Movie City Indie Archive for November, 2017

Craft Summit 2017: The Art of Editing with Walter Murch (58 min)

19 For Your Consideration Screenplays Await

momzer

 

PDF downloads, for at least the duration of the 2017 awards season.

Battle of the Sexes, written by Simon Beaufoy

Beauty and the Beast, screenplay by Stephen Chbosky and Evan Spiliotopoulos; based on 1991 animated film written by Linda Woolvert

The Beguiled, Written by Sofia Coppola, based on the novel by Thomas Cullinan

The Big Sick, Written by Kumail Nanjiani & Emily V. Gordon

Brad’s Status, Written by Mike White

Breathe, Written by William Nicholson

First They Killed My Father, Screenplay by Loung Ung & Angelina Jolie; Based on the Book “First They Killed My Father: A Daughter of Cambodia Remembers” by Loung Ung

Guardians of the Galaxy V. 2. Written by James Gunn.

I, Tonya, Written by Steven Rogers

Last Flag Flying, by Richard Linklater & Darryl Ponicsan

Logan, Story by James Mangold. Screenplay by Scott Frank & James Mangold and Michael Green

The Lost City of Z, Screenplay by James Gray; Based on the Book by David Grann

The Man Who Invented Christmas, Screenplay by Susan Coyne; Based on the Book by Les Standiford

The Meyerowitz Stories (New and Selected), Written by Noah Baumbach

mother!, Written by Darren Aronofsky

Mudbound, Screenplay by Virgil Williams and Dee Rees; Based on the Novel by Hillary Jordan

Okja, Written by Bong Joon Ho and Jon Ronson

The Shape of Water, Written by Guillermo del Toro & Vanessa Taylor [withdrawn]

Three Billboards Outside Ebbing, Missouri, Written by Martin McDonagh

Wonderstruck, Written by Brian Selznick

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch