The Hot Blog Archive for August, 2005

The Next "Next New Thing"

While you are done with your Sprinkles cupcake, take a walk around the corner (you need it) to HannSpree, the giant new near-empty storefront on Beverly Drive and get a whiff of the future.
These guys are a little off the mark, but very close to the next big thing in home computing and decorating… theme monitors. They still produce primarily regular televisions, which I don’t see catching on beyond the bedrooms of very wealthy children and kitchens. The TVs are rather small by today’s standards and I doubt that many people want a 52″ baseball TV in their living room.
But as they realize that the market for themed monitors is quite real and that a couple of hundred-dollar premium for a really cool monitor is very viable, their business should take off.
Take a look

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The Festival Blog Starts Its Life

First review… wish it was a better movie…

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Uh….

A Reuters/Holywood Reporter headline says, “Oteri switching teams for ‘Southland Tales’.
With due respect to a talented woman, shouldn’t the headline be “Oteri works!” or “The Rock and Seann William Scott Reunite” or even “We Really Have Nothing Else To Write… Sorry.”

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Okay, Creative Ones…

Looking for the best 25 word take on Paul Haggis’ version of James Bond?

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About Katie's Boys…

If you’re interested, my Hot Button today mentioned: “Four Brothers, I am amazed to say, is a good, old fashioned time at the movies. It is so clearly a The Sons of Katie Elder rip-off, coming out of the studio that owns Katie Elder, that it is surprising not to see any credit to the original, though the studio had it slated as a remake as late as last November. I don’t know what the issue is, but my guess is that it has something to do with the very, very difficult and demanding estate of John Wayne, which may well have remake rights that allow the Waynes to vet production choices. Regardless, John Singleton and the youthful credited writers – David Elliot and Paul Lovett – did a nice job of maintaining the spirit of the original while adapting the whole notion to the modern era.”
That lead to a reader e-mail that pointed out the writers claiming “they’d never seen Elder until after the movie was done” in a Creative Screenwriting podcast interview.
But meanwhile, ln a “New Paramount” story in Variety last November 7, this appeared: “The rest of 2005 includes remakes of “Bad News Bears,” “Last Holiday” and “The Sons of Katie Elder”; and TV-based projects “Aeon Flux” and “The Honeymooners.””
So…

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What Deadwood Is to Cursing

Rome is to graphic sex… endless, graphic nudity and sex.
Remember when Polly Walker was just sexy? Now we’ll all be expecting her and her 40something implants to have sex with a live animal by episode 3.
How can she not? Her first appearance in the show is fully front, mid-fornication, followed by a bad, followed by being covering in animal blood in a see through frock… oy yoy yoy yoy yoy…
I can’t decide if this show is actually good… but man, it is the raunchiest thing I’ve seen on TV for a while.

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Great V-sar's Ghost!

James Purefoy, the guy playing Marc Antony in HBO’s new show, Rome, is the guy who ended up being let go from the role of V, replaced by Hugo Weaving, in V for Vendetta.

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Sunday Box Office Analysis

ZZZzzzzzzzzzzzz……

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Early Box Office Analysis – 8/27

The Brothers Grimm, which dumped its pretense of being a Terry Gilliam movie (except for people who read newspapers

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Here's An Idea…

… inspired by Stella’s Boy…
What if there was a THX for theater service?
Remember, THX wasn’t a specific hardware package, but a standard bearer.
What if a theater offered PMS – Premium Movie Service… ushers that ushered and threw people out… a 2 minute guarantee at the concessions stand… info about the commercial schedule so you could see what you like or skip it if you like

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It's Hot…

Sorry to leave you guys to your own devices…

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The Rest Of The Story, 2005…

The lost portion of The Scarlett Johansson 911 Transcript follows:
“I’m Scarlett Johansson, an actor… no, The Island was not my fault… do you know how much press I got for fondling Benecio del Toro in an elevator and they couldn’t open that movie… yes… no, just fondling… he had a sore… exactly! if I’m not a big enough star to open The Island, why are these paparazzi following me to Disneyland… okay, but only if you send the police now… ‘What am I, Scarlett Johnasson, doing after personally shutting down Steven Spielberg’s studio? I’m going to Disneyland!’… thanks… are they on the way?… yeah, I got special passes from Jeffrey… yes, they’re real… are you still recording this?”

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Fear & Loathing In The Critics Chair

It’s funny (Not really.) When I saw that Stephen Hunter of The Washington Post was writing on

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My First Toronto List

Here

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Where Have You Gone, Jack Valenti?

If the endless droning about

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The Hot Blog

Quote Unquotesee all »

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas