Movie City Indie Archive for April, 2013

On Collaboration: Leigh Whannel & James Wan

“The writer and director of the original SAW and 2011’s INSIDIOUS talk about how they collaborate Chicago, Park Hyatt Hotel, 8 March 2011.”

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Tribeca FF’s “Film & Content Distribution Panel” (55’58”)

Joshua Topolsky of The Verge moderated Tribeca’s April 22 Future of Film Live series panel “The Big Picture: Film Distribution Today” with Richard Wellerstein (AT&T U-Verse), Mike Imbesi (Comcast), Avner Ronen (Boxee) and Kristin Jones (Vuguru).

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“State of Cinema: Steven Soderbergh” (39’35”)

After successful viral increments, Mr. Soderbergh has allowed the “archival” recording of his speech to be published on the SF Film Society blog, along with a rush transcript: “A few months ago I was on this Jet Blue coming from New York to Burbank, and I like Jet Blue not because of the prices, but they have this terminal at JFK that’s really nice. I think it may be the nicest terminal in the country although I have to say of this country, if you want to see some great airports you have to go to a major city in another part of the world—they have amazing, amazing airports, they’re incredible and they’re quiet. You’re not being assaulted by music all the time. I don’t know when it was decided that we all need a soundtrack everywhere we go. I was just in the bathroom upstairs and there was a soundtrack, accompanying me at the urinal, I don’t understand Anyways, I’m getting comfortable in my seat—I spent the extra 60 bucks for the legroom so we’re hitting altitude and I’m getting a little comfortable—and there’s this guy who is in the other side of the aisle in front of me and he pulls out his iPad; he’s about to start watching stuff. I’m curious as to what he’s going to watch. He’s a white guy in his mid-30s and what he’s done is he’s loaded in half-a-dozen, sort of, “action extravaganzas” and he’s watching each of the action sequences. He’s skipping over all the dialogue and the narrative. So this guy’s flight is just going to be five-and-a-half hours of mayhem…” [Transcript continues here.]

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Todd Wagner Talks Future Of Film At Tribeca FF (55’33”)

A conversation with Todd Wagner, co-owner of 2929 Entertainment, which owns Landmark Theaters, Magnolia Pictures, and HDNet Films. Recorded before a live audience on April 25, 2013 at the Tribeca Film Festival.

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Steven Spielberg’s “Obama” (1’57”)

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Teasing Wong Kar-wai’s THE GRANDMASTER (1’10”)

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Trailering DIRTY WARS (2’20”)

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Trailering THE BLING RING (1’24”)

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Noam Chomsky On How To Talk To Women (1’28”)

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RIP Jonathan Winters (6’02”)

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Movie City Indie

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas