Movie City Indie Archive for November, 2016

“Under The Influence”: Barry Jenkins on Wong Kar-wai

Trailering Richard Kelly’s DONNIE DARKO Restoration (1’35”)

Scenes From Editor Anne V. Coates’ Governor’s Award

Scenes From Frederick Wiseman’s Governors’ Award



Jon Brion On PUNCH-DRUNK LOVE And The H’wd Musical (2’40”)

Criterion Video-Tributes Raoul Coutard (4’43” vid)

Media Nonprofits Solicit In Current Moment: IDA, The Baffler

THE INDEPENDENT DOCUMENTARY ASSOCIATION

A Message from the IDA
Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate and connected world. That’s the first sentence of our mission statement. It’s what we believe and why we do what we do.
At the moment there is a lot of uncertainty about what this election and incoming administration will mean for many of the values we hold dear and the issues we care most deeply about. But it is absolutely certain that the work of independent documentary makers is more important now than ever. And we know that makes our work supporting this community more important than ever.
The IDA has always highlighted the vital role that documentary artists, activists and journalists play in our democracy. And in the days and years ahead, we promise to support you as you tell important stories that shine a light on dark places, call out injustice and speak truth to power. As an organization, we will work hard to defend your rights and amplify your voices.
As a community, you are resourceful, scrappy, passionate and brave. Keep making movies. Keep making a difference.
We see this new reality we’re facing as an opportunity to redouble our efforts, so we want to hear from you about how we can best support our community. Reach out to us at listen@documentary.org or by responding to this letter.
In partnership,
The IDA

THE BAFFLER

Dear friend,

I’m thirty-four. I voted for the first time in 2000. Now, for the second time in my adult life, we face the prospect of a right-wing idiot in the White House, surrounded by the scum of the earth as his appointees and advisers. And, amazingly, this time around the nation’s future looks even more grim. We hope you’ll agree that the work of The Baffler is going to be crucial in the time ahead.


We have the best analyses of what’s wrong with the American political, media, and business establishment—and we will help figure out the best strategies for fighting a new breed of fascism with American characteristics. Reading The Baffler will be a source of solace, of community in the face of danger, and of constructive suggestions in the face of helplessness.


The Baffler Foundation, our parent organization that exists solely to publish the magazine, relies mostly on donations. As we enter this perilous era, please give now and help us get the intellectual fight back into gear before it’s too late.

Yours,
Noah McCormack
Publisher

Movie City Indie

Quote Unquotesee all »

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant

“To say I knew exactly what I was doing at the outset — what’s that called? I think that would be a lie. Wormwood is something that was figured out as we went along. There was a kind of plan. My sales pitch to Netflix was, ‘I’m going to create the cinematic version of the everything bagel, except no raisins. I don’t like them in bagels. I think raisins are wrong, at least as far as bagels are concerned. But I told them I wanted to do something that combines straight drama, reenactments, archival research, various diverse graphics elements, and on and on and on. It wasn’t going to be documentary business as usual. It was going to be something different. I have suffered for years this idea that interviews aren’t directing and that there’s something really different about real people and actors. Whereas I’ve always believed that it’s really about performance — eliciting a performance, creating a performance on film. That’s true of interviews, it’s true of scripted material, it’s true of reenactments, it’s true of everything. It’s all direction.”
~ Errol Morris