Movie City Indie

Trailering Sofia Coppola’s THE BEGUILED (2’22”)

Terrence Malick, Man In The Hat… But Not Always

Terrence-Malick

Now that Terrence Malick has shown his face and sounded his voice in public spaces for Song To Song and Voyage of Time, how many clandestine cameos have been hiding in plain sight?

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The Complete Cast Of “Twin Peaks,” Season Three

TP Cast 1 TP Cast 2

Debuted 27 years ago today. Returns a mere six weeks from now…

Agnès Varda At ARTFORUM (16’25”)

Other Side Of the Mind: Orson Welles Interviews Andy Kaufman (6’17”)

[Via Boingboing.]

Patti Smith in SONG BY SONG (1’04”)


[Via DAZED.]

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Terrence Malick At SXSW (31’37”)

In Ultra-Contemporary Portrait Format!

Picturing Terrence Malick’s SONG TO SONG

Song to Song Song to SongSong to Song Song to SongSong to Song
Song to Song

Song to Song

Teasing David Fincher’s “Mindhunter” (0’59”)

Terrence Malick For Guerlain (0’59”)

Inside LA LA LAND’s Opening Number (3’05”)

Movie City Indie

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray