Movie City Indie Archive for October, 2014

The Late George Sluizer on THE VANISHING (2013, 1’50”)

A Compendium Of Conversations With Laura Poitras And Edward Snowden About CITIZENFOUR

Edward Snowden introduces CITIZENFOUR at Leipzig Doc.

Laura Poitras: “I began documenting something in an observational way and then got pulled into the history that I was documenting. That certainly happened when I was put on a watch list by the U.S. government and began to be detained at borders. But it wasn’t just because I was put on a watch list that I was interested in surveillance. Over the course of my films, I’ve shifted from thinking that the pendulum swung in one direction after 9/11 and would swing back, to being less naive about the choices that were made. Surveillance is one of the ways the national-security state expanded after 9/11. I always thought that, after doing the Guantanamo film, I wanted to do something to bring the story home, and surveillance is set in the U.S. But it seemed like a tough theme to approach in a documentary because it’s hidden.” Conor Friedersdorf talks to Laura Poitras

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Laura Poitras’ Post-CITIZENFOUR Columbia, MO Q&A (32’19”)

Does this matter? This matters.

WIRED On The Science Of Interstellar (3’38”)

Red-Band Trailering THE GAMBLER Remake

Trailering Laura Poitras’ CITIZENFOUR (1’27”)

Chilling. Thrilling? Debuts tonight at NYFF.

Movie City Indie

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain