Movie City Indie Archive for September, 2014

Trailering Paul and Tom’s INHERENT VICE (2’01”)

Jesus, it really is a ZAZ joint, is it not? Whoa.

58-second Australian INTERSTELLAR TV Spot Offers More Plot

[Via Australian TV Sports & Music Almanac.]

Int’l Trailering JUPITER ASCENDING (2’18”)

Trailering THE BABADOOK (2’22”)

4 Tracks From Trent Reznor & Atticus Ross’ GONE GIRL Soundtrack

Teasing A MOST VIOLENT YEAR (1’21”)

All is not lost.

Trailering Alex Ross Perry’s LISTEN UP PHILIP (1’52”)

David Lynch Walk-Throughs His PAFA Art Exhibition (2’13”)

Martin Scorsese’s Tisch School Of The Arts Speech (32’07”)


“Dean Mary Schmidt Campbell addressed 1,275 members of the Tisch School of the Arts class of 2014 at Radio City Music Hall on May 23, 2014. Martin Scorsese ’64/’68/Hon. ’92 was the honored speaker.”

From VICE, Spike Jonze’s “Surprise Music Video For Karen O” (1’52”)

At YouTube, Jonze writes: “On Sunday we made a one-act play for my friend Humberto’s company, Opening Ceremony. The idea was to do a play instead of a regular fashion show during Fashion Week, and, miraculously, we were able to do it at the New York Metropolitan Opera House. (Thank you, Peter Gelb and everyone at the Met!) Also, this week my dear friend Karen is putting out her first solo album of precious, personal love and heartache gems titled Crush Songs. They are songs made so intimately and spontaneously alone in her bedroom a few years ago that they feel more like unguarded whispers from her heart than a traditionally produced album. So on Sunday, during a ten-minute break as we were rehearsing and lighting at the Met, we made a very impromptu “music video” for Karen in the spirit of her album. It just seemed like if you have the Opera House, that song, and Elle Fanning together, you shouldn’t let the opportunity go by. So we made this as a surprise gift for Karen to congratulate her on her album. She is going to see this for the first time as you do. I hope you enjoy.”

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Trailering MAPS TO THE STARS (1’55”)

“I Don’t Want To Die In Canada” (1’00”) From TUSK

Movie City Indie

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain