-up. Previously referred to as D.O.A.P., the film’s actual title is DEATH OF A PRESIDENT. This fictional drama, which mixes archival footage with narrative elements, focuses on the assassination of President George W. Bush in the style of a retrospective documentary. DEATH OF A PRESIDENT makes its world premiere in the festival’s Visions section on September 10th at 8:30 p.m. at the Paramount 3 Theatre in Toronto.
“We

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Filler? I Hardly Know Her!

I’m sure there is something worth discussing here on the blog today…. but damned if I know what it is!

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Monday Monday…

I don’t know when I will be back at at he computer today… so here is a free-for-all page… have at it…
Here’s Monday’s Hot Button to chew on…

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Another Case Of Idiotic Non-News Hype

The opening of the Emmy Awards on Sunday night was a 5-minute sketch that ran across six different Emmy winning shows at a cost of no less than half a million dollars.
And there was a tragic plane accident in Kentucky that killed 49 people after the plane failed to take off at 6am this morning.
The first show that was part of the Emmy package was Lost, which started its run with a mid-air plane crash.
And now, a Kentucky TV station general manager, Matt Drudge and others seem to think that the sketch, which involves the air mishap joke for all of 22 seconds, is a national embarrassment. (You can see the 22 seconds and not the whole 5 minute segment, which also makes light of Tom Cruise’s sexuality and the child molester-catching episodes of Dateline here.) Ultimately, the joke of the Lost bit was that it was invited to the Emmys last year and not this year.
Are we really that sensitive that a joke about a TV show gets couched into some sort of condemnable insensitivity to a real life tragedy? And will we in the media ever see anything with clear eyes instead of as a self-promotional opportunity again?

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More Toronto Trailers

La Tourneuse de pages
The Wind That Shakes The Barley
Quelques jours en Septembre
Shortbus
One To Another (via Twitch)
Severance (via Twitch)
And last week’s list, with links that do work if you click through.
PLUS – A non-fest trailer for a sexy Spanish female hitwoman flick owned by Sony International

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Weekend Estimates by Klady – 8/27/06

Another weekend without much worth discussing.
The Devil Wears Prada finally cracked $120 million.
Pirates of the Caribbean: Dead Man

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Friday Estimates by Klady – 8/26/06

A fairly ugly weekend heating up

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Box Office Hell – 8/25/06

bohell825.jpg

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And What Did You Think?

And so, with the summer at an end, what were your favorite moments, worst moments, and most memorable moments… on or off screen…

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Lunch With David VII – Cruise Control

“Have you picked a side yet?”
Here it is…

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20 Weeks Of Summer Are Over

We started with Tom Cruise and we end with Tom Cruise

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Flies On Shit

Been out all day… just back in time to be disgusted by the ongoing pile-on of Traditional and Online Media over the decidedly minor Tom Cruise story.
We have crossed over into tabloid hell.
At least Mel Gibson actually drove drunk, he was actually arrested, and he actually said anti-semetic things.
Yes, I was a monkey in the monkey tree yesterday. But this story has overstayed its welcome. And like Gibson, will be a non-story in all of two weeks.
And really, shouldn’t we all be embarrassed to be trying to capture attention by leveraging Tom Cruise’s business relationship?

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The Hot Blog

Quote Unquotesee all »

“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

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