Movie City Indie Archive for November, 2016

“Under The Influence”: Barry Jenkins on Wong Kar-wai

Trailering Richard Kelly’s DONNIE DARKO Restoration (1’35”)

Scenes From Editor Anne V. Coates’ Governor’s Award

Scenes From Frederick Wiseman’s Governors’ Award



Jon Brion On PUNCH-DRUNK LOVE And The H’wd Musical (2’40”)

Criterion Video-Tributes Raoul Coutard (4’43” vid)

Media Nonprofits Solicit In Current Moment: IDA, The Baffler

THE INDEPENDENT DOCUMENTARY ASSOCIATION

A Message from the IDA
Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate and connected world. That’s the first sentence of our mission statement. It’s what we believe and why we do what we do.
At the moment there is a lot of uncertainty about what this election and incoming administration will mean for many of the values we hold dear and the issues we care most deeply about. But it is absolutely certain that the work of independent documentary makers is more important now than ever. And we know that makes our work supporting this community more important than ever.
The IDA has always highlighted the vital role that documentary artists, activists and journalists play in our democracy. And in the days and years ahead, we promise to support you as you tell important stories that shine a light on dark places, call out injustice and speak truth to power. As an organization, we will work hard to defend your rights and amplify your voices.
As a community, you are resourceful, scrappy, passionate and brave. Keep making movies. Keep making a difference.
We see this new reality we’re facing as an opportunity to redouble our efforts, so we want to hear from you about how we can best support our community. Reach out to us at listen@documentary.org or by responding to this letter.
In partnership,
The IDA

THE BAFFLER

Dear friend,

I’m thirty-four. I voted for the first time in 2000. Now, for the second time in my adult life, we face the prospect of a right-wing idiot in the White House, surrounded by the scum of the earth as his appointees and advisers. And, amazingly, this time around the nation’s future looks even more grim. We hope you’ll agree that the work of The Baffler is going to be crucial in the time ahead.


We have the best analyses of what’s wrong with the American political, media, and business establishment—and we will help figure out the best strategies for fighting a new breed of fascism with American characteristics. Reading The Baffler will be a source of solace, of community in the face of danger, and of constructive suggestions in the face of helplessness.


The Baffler Foundation, our parent organization that exists solely to publish the magazine, relies mostly on donations. As we enter this perilous era, please give now and help us get the intellectual fight back into gear before it’s too late.

Yours,
Noah McCormack
Publisher

Movie City Indie

Quote Unquotesee all »

“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz