Movie City Indie Archive for February, 2017

Terrence Malick For Guerlain (0’59”)

Inside LA LA LAND’s Opening Number (3’05”)

Trailering Terence Malick’s SONG TO SONG (1’37”)

Could a film be brilliant self-parody as well as lucid dream? So many gestures the most intolerant critics criticized about Terrence Malick’s Knight of Cups are front-and-center here. (As a trailer, it’s both tender and confrontational: Don’t like where I’ve gone? I haven’t gone anywhere.)

Teasing Lucrecia Martel’s ZAMA (1’05”)

Keith Maitland’s TOWER On Independent Lens

Keith Maitland’s intricately conceived and executed Tower, a hybrid, mixed-media documentary, takes advantage of the versatility and cost-effectiveness of animation to reflect on American’s first mass shooting at a school, from the University of Texas Tower on August 1, 1966, when thirteen were murdered and thirty wounded in ninety-six minutes. As with other experiments in the form, like Ari Folman’s Waltz with Bashir, rotoscoped animation has the effect of bringing us both closer and removing us from the events, which are also shown in archival footage. (Richard Linklater’s Austin-made Waking Life is, of course, another important reference.)

[A clip: “Pregnant teenager remembers the moment she was shot.]

The mingling of real and unreal, depicting the events via first-person testimonies is dreamy, and it’s a nightmare. It’s also emotionally shattering, a feat of imagination, but also a feat of empathy. Animation allows the witnesses we hear to also remain  the age onscreen they were fifty years ago, innocent, hopeful, not yet under attack. Elemental yet expressionistic, Tower is an admirable attainment, a broadside from the solar plexus, and the powerhouse ending, partially narrated by Walter Cronkite commenting in the day, is magnificently measured. So much tenderness! So much humanity. Those ten minutes so heartfelt, affirmative, I cried.

[Debuts Tuesday, 14 February at 10pm in most markets.]

Teasing Sofia Coppola’s THE BEGUILED

Movie City Indie

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“Don’t work with assholes. Ever. No matter what they’re offering, no matter what they bring to the table. If they’re the sort of person where the phone rings at 10 o’clock at night and you wince because you see that it’s them, then don’t do business with them. One asshole will ruin your life. I’ve managed my entire TV and filmmaking career to work with people I like and respect. If the point comes where I don’t like or respect someone, I don’t work with them anymore.”

– Anthony Bourdain

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh