Movie City Indie Archive for October, 2013

Jamie Stuart’s NYFF51 (11’56”)

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Lou Reed Honda Scooter Ad (0’29”)

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“Street Hassle,” Lou Reed (11’00”)

“Love has gone away
and there’s no one here now
And there’s nothing left to say
but oh how I miss him, baby
Ah baby, come on and slip away
come on baby, why don’t you slip away…”

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“Satellite Of Love,” Lou Reed (4’32”)

“O Delmore how I miss you. You inspired me to write. You were the greatest man I ever met. You could capture the deepest emotions in the simplest language. Your titles were more than enough to raise the muse of fire on my neck. You were a genius. Doomed.

I loved your wit and massive knowledge.

You were and have always been the one.

You can lead a horse to water but you can’t make him think.

I wanted to write. One line as good as yours. My mountain. My inspiration.

You wrote the greatest short story ever written.
In Dreams.”

O Delmore how I miss you,” Lou Reed.

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A First Image From Mike Leigh’s JMW Turner Biopic

First Image - Mike Leigh's Untitled 13

He sees the sea.

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Bella Freud’s PUNK: GIRL BOILS EGG (3’03”)

SHOWstudio: Punk: Girls Boil Eggs – Bella Freud from SHOWstudio on Vimeo.

“Concept & Direction: Bella Freud; Cinematography: Seamus McGarvey BSC, ASC; Performance: Gala Gordon and Alice Costelloe; Styling: Bella Freud; Hair: Jose Quijano; Make-up: Ciara O’ Shea; Edit: Charlie Moreton; Fashion: Bella Freud; Soundtrack: Bodies by the Sex Pistols; Production: Black Dog Films”

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Trailering Jehane Noujaim’s THE SQUARE (2’33”)

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Previewing Cormac McCarthy’s Screenplay Of “The Counselor” (spoiler-ish)

The paperback of Cormac McCarthy’s “The Counselor” will be released a few days before the film arrives in theaters. Amazon’s “Look Inside The Book” is uncommonly generous with swatches of the early pages of the screenplay.

Screen Shot 2013-10-12 at 2.47.49 PM Read the full article »

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Trailering AMERICAN HUSTLE

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RIP Patrice Chéreau: “Dans la solitude…”

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The Value Of Bresson (So Sez Amazon)

The Value Of Bresson

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Movie City Indie

Quote Unquotesee all »

“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert

The Promised Land steers into the fact that the United States can mean whatever people want it to mean. You may not be able to be Elvis, but you can sure as shit impersonate him for a living. America, like its current President (at least as of this article’s publication), is so dangerous precisely because it’s a blank canvas on which anyone can project their dreams. Whatever it is that you see for yourself, there’s someone you can pay for the pleasure of believing that it’s possible. In his view, the pursuit of happiness is the ultimate con, a delusion that prevents us from seeing our circumstances for what they are.

“Forget the Matrix, it’s the invention of happiness that blinded us to the truth. The rich got richer and the poor help them do it. Jarecki doesn’t argue that the American Dream is dead; he argues that it was never alive in the first place — that we were all lobsters in a pot full of water that was boiling too slowly for any of us to notice. And now it’s time for dinner. Donald J. Trump is the President of the United States. Elvis has left the building.”
~ David Ehrlich