Every Ray Harryhausen Creature In Chronological Order (4’38″)

David Gordon Green at Tribeca’s Future of Film (55’38″)

Bloomberg: “Millions Use Netflix Without Paying” (video)

Making ONLY GOD FORGIVES (1’04″)

Behind the scenes clip #1 from Scanbox Filmdistribution on Vimeo.

Making BEHIND THE CANDALABRA (11’46″)

Tribeca’s Future of Film: David Denby + A.O. Scott (1″00’35″)

Cronenberg On Cronenberg (1″27’45″)

Baz Gazes Gatz (gallery)

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Postering THE BLING RING

Ironic sans?

Postering Trier’s NYMPHOMANIAC

[TrustNordisk.]

Albert Maysles On Capturing Truth (18’46″)

[Via Scott Feinberg.]

Jerry Works Lightly Blue At KING OF COMEDY Appearance (2’30″)

On Collaboration: Leigh Whannel & James Wan

“The writer and director of the original SAW and 2011′s INSIDIOUS talk about how they collaborate Chicago, Park Hyatt Hotel, 8 March 2011.”

Tribeca FF’s “Film & Content Distribution Panel” (55’58″)

Joshua Topolsky of The Verge moderated Tribeca’s April 22 Future of Film Live series panel “The Big Picture: Film Distribution Today” with Richard Wellerstein (AT&T U-Verse), Mike Imbesi (Comcast), Avner Ronen (Boxee) and Kristin Jones (Vuguru).

“State of Cinema: Steven Soderbergh” (39’35″)

After successful viral increments, Mr. Soderbergh has allowed the “archival” recording of his speech to be published on the SF Film Society blog, along with a rush transcript: “A few months ago I was on this Jet Blue coming from New York to Burbank, and I like Jet Blue not because of the prices, but they have this terminal at JFK that’s really nice. I think it may be the nicest terminal in the country although I have to say of this country, if you want to see some great airports you have to go to a major city in another part of the world—they have amazing, amazing airports, they’re incredible and they’re quiet. You’re not being assaulted by music all the time. I don’t know when it was decided that we all need a soundtrack everywhere we go. I was just in the bathroom upstairs and there was a soundtrack, accompanying me at the urinal, I don’t understand Anyways, I’m getting comfortable in my seat—I spent the extra 60 bucks for the legroom so we’re hitting altitude and I’m getting a little comfortable—and there’s this guy who is in the other side of the aisle in front of me and he pulls out his iPad; he’s about to start watching stuff. I’m curious as to what he’s going to watch. He’s a white guy in his mid-30s and what he’s done is he’s loaded in half-a-dozen, sort of, “action extravaganzas” and he’s watching each of the action sequences. He’s skipping over all the dialogue and the narrative. So this guy’s flight is just going to be five-and-a-half hours of mayhem…” [Transcript continues here.]