The Hot Blog Archive for April, 2006

Friday Numbers by Klady – April 29

Not a memorable weekend at the box office… except…
RV making a $13 – $15 million dent at the box office is hardly overwhelming. It may be enough for #1, but with Sony knocking $20 million openings out of the park with cheap goods lately, Robin Williams in a Barry Sonnenfeld comedy with a significant budget doing less than The Benchwarmers is not a win. It

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Missing In Urbana

Hello all –
I’ve been missing for a couple of days now. Urbana-Champaign has been lovely, not cold and rainy as expected.
The movies have been good and I have only missed a few of them so far. In one case, I had seen the film and realized after a few minutes that the experience was so unpleasant that I had blanked the screening out of my head. Oy. I escaped before I lost conciousness.
Roger Ebert has been at his charming best, interviewing all and telling dirty jokes when there is time to kill.
But I have been exhausted and aside from writitng one column while here, uninspired in terms of big issues. Feel free to use this space for your own topics. I’ll sign in tomorrow to look at the box office. And I will try to be of use to you all before the weekend ends.

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TomKat 2010

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What Is Michael Douglas Looking At?

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Poseid-O-Vision, Live At The Grove

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A Little Overenthusiastic About The Wild Posting?

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Opus Duh

Variety is supposed to understand the film business, right? The

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Larry King Takes Over The Blog

If you want to spend $4.95 on something great, buy The New Yorker’s April 24 edition and read about Werner Herzog’s effort to make the feature version of Little Dieter Needs to Fly starring Christian Bale. It’s a hoot!… Leather shoes – love em!… Man Oh Man, wine and cheese and more wine and more food gets no better than at Lou’s on Vine just above Melrose, next to the laundromat. There’s no hotter place in town right now for the over-25 indie hipster and it doesn’t hurt that Mrs. Lou is Manohla Dargis. Dee-lish! Just remember to designate a driver to get you home when the wine is done… Wait a sec… phone call… it’s Jared Stern asking if I’ll write something nice for him for $1100. What kind of cheap whore does he think I am?… I like but don’t love Hans Zimmer scores as a rule, but the new one for The Da Vinci Code rules! You might think it was John Williams with a sped up pacemaker, but its Hans-y alright!… Time for another heart procedure… ciao you crazy kids!!!

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A Compelling Question

From a John Cassidy piece in The New Yorker entitled, “RELATIVELY DEPRIVED – How poor is poor?,” this notion:
In 2001, ninety-one per cent of poor families owned color televisions; seventy-four per cent owned microwave ovens; fifty-five per cent owned VCRs; and forty-seven per cent owned dishwashers. Are these families poverty-stricken?
and
Consider a hypothetical single mother with two teen-age sons living in New Orleans

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Friday Estimates by Klady

The Benchwarmers, in the official

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Hand In The Internet Culture Cookie Jar

By way of LA Observed, I ran into this story about Traditional Media defender turned LA Times blogger Matthew Hiltzik getting caught positng anonymous comments to other blogs, breaking LA Times ethics rules. The paper has shut down his Hiltzik’s blog – where the issue was debated here – for now.
Of course, anonymity and hidden motives have been an issue here at The Hot Blog, though it seems to have subsided after one participant was outed as many participants thanks to the dogged efforts of some other participants.
Hiltzik is, generally, no better and no worse than most people who wander around the web under fake monikers. But as a journalist – and certainly as a journalist who endlessly claimed the moral hghgound versus the low ground that the internet and blogs allegedly held – his standards should have been higher. Ironically, I would imagine that the arrrogance of Traditional Media and the pressure of believing that his opinion meant more than that of others, as well as the cowardice of wanting to mouth off publicly in ways he could only do over cocktails in the real work, was his downfall.
This is not like Jayson Blair. But it is a landmark in the evolution of the media species.

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Moral Issue Or Nothing?

A lot of writers have made high drama out of a card at the end of United 93 that said something to the effect of, “And The War On Terror Had Begun.” The card has been removed in the hulabaloo, but even when I saw it, my take was that it was ironic that a comment so iconic was being juxtaposed against a movie that brought it all down to the personal.
Yesterday, I had a chat with a couple of the people who were upset about the card and they were actually in agreement with how I felt about it, but at least one of them expressed the idea that the great unwashed can

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Beating Myself Up For Your Amusement

This week’s 20 Weeks of Summer is about what I got wrong from my April predictions last year… hmm…
“Last year’s first chart, published on April 21, had eight films on it that ended up not being released during the May-August summer season. (This allows me to avoid the disastrously wrong call on xXx2.)
Of the remaining 42 movies, I was within $10 million of the final actual gross on the films. That leaves 30 movies on which I ended up being less accurate.
My biggest misses, by percentage, were the films that performed significantly better than I expected. Two of the films were late season films that offered no clear signals of being nearly as successful as they were

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Paramount Update DuWeak

Here is Ron Grover’s full report on Paramount, entitled Mission: Precarious. I have some issues with it that are also my issues with much of the reporting around this subject these days. Sorry that Mr. Grover gets to be the butt of it.
Grover

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Ads Gone Wrong

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First, the Super Irony Missing ad for Superman Returns. No… this is not a photo from the casting process. but it a REAL ad.
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This is NOT a real ad. FAKE ad. And Breyers is not happy about this fake “found kiddie porn,” having sent its creator this cease & desist on 1 | 2 | 3 pages.
What I have blocked out is not anything illicit in and of itself. But the spirirt of the ad is gross and bordering on kiddie porn, so for the sake of decency, I covered it up. But you get the point.
The question is, is this satire or is it simply a purient joke trading on the long-earned values of an ice cream company. Has the line in the sand been washed away or do people and companies just have to deal with it?
(This message brought to you by the TomKitten.)

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The Hot Blog

palmtree on: BYO Keanu

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palmtree on: BYO Keanu

movieman on: BYO Keanu

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Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott