The Hot Blog Archive for August, 2005

The Next "Next New Thing"

While you are done with your Sprinkles cupcake, take a walk around the corner (you need it) to HannSpree, the giant new near-empty storefront on Beverly Drive and get a whiff of the future.
These guys are a little off the mark, but very close to the next big thing in home computing and decorating… theme monitors. They still produce primarily regular televisions, which I don’t see catching on beyond the bedrooms of very wealthy children and kitchens. The TVs are rather small by today’s standards and I doubt that many people want a 52″ baseball TV in their living room.
But as they realize that the market for themed monitors is quite real and that a couple of hundred-dollar premium for a really cool monitor is very viable, their business should take off.
Take a look

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The Festival Blog Starts Its Life

First review… wish it was a better movie…

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Uh….

A Reuters/Holywood Reporter headline says, “Oteri switching teams for ‘Southland Tales’.
With due respect to a talented woman, shouldn’t the headline be “Oteri works!” or “The Rock and Seann William Scott Reunite” or even “We Really Have Nothing Else To Write… Sorry.”

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Okay, Creative Ones…

Looking for the best 25 word take on Paul Haggis’ version of James Bond?

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About Katie's Boys…

If you’re interested, my Hot Button today mentioned: “Four Brothers, I am amazed to say, is a good, old fashioned time at the movies. It is so clearly a The Sons of Katie Elder rip-off, coming out of the studio that owns Katie Elder, that it is surprising not to see any credit to the original, though the studio had it slated as a remake as late as last November. I don’t know what the issue is, but my guess is that it has something to do with the very, very difficult and demanding estate of John Wayne, which may well have remake rights that allow the Waynes to vet production choices. Regardless, John Singleton and the youthful credited writers – David Elliot and Paul Lovett – did a nice job of maintaining the spirit of the original while adapting the whole notion to the modern era.”
That lead to a reader e-mail that pointed out the writers claiming “they’d never seen Elder until after the movie was done” in a Creative Screenwriting podcast interview.
But meanwhile, ln a “New Paramount” story in Variety last November 7, this appeared: “The rest of 2005 includes remakes of “Bad News Bears,” “Last Holiday” and “The Sons of Katie Elder”; and TV-based projects “Aeon Flux” and “The Honeymooners.”"
So…

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What Deadwood Is to Cursing

Rome is to graphic sex… endless, graphic nudity and sex.
Remember when Polly Walker was just sexy? Now we’ll all be expecting her and her 40something implants to have sex with a live animal by episode 3.
How can she not? Her first appearance in the show is fully front, mid-fornication, followed by a bad, followed by being covering in animal blood in a see through frock… oy yoy yoy yoy yoy…
I can’t decide if this show is actually good… but man, it is the raunchiest thing I’ve seen on TV for a while.

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Great V-sar's Ghost!

James Purefoy, the guy playing Marc Antony in HBO’s new show, Rome, is the guy who ended up being let go from the role of V, replaced by Hugo Weaving, in V for Vendetta.

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Sunday Box Office Analysis

ZZZzzzzzzzzzzzz……

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Early Box Office Analysis – 8/27

The Brothers Grimm, which dumped its pretense of being a Terry Gilliam movie (except for people who read newspapers

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Here's An Idea…

… inspired by Stella’s Boy…
What if there was a THX for theater service?
Remember, THX wasn’t a specific hardware package, but a standard bearer.
What if a theater offered PMS – Premium Movie Service… ushers that ushered and threw people out… a 2 minute guarantee at the concessions stand… info about the commercial schedule so you could see what you like or skip it if you like

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It's Hot…

Sorry to leave you guys to your own devices…

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The Rest Of The Story, 2005…

The lost portion of The Scarlett Johansson 911 Transcript follows:
“I’m Scarlett Johansson, an actor… no, The Island was not my fault… do you know how much press I got for fondling Benecio del Toro in an elevator and they couldn’t open that movie… yes… no, just fondling… he had a sore… exactly! if I’m not a big enough star to open The Island, why are these paparazzi following me to Disneyland… okay, but only if you send the police now… ‘What am I, Scarlett Johnasson, doing after personally shutting down Steven Spielberg’s studio? I’m going to Disneyland!’… thanks… are they on the way?… yeah, I got special passes from Jeffrey… yes, they’re real… are you still recording this?”

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Fear & Loathing In The Critics Chair

It’s funny (Not really.) When I saw that Stephen Hunter of The Washington Post was writing on

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My First Toronto List

Here

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Where Have You Gone, Jack Valenti?

If the endless droning about

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The Hot Blog

Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour