“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
The Hot Blog Archive for June, 2006
So I’m reading the Guardian story on Bryan Singer and there is a quote from “some online bloggers” who felt the 1-sheet read as gay and the quote seemed awfully familiar.
“Some online bloggers, then still to see the film, were not convinced: “Gay director, gay outfit, gay Superman, and now GAY POSTER!” wrote one. “What teenage boy wants to see the movie attached to this poster?” jeered another.”
One Google later, I had the answer… “TheManWho,” who ironically was telling me just a day ago how out of touch I was with the mainstream, provided both quotes in one comment in the “Must Be A Full Moon” entry on May 17, 2006 01:21 AM
The full quote is, “It’s an incredibly homoerotic subtext. What are WB thinking with this film? Folks have been going on about the heavy gay overtunes from the stills of this film for MONTHS now. True–it might only be the small internet audience. Nevertheless, this only heightens the whole “Gay director, gay outfit, gay Superman, and now GAY POSTER!” cheer from all over the net. Poland pretty much nailed it. What teenage boy wants to see the movie attached to this poster?”
I want to add, again, that the “gay Superman” issue in this blog and in my writing was never about the idea that Superman would be a gay character. It was always about the advertising and the lack of edge, which as I keep reminding people, I felt WB turned the corner on – as regarded appealing to young men – a few weeks ago.
Looks like Superman Returns did around $11.4 million on Thursday.
MSNBC’s Erik Lundegaard explains away the change of “Truth Justice & The American Way” to “Truth, Justice, And All That Stuff” in Superman Returns in the NYTimes Op-Ed Section.
And his point is well taken… to a point…
My feeling on it is still that the replacement of “the American way” with “and all that stuff” is much more of a concious choice than he wants to believe… and I don’t have to be a right winger to think that. Had Singer & Harris & Dougherty just left it at “Truth & Justice,” it wouldn’t have bothered me, for many of the good reasons Erik brings up. But the glib “and all that stuff” reads to me like either an evasion for international sales reasons or a slap… but not as a new idea of how to approach the basics of Superman.
But i may be alone… what do you think?
I don’t know that I have ever seen a one-sheet with this depth of color. Somehow, Sony seems to have gotten a real sense of texture in these one-sheets, even when wall-sized. The image idea is ok, but the color really hit me…
“Mr. Anti-Slump 2006 is here to tell you that the first seven weeks of this summer is the worst of the last five years.”
“Next summer, May starts with Spider-Man 3, Shrek 3 two weeks later, and Pirates 3 a week after that. Are you scared of monsters?
The parade of sequels to $100 million hits continue in June with Ocean’s Thirteen (a fourth third), Fantastic Four Two, and Evan “Not Bruce” Almighty.
Transformers shoots for July 4 while Harry Potter V returns to summer for the second time and The Simpsons hit the big screen.
But August makes July look a little slow with Bourne 3, AVP2 and Rush Hour 3 all arriving, along with Oscar nominee Amy Adams playing purebred to the Underdog.:
Jerry Falwell’s June 25 Sermon offered this key passage:
“You know, you almost got to be a homosexual to be recognized in the entertainment industry anymore. Ellen [Degeneres], and all the rest. I love them, pray for their souls, but they’re immoral. And the Hollywood scene — five and eight and 10 marriages — not something to be emulated.”
I guess we need a new chant… “We Great… We Straight… Get Used To It!!!!”
I figure we might as well have a place for people to come and spew as they see Superman Returns over the next week or so.
It’s not a firm rule, but I think it best that we set this as a SPOILER area… so if you don’t want to know, don’t look at comments. And I think it best that opinions – questions are ok – be left to people who have actually seen the film, as opposed to fighting over assumptions.
That said… have at it.
This already ran on MCN as part of my weekend review of the Los Angeles Film Fest, but the other stuff I covered seems to be getting a lot of attention and this doesn’t. It’s not the best film at the fest, but it is a wonderful project and Chick Tracts (I just bought the entire current collection for under 20 bucks and am looking forward to it arriving on my doorstep) are a great part of Americana. So….
Luke Y Thompson, New Times‘ tallest, most tattooed, most multi-color haired critic and he told me about the film he was most anticipating on the entire schedule… Hot Chicks.
I was jamming through the online catalog for the festival, I just
went right past Hot Chicks. But had I been paying closer
attention, I would have been almost as enthusiastic as Luke. The
screening was of 9 short films, each based on one of what are known
as Chick Tracts. They are those little cartoon booklets that you
have probably had handed to you on the streets of some part of town
where souls are in need of saving. These mini-comics were all written
and drawn by Jack T. Chick. According to
his website, over 500 million of these things have been sold
to groups and distributed across the globe. 500 million!
My memory is
of getting these from Jews For Jesus followers. Others remember
other religious groups handing them out. The clever thing is, they
are so cheap to purchase (15 cents) that they make an impressive
handout. And they are all stories of salvation that end with an
admonition to accept Jesus into your life.
So I settled
into my seat at The Crest to see the films and quickly found out
that the folks who made the films were all friends and had all spurred
each other on to make these films over the last 5 or 6 years. Each
film has a distinctly different style, including two of the films
that were made by the same team. One of these films by Rodney
& Syd recreated the Chick
Tract "Titanic" using the Jim Cameron film,
Titanic. Their second film, based on the
Goofed, was one of my favorite of the nine. They essentially
take the drawn images in the Chick
Tract and bring them to life in very clever animation.
The films that
stuck closest to the tracts were probably my favorites. All of the
films adhered to the idea that Chick’s words would be the script
and that the tracts would serve, to some degree, as storyboards.
But styles varied widely. What was fascinating was how each filmmaker
(many are first time filmmakers) decided to do their interpretation.
For instance, the first film, Bewitched?
(by Tim Kirk – Chick
Tract), used puppets to tell its story of how television infects
the culture. One of the films, Wounded
Children (by Todd Hughes – Chick
Tract), is based on a tract that has been taken off the market
because the morays around child abuse have changed. In that film,
the victimized child is played by a mannequin while everyone around
him is played by adults. Angels?
(by Tommy! – Chick
Tract), the story of a rock-n-roll dream attained and then destroying
the dreamers, is done in a style best described as post-modern Super
8 by way of Kenneth Anger.
(by Bryce Ingman – Chick
Tract) is a story about a lost dog who narrowly escapes a dog
pound needle and somehow, amazingly, its owners see this as God’s
intervention and it moves them to being born again. Doom
Town (by P. David Ebersole – Chick
Tract) tells the story of Sodom & Gomorrah. And La
Princesita (by Jamie Tolbert Franklin – Chick
Tract) tells the story of a sick young girl who desperately
wants to go trick-or-treating on Halloween and does and has her
soul saved when one of the neighbors drops a Chick Tract into her
of the films, probably because it is most precisely a Chick
Tract come to life, was Party
Girl, directed by Anonymous. Why anonymous? Because there is
some fear that Jack Chick, who is still alive at 82, might
get all litigious on their collective asses.
actually gave me permission – after some pleasant harassment – to
publish her name. But after seeing how often the Chick Publications
sends out cease and desists, I have decided to keep it to myself.
She is an actress, remarkably beautiful, very sharp, surprisingly
unflinching about the truth, terribly well married and, by amazing
coincidence, did a guest spot on a Sunday night primetime TV show
that I Tivo’d.
odd showbiz small world coincidence, a guy playing in an old friend’s
charity poker tourney on Sunday was pitching a local stage show
starring this woman’s husband. And almost more oddly, I had dinner
with this woman’s ex-husband just a week ago – and I had never before
met this woman or had any social conversation with this man until
these two meetings. High school with money indeed!)
I don’t know
if she has a future as a director based on this short, satirical
film but, like I said before… concept is everything on these
and, to me, she got the inherent joke of Chick Tracts best of all,
so much so that the film could really be seen as a positive and
believing take on a Chick Tract if your beliefs went that way.
The bottom line
is, this group has no interest in distributing their films for any
revenue. (Fact is, very few of them could get clearances on their
pre-recorded music or images from other media.) They aren’t even
posting their films to their
website. They screened at LAFF and will show again at Outfest
at midnight on July 8. From there, who knows.
I am going to go out on a limb and post a short clip from Anonymous’
film, Party Girl. It is four pieces from her work, slapped
together shoddily via QT Pro. But it’ll give you some idea…
and it makes me smile like crazy. Here
is the 3mg QT file…
I don’t want to step on one of MCN’s bloggers’ feet, but Justine “Film Fatale” Elias sent me a link to one of series of Scientology recruitment videos posted on YouTube and I worry that – since they appear to be shot on video at a recruitment center – that they will be pulled off YouTube soon.
Justine actually sent them wondering if they were real. But it looks like a video camera job. And though there are a few things that really seem wacky, it would be awfully elaborate for a hoax with very little payoff.
I do not consider these pirated, in that the material is openingly available at no cost to everyone and there is no economic interest damaged by their posting. I consider them journalistic record. But, I don’t know that You Tube’s lawyers wil see it that way when they get the cease and desist. And YouTube is designed so we cannot download and keep any of this, so time may beof teh essense if you are interested. I know that I am.
Anyway, here is the link to the poster’s homepage. Scientology Orientation Video is all he has posted, 9 of what seems ot be a series of 10.
I’ll be interested in what people think of it.
Like Superman Returns, Pirates 2 is too long by about 30 minutes. And the script tends to bog down every time the story gets a bit complex for its own good.