Movie City Indie

Six Minutes With The Safdies In The Criterion Closet

The Key West Hemingway Cats Are Safe (With 66-Second Doc On 12-Toed Cats)


12 Toes from Ray Pride on Vimeo.

Trailering Ai Weiwei’s “Human Flow”

PTA’s “Right Now” Video For Haim (4’31”)

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Jonathan Demme in the Modern World: On MANCHURIAN CANDIDATE (2004)

Unlike his actors, Demme saw John Frankenheimer’s film on its first release. “I saw the original when I was a teenager,” he tells me. “I was an avid moviegoer, I saw everything,” he says, hardly taking a breath.

DEMME: Everything, everything. I was really hooked on movies at a very young age. The Manchurian Candidate, along with Seven Days in May, Fail-Safe and Dr. Strangelove [were] this quartet of anarchistic black-and-white American movies, each of which did things that you just didn’t do in American movies, especially in the realm of irreverence toward politics and government institutions and the Army. I was what, 16, it was shocking, it was thrilling and interestingly, it predated my exposure to the French New Wave, so in away, this was the American, a certain kind of new wave in American movies. So Manchurian Candidate was a trailblazer, it was a shocker, it was a great picture and it altered the way I thought about movies! [Demme caps the rush of words with a pleased whooshing sound.]

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Trailering Sofia Coppola’s THE BEGUILED (2’22”)

Terrence Malick, Man In The Hat… But Not Always

Terrence-Malick

Now that Terrence Malick has shown his face and sounded his voice in public spaces for Song To Song and Voyage of Time, how many clandestine cameos have been hiding in plain sight?

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The Complete Cast Of “Twin Peaks,” Season Three

TP Cast 1 TP Cast 2

Debuted 27 years ago today. Returns a mere six weeks from now…

Agnès Varda At ARTFORUM (16’25”)

Other Side Of the Mind: Orson Welles Interviews Andy Kaufman (6’17”)

[Via Boingboing.]

Movie City Indie

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“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz