Movie City Indie Archive for February, 2014

Steven Soderbergh on KING OF THE HILL (2’27”)

[Via Criterion.]

Teasing ENEMY (NSFW) (0’49”)

Harold Ramis’ Advice On Filmmaking (8’32”)

INT. PHIL’S ROOM – DAWN

INT. PHIL'S ROOM - DAWN

Harold Ramis’ Father-Son Talk From KNOCKED UP (2’41”)

Why Harold Ramis Loves The Library (2010) (0’28”)

Noam Chomsky On “Zombies And Apocalypse” (6’00”)

“My guess is that it’s a reflection of fear and desperation. The United States is an unusually frightened country, and in such circumstances, people concoct, maybe for escape or relief, [narratives] in which terrible things happen. Fear in the United States is actually a pretty interesting phenomenon. It actually goes back to the colonies — there’s a very interesting book by a literary critic, Bruce Franklin, called War Stars. It’s a study of popular literature…from the earliest days to the present, and there are a couple of themes that run through it that are pretty striking. For one thing, one major theme in popular literature is that we’re about to face destruction from some terrible, awesome enemy, and at the last moment we’re saved by a superhero, or a super-weapon — or, in recent years, high school kids going to the hills to chase away the Russians. There’s a sub-theme: it turns out this enemy, this horrible enemy that’s going to destroy us, is someone we’re oppressing. So you go back to the early years, the terrible enemy was the Indians.”

Transcript.

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Agnès B. on Marilyn Monroe and Glamor (2’47”)

[Video by Jaime Wolf.]

Trailering Arnaud Desplechin’s JIMMY P (1’55”)

An Hour With Bill Murray On “Charlie Rose”

RIP Maggie Estep: “Hey Baby” (2’20”)

Movie City Indie

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch