Movie City Indie Archive for September, 2013

Godard Featured in Trailer For “LA ROCHE SUR YON 2013″ Festival (1’04”)

[Via David Hudson.]

Spielberg interviewed on Japanese TV (1982) (1″57’32”)

[Via @thesheik1976.]

Shirin Neshat’s Viennale Trailer, With Natalie Portman (2’11”)

And shot by Darius Khondji.

RIP Michel Brault: LA LUTTE (24″01″) Wrestling Doc

Trailering BLUE IS THE WARMEST COLOR (1’44”)

Pride’s Friday 5, 20 September 2013

1. Prisoners

PRISONERS

2. After Tiller
(NYC)

“As shot in a monochrome palette by the great Roger Deakins (Skyfall, so many Coen brothers films), the rain brings its own grey-blue gloom to the pallid faces fearful for the fate of the two children. It’s doomy and luscious, and a wondrous example of what a gifted director of photography can do with today’s digital capture instead of shooting on film. Menacing, heavy rain. A world of overcast, a world of pain. The images say more than words. A world with no escape. “There was a gas station in the background, with mercury vapor lights,” Deakins says in the press kit of the technical means. “The police cars have blue flashing lights, and you don’t want to overpower them, so you tend to work wide and open. We were basically shooting the action with the high-powered flashlights in the hands of the actors so we could get a decent beam and a good, hot image out of them.” This kind of immediacy, and low-light luminosity, suffuses Prisoners.” [More here.]

 2. After Tiller
(NYC)

Read the full article »

Red-Band Trailering CONCUSSION (2’03”)

AIN’T THEM BODIES SAINTS Making-Of By The Ross Brothers (13’29”)

Still sturdy stuff.

TIFF’s “City To City: Athens” Press Conference (43’53”)

TIFF13’s 12 YEARS A SLAVE Press Conference (43’54”)

Miyazaki Retirement Press Conference (6’26”)

TIFF’s Opening Night Tribute To Roger Ebert (3’56”)

Movie City Indie

Quote Unquotesee all »

“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton