The Hot Blog Archive for August, 2006

Embargoing Too Far?

In the course of his regular schtick of calling out quote whores, UGO’s Erik Childress does a much more interesting piece on the status of The Embargo in Hollywood these days.
His perspective, from Chicago, causes him to make a few missteps in his opinion sifting. And that

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DOAP

FOR IMMEDIATE RELEASE
PRESIDENT BUSH ASSASSINATION FILM MAKES ITS WORLD PREMIERE AT THE 2006 TORONTO INTERNATIONAL FILM FESTIVAL
New York, NY (August 31, 2006) – The Toronto International Film Festival released new details today regarding a film in their line-up. Previously referred to as D.O.A.P., the film’s actual title is DEATH OF A PRESIDENT. This fictional drama, which mixes archival footage with narrative elements, focuses on the assassination of President George W. Bush in the style of a retrospective documentary. DEATH OF A PRESIDENT makes its world premiere in the festival’s Visions section on September 10th at 8:30 p.m. at the Paramount 3 Theatre in Toronto.
“We

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Filler? I Hardly Know Her!

I’m sure there is something worth discussing here on the blog today…. but damned if I know what it is!

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Monday Monday…

I don’t know when I will be back at at he computer today… so here is a free-for-all page… have at it…
Here’s Monday’s Hot Button to chew on…

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Another Case Of Idiotic Non-News Hype

The opening of the Emmy Awards on Sunday night was a 5-minute sketch that ran across six different Emmy winning shows at a cost of no less than half a million dollars.
And there was a tragic plane accident in Kentucky that killed 49 people after the plane failed to take off at 6am this morning.
The first show that was part of the Emmy package was Lost, which started its run with a mid-air plane crash.
And now, a Kentucky TV station general manager, Matt Drudge and others seem to think that the sketch, which involves the air mishap joke for all of 22 seconds, is a national embarrassment. (You can see the 22 seconds and not the whole 5 minute segment, which also makes light of Tom Cruise’s sexuality and the child molester-catching episodes of Dateline here.) Ultimately, the joke of the Lost bit was that it was invited to the Emmys last year and not this year.
Are we really that sensitive that a joke about a TV show gets couched into some sort of condemnable insensitivity to a real life tragedy? And will we in the media ever see anything with clear eyes instead of as a self-promotional opportunity again?

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More Toronto Trailers

La Tourneuse de pages
The Wind That Shakes The Barley
Quelques jours en Septembre
Shortbus
One To Another (via Twitch)
Severance (via Twitch)
And last week’s list, with links that do work if you click through.
PLUS – A non-fest trailer for a sexy Spanish female hitwoman flick owned by Sony International

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Weekend Estimates by Klady – 8/27/06

Another weekend without much worth discussing.
The Devil Wears Prada finally cracked $120 million.
Pirates of the Caribbean: Dead Man

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Friday Estimates by Klady – 8/26/06

A fairly ugly weekend heating up

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Box Office Hell – 8/25/06

bohell825.jpg

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And What Did You Think?

And so, with the summer at an end, what were your favorite moments, worst moments, and most memorable moments… on or off screen…

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Lunch With David VII – Cruise Control

“Have you picked a side yet?”
Here it is…

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20 Weeks Of Summer Are Over

We started with Tom Cruise and we end with Tom Cruise

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Flies On Shit

Been out all day… just back in time to be disgusted by the ongoing pile-on of Traditional and Online Media over the decidedly minor Tom Cruise story.
We have crossed over into tabloid hell.
At least Mel Gibson actually drove drunk, he was actually arrested, and he actually said anti-semetic things.
Yes, I was a monkey in the monkey tree yesterday. But this story has overstayed its welcome. And like Gibson, will be a non-story in all of two weeks.
And really, shouldn’t we all be embarrassed to be trying to capture attention by leveraging Tom Cruise’s business relationship?

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The Hot Blog

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé