Movie City Indie Archive for February, 2014

Steven Soderbergh on KING OF THE HILL (2’27”)

[Via Criterion.]

Teasing ENEMY (NSFW) (0’49”)

Harold Ramis’ Advice On Filmmaking (8’32”)

INT. PHIL’S ROOM – DAWN

INT. PHIL'S ROOM - DAWN

Harold Ramis’ Father-Son Talk From KNOCKED UP (2’41”)

Why Harold Ramis Loves The Library (2010) (0’28”)

Noam Chomsky On “Zombies And Apocalypse” (6’00”)

“My guess is that it’s a reflection of fear and desperation. The United States is an unusually frightened country, and in such circumstances, people concoct, maybe for escape or relief, [narratives] in which terrible things happen. Fear in the United States is actually a pretty interesting phenomenon. It actually goes back to the colonies — there’s a very interesting book by a literary critic, Bruce Franklin, called War Stars. It’s a study of popular literature…from the earliest days to the present, and there are a couple of themes that run through it that are pretty striking. For one thing, one major theme in popular literature is that we’re about to face destruction from some terrible, awesome enemy, and at the last moment we’re saved by a superhero, or a super-weapon — or, in recent years, high school kids going to the hills to chase away the Russians. There’s a sub-theme: it turns out this enemy, this horrible enemy that’s going to destroy us, is someone we’re oppressing. So you go back to the early years, the terrible enemy was the Indians.”

Transcript.

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Agnès B. on Marilyn Monroe and Glamor (2’47”)

[Video by Jaime Wolf.]

Trailering Arnaud Desplechin’s JIMMY P (1’55”)

An Hour With Bill Murray On “Charlie Rose”

RIP Maggie Estep: “Hey Baby” (2’20”)

Movie City Indie

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“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton