Movie City Indie Archive for February, 2014

Steven Soderbergh on KING OF THE HILL (2’27”)

[Via Criterion.]

Teasing ENEMY (NSFW) (0’49”)

Harold Ramis’ Advice On Filmmaking (8’32”)

INT. PHIL’S ROOM – DAWN

INT. PHIL'S ROOM - DAWN

Harold Ramis’ Father-Son Talk From KNOCKED UP (2’41”)

Why Harold Ramis Loves The Library (2010) (0’28”)

Noam Chomsky On “Zombies And Apocalypse” (6’00”)

“My guess is that it’s a reflection of fear and desperation. The United States is an unusually frightened country, and in such circumstances, people concoct, maybe for escape or relief, [narratives] in which terrible things happen. Fear in the United States is actually a pretty interesting phenomenon. It actually goes back to the colonies — there’s a very interesting book by a literary critic, Bruce Franklin, called War Stars. It’s a study of popular literature…from the earliest days to the present, and there are a couple of themes that run through it that are pretty striking. For one thing, one major theme in popular literature is that we’re about to face destruction from some terrible, awesome enemy, and at the last moment we’re saved by a superhero, or a super-weapon — or, in recent years, high school kids going to the hills to chase away the Russians. There’s a sub-theme: it turns out this enemy, this horrible enemy that’s going to destroy us, is someone we’re oppressing. So you go back to the early years, the terrible enemy was the Indians.”

Transcript.

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Agnès B. on Marilyn Monroe and Glamor (2’47”)

[Video by Jaime Wolf.]

Trailering Arnaud Desplechin’s JIMMY P (1’55”)

An Hour With Bill Murray On “Charlie Rose”

RIP Maggie Estep: “Hey Baby” (2’20”)

Movie City Indie

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“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo

“I am, as you indicate, no stranger as a novelist to the erotic furies. Men enveloped by sexual temptation is one of the aspects of men’s lives that I’ve written about in some of my books. Men responsive to the insistent call of sexual pleasure, beset by shameful desires and the undauntedness of obsessive lusts, beguiled even by the lure of the taboo — over the decades, I have imagined a small coterie of unsettled men possessed by just such inflammatory forces they must negotiate and contend with. I’ve tried to be uncompromising in depicting these men each as he is, each as he behaves, aroused, stimulated, hungry in the grip of carnal fervor and facing the array of psychological and ethical quandaries the exigencies of desire present. I haven’t shunned the hard facts in these fictions of why and how and when tumescent men do what they do, even when these have not been in harmony with the portrayal that a masculine public-relations campaign — if there were such a thing — might prefer. I’ve stepped not just inside the male head but into the reality of those urges whose obstinate pressure by its persistence can menace one’s rationality, urges sometimes so intense they may even be experienced as a form of lunacy. Consequently, none of the more extreme conduct I have been reading about in the newspapers lately has astonished me.”
~ Philip Roth