Movie City Indie

Trailering THE BABADOOK (2’22″)

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Teasing A MOST VIOLENT YEAR (1’21″)

All is not lost.

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Martin Scorsese’s Tisch School Of The Arts Speech (32’07″)


“Dean Mary Schmidt Campbell addressed 1,275 members of the Tisch School of the Arts class of 2014 at Radio City Music Hall on May 23, 2014. Martin Scorsese ’64/’68/Hon. ’92 was the honored speaker.”

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From VICE, Spike Jonze’s “Surprise Music Video For Karen O” (1’52″)

At YouTube, Jonze writes: “On Sunday we made a one-act play for my friend Humberto’s company, Opening Ceremony. The idea was to do a play instead of a regular fashion show during Fashion Week, and, miraculously, we were able to do it at the New York Metropolitan Opera House. (Thank you, Peter Gelb and everyone at the Met!) Also, this week my dear friend Karen is putting out her first solo album of precious, personal love and heartache gems titled Crush Songs. They are songs made so intimately and spontaneously alone in her bedroom a few years ago that they feel more like unguarded whispers from her heart than a traditionally produced album. So on Sunday, during a ten-minute break as we were rehearsing and lighting at the Met, we made a very impromptu “music video” for Karen in the spirit of her album. It just seemed like if you have the Opera House, that song, and Elle Fanning together, you shouldn’t let the opportunity go by. So we made this as a surprise gift for Karen to congratulate her on her album. She is going to see this for the first time as you do. I hope you enjoy.”

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Trailering MAPS TO THE STARS (1’55″)

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Teasing GONE GIRL (1’17″)

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Movie City Indie

Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour