Movie City Indie Archive for April, 2013

On Collaboration: Leigh Whannel & James Wan

“The writer and director of the original SAW and 2011’s INSIDIOUS talk about how they collaborate Chicago, Park Hyatt Hotel, 8 March 2011.”

Tribeca FF’s “Film & Content Distribution Panel” (55’58”)

Joshua Topolsky of The Verge moderated Tribeca’s April 22 Future of Film Live series panel “The Big Picture: Film Distribution Today” with Richard Wellerstein (AT&T U-Verse), Mike Imbesi (Comcast), Avner Ronen (Boxee) and Kristin Jones (Vuguru).

“State of Cinema: Steven Soderbergh” (39’35”)

After successful viral increments, Mr. Soderbergh has allowed the “archival” recording of his speech to be published on the SF Film Society blog, along with a rush transcript: “A few months ago I was on this Jet Blue coming from New York to Burbank, and I like Jet Blue not because of the prices, but they have this terminal at JFK that’s really nice. I think it may be the nicest terminal in the country although I have to say of this country, if you want to see some great airports you have to go to a major city in another part of the world—they have amazing, amazing airports, they’re incredible and they’re quiet. You’re not being assaulted by music all the time. I don’t know when it was decided that we all need a soundtrack everywhere we go. I was just in the bathroom upstairs and there was a soundtrack, accompanying me at the urinal, I don’t understand Anyways, I’m getting comfortable in my seat—I spent the extra 60 bucks for the legroom so we’re hitting altitude and I’m getting a little comfortable—and there’s this guy who is in the other side of the aisle in front of me and he pulls out his iPad; he’s about to start watching stuff. I’m curious as to what he’s going to watch. He’s a white guy in his mid-30s and what he’s done is he’s loaded in half-a-dozen, sort of, “action extravaganzas” and he’s watching each of the action sequences. He’s skipping over all the dialogue and the narrative. So this guy’s flight is just going to be five-and-a-half hours of mayhem…” [Transcript continues here.]

Todd Wagner Talks Future Of Film At Tribeca FF (55’33”)

A conversation with Todd Wagner, co-owner of 2929 Entertainment, which owns Landmark Theaters, Magnolia Pictures, and HDNet Films. Recorded before a live audience on April 25, 2013 at the Tribeca Film Festival.

Steven Spielberg’s “Obama” (1’57”)

David Gordon Green On Getting Your Film Out There (2’38”)

Teasing Wong Kar-wai’s THE GRANDMASTER (1’10”)

Trailering DIRTY WARS (2’20”)

Trailering THE BLING RING (1’24”)

Tilda Swinton’s Ebertfest 2013 “Dance-along” (2’03”)

Noam Chomsky On How To Talk To Women (1’28”)

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RIP Jonathan Winters (6’02”)

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A. O. Scott, Herzog On Ebert On “Charlie Rose” (19’25”)

Movie City Indie

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“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant

“To say I knew exactly what I was doing at the outset — what’s that called? I think that would be a lie. Wormwood is something that was figured out as we went along. There was a kind of plan. My sales pitch to Netflix was, ‘I’m going to create the cinematic version of the everything bagel, except no raisins. I don’t like them in bagels. I think raisins are wrong, at least as far as bagels are concerned. But I told them I wanted to do something that combines straight drama, reenactments, archival research, various diverse graphics elements, and on and on and on. It wasn’t going to be documentary business as usual. It was going to be something different. I have suffered for years this idea that interviews aren’t directing and that there’s something really different about real people and actors. Whereas I’ve always believed that it’s really about performance — eliciting a performance, creating a performance on film. That’s true of interviews, it’s true of scripted material, it’s true of reenactments, it’s true of everything. It’s all direction.”
~ Errol Morris