Movie City Indie Archive for November, 2016

“Under The Influence”: Barry Jenkins on Wong Kar-wai

Trailering Richard Kelly’s DONNIE DARKO Restoration (1’35”)

Scenes From Editor Anne V. Coates’ Governor’s Award

Scenes From Frederick Wiseman’s Governors’ Award



Jon Brion On PUNCH-DRUNK LOVE And The H’wd Musical (2’40”)

Criterion Video-Tributes Raoul Coutard (4’43” vid)

Media Nonprofits Solicit In Current Moment: IDA, The Baffler

THE INDEPENDENT DOCUMENTARY ASSOCIATION

A Message from the IDA
Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate and connected world. That’s the first sentence of our mission statement. It’s what we believe and why we do what we do.
At the moment there is a lot of uncertainty about what this election and incoming administration will mean for many of the values we hold dear and the issues we care most deeply about. But it is absolutely certain that the work of independent documentary makers is more important now than ever. And we know that makes our work supporting this community more important than ever.
The IDA has always highlighted the vital role that documentary artists, activists and journalists play in our democracy. And in the days and years ahead, we promise to support you as you tell important stories that shine a light on dark places, call out injustice and speak truth to power. As an organization, we will work hard to defend your rights and amplify your voices.
As a community, you are resourceful, scrappy, passionate and brave. Keep making movies. Keep making a difference.
We see this new reality we’re facing as an opportunity to redouble our efforts, so we want to hear from you about how we can best support our community. Reach out to us at listen@documentary.org or by responding to this letter.
In partnership,
The IDA

THE BAFFLER

Dear friend,

I’m thirty-four. I voted for the first time in 2000. Now, for the second time in my adult life, we face the prospect of a right-wing idiot in the White House, surrounded by the scum of the earth as his appointees and advisers. And, amazingly, this time around the nation’s future looks even more grim. We hope you’ll agree that the work of The Baffler is going to be crucial in the time ahead.


We have the best analyses of what’s wrong with the American political, media, and business establishment—and we will help figure out the best strategies for fighting a new breed of fascism with American characteristics. Reading The Baffler will be a source of solace, of community in the face of danger, and of constructive suggestions in the face of helplessness.


The Baffler Foundation, our parent organization that exists solely to publish the magazine, relies mostly on donations. As we enter this perilous era, please give now and help us get the intellectual fight back into gear before it’s too late.

Yours,
Noah McCormack
Publisher

Movie City Indie

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“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho