Movie City Indie Archive for November, 2013

Nightlife, NYC, November 1963

 

NYC November 1963

[Via Paul Schrader.]

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Happy 70th Birthday To Terrence Malick

RIP Polish Poster Designer Waldemar Świerzy

Skolimowski
[Most via the indispensable
Polish movie poster database. Google image search offers hundreds, even thousands more.]
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SWIsamposrodmiasta
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Thanksgiving Best

thanksgiving_addams_family

Mike Leigh On The Influence Of JMW Turner (4’01”)

Jonás Cuarón’s Oscar-Submitted ANINGAAQ (7’05”) Answers Who Sandra Bullock’s On The Radio With In GRAVITY

[Via The Hollywood Reporter.]

Asia Argento for Ermanno Scervino F/W ’13 (1’07”)

[Via @ScottDerrickson.]

RIP Peter Wintonick

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A great, great friend. [All images © and All Rights Reserved.]

Movie City Indie

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima