The Hot Blog Archive for September, 2005

So Little To Say This Week

It’s a funny week when I have endless column ideas and almost nothing for the blog. Perhaps it’s the sudden late heat in L.A.
I can’t speak for The Greatest Game Ever Played, but the rest of this week’s movie release line-up smells like the “before” at a sewage treatment plant.


Best About-Fucking-Time DVD Release

From The NY Press’ “Best Of” Issue
The Cassavetes Collection
Long Island


Hold It Right There!

There are few dealmakers smarter than David Geffen. Even as a man with great taste acting as an impresario over the years, it has been his skill at the negotiating table (and away from it) that has made him a billionaire.
And here, in the Universal deal, we see his skill as a Texas Hold


Asking Again

In the A.O. Scott stuff, these questions never seemed to be answered by people posting. And I find them very interesting. So I ask again, with no tongue in cheek, but with sincere interest in your perspectives…
Tell me, is North Country a conservative tract? Sure, it


Missing The SS Joke With Page Six

For whatever reasons, Page Six decides to take a swipe at Steven Soderbergh


Great Tip From A Reader (RP)

The Sony promos from Nip/Tuck’s premiere – which include a new Dick & Jane trailer and first looks at campaigns for Freedomland and All The King’s Men can be found here.
Click on Kelly Carlson and a Java theater comes up with all the pieces.


Keith Richards Running SAG?

As per a very funny reader….


This just in…

From Tuesday’s USA Today aka “The NYT Assignment Desk”…
Adds director Mark Waters (Mean Girls), “It’s clearly not inspired by the Schiavo case.” He doubts those on either side of the right-to-die issue could co-opt what is essentially a fantasy. “It’s not like there is a political or religious agenda to the movie. Everyone wants her to wake up.”
But just as Million Dollar Baby caused a ruckus over its depiction of assisted suicide, Heaven could raise concern over its Hollywood-ized picture of a young and healthy-looking coma patient. Especially since a life force in the form of Witherspoon’s somewhat vaporous presence clearly hovers outside her prone body.


A.O. Krazy 2

Where Scott goes off the rails is not in trying to come up with a more complex analysis of genre films, but in tying their existance and tone to some sort of intent.
As pointed out by others here, the subtext of what is perceived as audience friendly is a discussion. The idea that Just Like Heaven, which is not only completely derivative of films from every decade of the history of narrative cinema, but which was launched before Bush was re-elected, is wacked.
Additionally, adding a context on intent to Emily Rose, which was never intended to be anything but a thriller cheapy, is way off base.
Even if you want to play this game, how about some balance? The top movie of the summer, Star Wars, is on its face anti-empire. On the flip side, it could be said that it is pro-Iraq, as the next films are all about freeing the people from The Empire, which is what Bush-ites would say Iraq is all about. That is the beginning of a long, complex, and unwinnable conversation.
It is insane to sit there at try to deconstruct some screenwriter


Early Weekend Analysis – 9/24

Emily Rose kicked the ass of The Little Girl Who Lives Down The Lane.
Go figure.
It seems that Red Eye brought Flightplan down to its level, instead of Flightplan being the Big to Red Eye


A.O. Krazy

Here is A.O. Scott’s piece on why we should be reading political subtext into Just Like Heaven and The Exorcism of Emily Rose.
My read? Put down the pipe, Tony. I know that every molecule of our body could be, like, an entire universe and we could just be one atom in the body of a giant… but dude, you need to mellow that harsh.


Finally, A Full Movie Weekend

What are you going to see?
A History of Violence
Daltry Calhoun
Dear Wendy
In Her Shoes
Oliver Twist
Roll Bounce
Tim Burton’s The Corpse Bride


Coppola is Finally Getting Back to Work

But do you care? Or is it just me?
From Variety
Francis Ford Coppola will return to directing after an eight-year hiatus with a self-financed, low-budget pic to lense in Bucharest.
The bigscreen adaptation of “Youth Without Youth” is based on the novella by Romanian author and intellectual Mircea Eliade. Coppola penned the screenplay and is producing through his American Zoetrope banner. Fred Roos and Anahid Nazarian exec produce.
Tim Roth, Alexandra Maria Lara, Bruno Ganz and Marcel Iures will star in the pic, skedded to begin production Oct. 3.
Story centers on a professor whose life changes after a cataclysmic incident during the dark years before WWII. Becoming a fugitive, he is pursued through far-flung locations including Romania, Switzerland, Malta and India.


Oscar Chat

is on the awards blog.

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“Critics have said that I’ve made a career out of confounding expectations. Really? Because that’s all I do? That’s how I think about it. Confounding expectations. Like I stay up late at night thinking about how to do it. “What do you do for a living, man?” “Oh, I confound expectations.” You’re going to get a job, the man says, “What do you do?” “Oh, confound expectations. And the man says, “Well, we already have that spot filled. Call us back. Or don’t call us, we’ll call you.” Confounding expectations. I don’t even know what that means or who has time for it.”
~ Bob Dylan

“There was somebody from Creative Screenwriting Magazine who was here earlier, and she said ‘Have you got any advice for writers?’ and I said, ‘Yeah, write standing up’. Because this time around, I bought a cheap little stand off Amazon, and I wrote standing up, because it’s slightly uncomfortable – it’s not so uncomfortable that you can’t do it, it’s slightly uncomfortable. And it means you don’t end up going on the internet, basically, because you’re there to do a fucking job. So I’ll write for 25 minutes… then I’ll go and play on the PlayStation for a bit. And I do this all night. I go nocturnal. And then I go back and I’ll write a bit more, and then I go back to the PlayStation, and then I go back… And hopefully by then, I’ll lose track of time and then I’ll be writing for fucking ages, and then there’s a point where you get excited about it. So my advice for writers is always: write standing up, and get Scrivener, and write in 25 minute bursts, and get a PlayStation.”
~ Charlie Brooker

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