Movie City Indie Archive for September, 2014

Trailering Paul and Tom’s INHERENT VICE (2’01”)

Jesus, it really is a ZAZ joint, is it not? Whoa.

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58-second Australian INTERSTELLAR TV Spot Offers More Plot

[Via Australian TV Sports & Music Almanac.]

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Int’l Trailering JUPITER ASCENDING (2’18”)

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Trailering THE BABADOOK (2’22”)

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Teasing A MOST VIOLENT YEAR (1’21”)

All is not lost.

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Martin Scorsese’s Tisch School Of The Arts Speech (32’07”)


“Dean Mary Schmidt Campbell addressed 1,275 members of the Tisch School of the Arts class of 2014 at Radio City Music Hall on May 23, 2014. Martin Scorsese ’64/’68/Hon. ’92 was the honored speaker.”

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From VICE, Spike Jonze’s “Surprise Music Video For Karen O” (1’52”)

At YouTube, Jonze writes: “On Sunday we made a one-act play for my friend Humberto’s company, Opening Ceremony. The idea was to do a play instead of a regular fashion show during Fashion Week, and, miraculously, we were able to do it at the New York Metropolitan Opera House. (Thank you, Peter Gelb and everyone at the Met!) Also, this week my dear friend Karen is putting out her first solo album of precious, personal love and heartache gems titled Crush Songs. They are songs made so intimately and spontaneously alone in her bedroom a few years ago that they feel more like unguarded whispers from her heart than a traditionally produced album. So on Sunday, during a ten-minute break as we were rehearsing and lighting at the Met, we made a very impromptu “music video” for Karen in the spirit of her album. It just seemed like if you have the Opera House, that song, and Elle Fanning together, you shouldn’t let the opportunity go by. So we made this as a surprise gift for Karen to congratulate her on her album. She is going to see this for the first time as you do. I hope you enjoy.”

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Trailering MAPS TO THE STARS (1’55”)

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Movie City Indie

Quote Unquotesee all »

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”