The Hot Blog Archive for June, 2005

Whose Access Is It Anyway?

In my e-mail box, I just found a Forbes Newsletter proclaiming “First Review: War Of The Worlds.”
The author is Variety’s Todd McCarthy. Variety shares ad space on the Forbes page.
And my reaction is shock.
Why?
Because Variety is now trading on its industry status, which has allowed it to bully studios in the internet era into at least maintaining parity with internet sites and often into early screenings (they saw WoTW weeks before The New York Times). But it’s no longer just for editorial advantage and prestige. Now it is a direct, undeniable commerce issue.
And I say, “Foul.”
If the studios go down this road publicly – which is to allow to slide by the backdoor deals with the “fan site” AICN – there will be no high ground by which to do business with other outlets. If Variety can use a “First Review” claim (which is not true, btw) to its financial benefit, isn’t it directly damaging to The New York Times not to have that access?
Now, it might be a fluke. Embargo rules were all over the place on this particular movie, worldwide. Toes were stepped on and for one of the first times, a lot of people who don’t usually care complained.
But if it isn’t… is “First Review” is worth more than prestige and attention, but actually financial upside… the spiral will speed up and pirated previews – including test screening reviews – will not only become morally acceptable, but lionized by regular folks in a way they are not already.

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Too Funny Not To…

Image by Banterist.com, Found via Defamer
tomcruisexbox.jpg

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Cinderella Guarantees Your Slipper

If you haven’t read the story
But is it like a restaurant? How much of your food do you eat before you start demanding the manager? How much would you have to dislike a movie before asking for your money back?
I can’t imagine ever asking for my money back based on quality. I was not the biggest fan of Cinderella Man, but I respect that I paid to see something that people worked hard to make and put real blood, sweat, and tears into. I feel free to criticize, but withdrawing my money would feel like me trying to get something for nothing and I couldn’t do it.
Could you? Would you?
(Didn’t Brian Grazer see S.O.B.? Make Cinderella Man into a musical and re-release it!!! Russell singing “In My Own Little Corner.” Paul Giamatti as The Fairy Godmother. It’s a sure smash!!!)

60 Comments »

What Would Be Funniest?

A. A major release being sent to a web site for repeated viewings with no embargo while the entire NY media was forced to sign paperwork holding to a Wed. embargo date
B. One of the trades hiring an aging gossip columnist
C. A company hurt by the premature release of CG images on a huge film releasing CG images prematurely on an even bigger film

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Three Legs… You're Out!

Read.
React.

171 Comments »

Trailer Chat

Go!

116 Comments »

The Slump Redux

I spent a lot of time on Thursday and Friday trying to get all of my numbers to work… then I took two days off (thinking about it endlessly) and then I figured out my mistake. Somehow, in dealing with Excel, I left Shrek 2 off the 2004 numbers. And fortunately, I could smell it, even if I couldn’t see it. So with that fixed…
It is in The Hot Button, about to go up, but the punchline is… studios are about even for the year, indies are way down (about $390 million), and the holdover dollars from films released last year is actually ahead this year by around $100 million.
So for “Hollywood,” The Slump is non-existant.
For indies, the slump is beyond Passion of The Christ… even with no major winner to suck out business, the indies have not found films to match last year without Passion, much less with it.
And as weak as this year’s Oscar slate was perceived to be at the box office, the Fockers more than matched Return of the King’s holdover and the Oscar dollars for Milion Dollar Baby and Sideways in particular made it a good Oscar holdover year.
chicken little.gif

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Something For Y'All To Chew On

Here is the number I have… if anyone wants to scream about it somehow being wrong, go for it. This has been lingering since Thursday and I admit, I am a little anxious about somehow having missed something.
According to my calculation, the major studios and their divisions opened 89 movies, grossing $3,080,207,993, as of June 17.
As of June 18 last year, the same studios released 94 movies and to June 18, grossed $2,778,780,593.
So the studio business is, but this calculation, up by $301,427,400 this year.
The flip side, of course, is that the true indie sector is down by $399,938,032 with 149 release this year versus 161 to this date last year.
So outside of emotional takes on “The Slump,” what do you think about the details?

36 Comments »

Early Friday Boxoffice Estimates

1. Batman Begins – $8.4m
2. Betwitched – $8.0m
3. Mr. & Mrs. Smith – $5.1m
4. Land of the Dead – $4.4m
5. Herbie: Fully Loaded – $4.1m
6. Madagascar – $2.2m
7. The Longest Yard – $1.7m
8. Star Wars: Episode III – $1.6m
9. Shark Boy & Lava Girl – $1.1m
10. Cinderella Man – $1.0m
Not much analysis right now (I’ve heading to a screening of Rebound), except to say that you could easily see Herbie jump into the 3-spot on Saturday.

130 Comments »

Do You Think…

… there is a good reason for the Elizabethtown trailer being cut like any dumb studio romantic comedy instead of accentuating the fact that this is a Cameron Crowe film?
Addition, 6:52p, Fri – My guess is that you who are responding are not refering to the trailer, linked above, but the “internet preview,” which has all the Crowe earmarks and looks wonderful.

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Armond White Says…

… Nora Ephron is “perhaps the most inept director in Hollywood today.”
Is she? What other candidates should be considered?

107 Comments »

Adding "No Guests" Injury To "Wait Til 29 Hours Before Release To See The Movie" Insult

This went out to professional journalists, regarding the Monday screening of War of the Worlds in non-LA/NY markets. Oy!
“Greetings!
Just a few reminders about the upcoming WAR OF THE WORLDS screening this Monday, June 27 – we appreciate in advance for your cooperation!
Absolutely NO GUESTS – we will have a reserved section for press and it is for press only. Even if you do not plan on seating in the reserved section, there will still be no guests allowed. Everyone (except for press) entering the theater will need a physical ticket.
We have been asked to increase security measures at the theater. This means everyone will be go thru the wanding process, and no one will be allowed to bring in any purses, handbags, backpacks (anything that remotely resembles these items), no cameras, tape recorders, cell phones, picture phones, etc…
We think you get the idea. We are strongly suggesting you leave all these types of items at home. However, if you choose to bring them, we will have a place for you to check them and all items will be kept in a secure, locked area during the screening and returned immediately following.
Sorry for any inconvenience this may cause and again, we greatly appreciate your cooperation.
Thank you very much.”

62 Comments »

So Far…

Nothing I’ve seen in the Bewitched spots is as funny as the TV show was…

18 Comments »

The Hot Blog has moved…

The Hot Blog is finally moving onto MCN turf.

The new URL is…

/columnists/poland/

I’ll be posting to both sites for a short while, but the sooner you start commenting over there instead of over there, the sooner the smooth transition will be complete…

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The Hot Blog

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson