The Hot Blog Archive for August, 2005

The Next "Next New Thing"

While you are done with your Sprinkles cupcake, take a walk around the corner (you need it) to HannSpree, the giant new near-empty storefront on Beverly Drive and get a whiff of the future.
These guys are a little off the mark, but very close to the next big thing in home computing and decorating… theme monitors. They still produce primarily regular televisions, which I don’t see catching on beyond the bedrooms of very wealthy children and kitchens. The TVs are rather small by today’s standards and I doubt that many people want a 52″ baseball TV in their living room.
But as they realize that the market for themed monitors is quite real and that a couple of hundred-dollar premium for a really cool monitor is very viable, their business should take off.
Take a look

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The Festival Blog Starts Its Life

First review… wish it was a better movie…

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Uh….

A Reuters/Holywood Reporter headline says, “Oteri switching teams for ‘Southland Tales’.
With due respect to a talented woman, shouldn’t the headline be “Oteri works!” or “The Rock and Seann William Scott Reunite” or even “We Really Have Nothing Else To Write… Sorry.”

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Okay, Creative Ones…

Looking for the best 25 word take on Paul Haggis’ version of James Bond?

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About Katie's Boys…

If you’re interested, my Hot Button today mentioned: “Four Brothers, I am amazed to say, is a good, old fashioned time at the movies. It is so clearly a The Sons of Katie Elder rip-off, coming out of the studio that owns Katie Elder, that it is surprising not to see any credit to the original, though the studio had it slated as a remake as late as last November. I don’t know what the issue is, but my guess is that it has something to do with the very, very difficult and demanding estate of John Wayne, which may well have remake rights that allow the Waynes to vet production choices. Regardless, John Singleton and the youthful credited writers – David Elliot and Paul Lovett – did a nice job of maintaining the spirit of the original while adapting the whole notion to the modern era.”
That lead to a reader e-mail that pointed out the writers claiming “they’d never seen Elder until after the movie was done” in a Creative Screenwriting podcast interview.
But meanwhile, ln a “New Paramount” story in Variety last November 7, this appeared: “The rest of 2005 includes remakes of “Bad News Bears,” “Last Holiday” and “The Sons of Katie Elder”; and TV-based projects “Aeon Flux” and “The Honeymooners.””
So…

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What Deadwood Is to Cursing

Rome is to graphic sex… endless, graphic nudity and sex.
Remember when Polly Walker was just sexy? Now we’ll all be expecting her and her 40something implants to have sex with a live animal by episode 3.
How can she not? Her first appearance in the show is fully front, mid-fornication, followed by a bad, followed by being covering in animal blood in a see through frock… oy yoy yoy yoy yoy…
I can’t decide if this show is actually good… but man, it is the raunchiest thing I’ve seen on TV for a while.

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Great V-sar's Ghost!

James Purefoy, the guy playing Marc Antony in HBO’s new show, Rome, is the guy who ended up being let go from the role of V, replaced by Hugo Weaving, in V for Vendetta.

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Sunday Box Office Analysis

ZZZzzzzzzzzzzzz……

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Early Box Office Analysis – 8/27

The Brothers Grimm, which dumped its pretense of being a Terry Gilliam movie (except for people who read newspapers

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Here's An Idea…

… inspired by Stella’s Boy…
What if there was a THX for theater service?
Remember, THX wasn’t a specific hardware package, but a standard bearer.
What if a theater offered PMS – Premium Movie Service… ushers that ushered and threw people out… a 2 minute guarantee at the concessions stand… info about the commercial schedule so you could see what you like or skip it if you like

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It's Hot…

Sorry to leave you guys to your own devices…

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The Rest Of The Story, 2005…

The lost portion of The Scarlett Johansson 911 Transcript follows:
“I’m Scarlett Johansson, an actor… no, The Island was not my fault… do you know how much press I got for fondling Benecio del Toro in an elevator and they couldn’t open that movie… yes… no, just fondling… he had a sore… exactly! if I’m not a big enough star to open The Island, why are these paparazzi following me to Disneyland… okay, but only if you send the police now… ‘What am I, Scarlett Johnasson, doing after personally shutting down Steven Spielberg’s studio? I’m going to Disneyland!’… thanks… are they on the way?… yeah, I got special passes from Jeffrey… yes, they’re real… are you still recording this?”

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Fear & Loathing In The Critics Chair

It’s funny (Not really.) When I saw that Stephen Hunter of The Washington Post was writing on

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My First Toronto List

Here

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Where Have You Gone, Jack Valenti?

If the endless droning about

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The Hot Blog

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”