Movie City Indie Archive for October, 2014

A Compendium Of Conversations With Laura Poitras And Edward Snowden About CITIZENFOUR

Edward Snowden introduces CITIZENFOUR at Leipzig Doc.

Laura Poitras: “I began documenting something in an observational way and then got pulled into the history that I was documenting. That certainly happened when I was put on a watch list by the U.S. government and began to be detained at borders. But it wasn’t just because I was put on a watch list that I was interested in surveillance. Over the course of my films, I’ve shifted from thinking that the pendulum swung in one direction after 9/11 and would swing back, to being less naive about the choices that were made. Surveillance is one of the ways the national-security state expanded after 9/11. I always thought that, after doing the Guantanamo film, I wanted to do something to bring the story home, and surveillance is set in the U.S. But it seemed like a tough theme to approach in a documentary because it’s hidden.” Conor Friedersdorf talks to Laura Poitras

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Laura Poitras’ Post-CITIZENFOUR Columbia, MO Q&A (32’19”)

Does this matter? This matters.

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WIRED On The Science Of Interstellar (3’38”)

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Red-Band Trailering THE GAMBLER Remake

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Trailering Laura Poitras’ CITIZENFOUR (1’27”)

Chilling. Thrilling? Debuts tonight at NYFF.

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Movie City Indie

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“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”

The race stuff blew up first. The second night we aired was the first time I met my boyfriend; we were on a blind date. I had been metabolizing the criticism all week, and I made a really, really dumb joke that I’m perfectly fine to repeat now ’cause I was fuckin’ 25. I said, ‘No one would be calling me a racist if they knew how badly I wanted to fuck Drake.’ He said, ‘Don’t say that in public; that’s not going to help you.’ I just didn’t get it. I was like, ‘I have the three most annoying white friends, and I’m making a TV show about it.'”
~ Lena Dunham