Movie City Indie Archive for February, 2013

“Bad Lip Reading” Goes Indie Spirit (2’06”)

I can imagine Tilda Swinton saying that.

Annapurna Pictures Raises A Beautiful, Declarative, Grandiloquent Middle Finger

Annapurna Pictures cuts together a brief, taut sizzle reel from its first productions, LawlessThe MasterThe GrandmasterKilling Them Softly, Zero Dark ThirtySpring Breakers, and does the litany of lines from them not sound like a bold declaration of intent? In part: “‘I’m bad news, I’m not your friend…’ ‘I knew y’all was special, it’s written on your faces…’ ‘Let’s cause some trouble now…’ ‘Don’ you ever touch me agin…’ ‘I just want to make something clear, there is nobody else, there’s just us…’  ‘Everybody’s miserable here, they just see the same things…’ ‘If we are not helping him, then it is we who have failed him…’ ‘Don’ make me laugh, I’m livin’ in America and in America you’re on your own.'” And to add one more: “Ye shall know them by their fruits.”


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Cinetic’s John Sloss On Oscar On Bloomberg (4’06”)

9 Best Drinks: RAISE ONE TO THE BEST PICTURE NOMINEES

The drinks menu at my fifth Academy Award-coinciding party (Cleo’s, 1935 W. Chicago Ave., Chicago)

A Trailer For An Issue Of A Magazine Themed To Film With “Raymondo Winstonio” (1’08”)

PORT / Issue 9 / Spring 2013 / Preview from PORT on Vimeo.

Genially, this is the equivalent of Ray Winstone binding himself in a three-piece suit and declaiming the phone book.

The Césars’ “Hommage aux disparus”: Those Who Passed In French Cinema 2012 (4’15”)

Veuillez installer Flash Player pour lire la vidéo

VICE shorts: Spencer Susser’s “I Love Sarah Jane” with Mia Wasikowski (14’39”)

“When you’re young and in love the air seems clearer, the sun seems brighter, there’s a spring in the step… But all can so easily go to shit especially with a zombie apocalypse involved.”

Bruce Willis On Oscars For Action Or Comedy

[GQ, March 2013.]

Red-Band Trailering Harmony Korine’s SPRING BREAKERS (2’04”)

The looping, fugue-style fashion of the film comes across cleanly in the compacted form of a trailer, conveniently enough. That, plus that “m” word.

Stream Shane Carruth’s UPSTREAM COLOR score

Lena Dunham: “It’s funny to me…”

[Rolling Stone Issue 1177.]

Donald Richie on AU HASARD, BALTHASAR (4’37”)

[Via Criterion.]

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Movie City Indie

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“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo

“I am, as you indicate, no stranger as a novelist to the erotic furies. Men enveloped by sexual temptation is one of the aspects of men’s lives that I’ve written about in some of my books. Men responsive to the insistent call of sexual pleasure, beset by shameful desires and the undauntedness of obsessive lusts, beguiled even by the lure of the taboo — over the decades, I have imagined a small coterie of unsettled men possessed by just such inflammatory forces they must negotiate and contend with. I’ve tried to be uncompromising in depicting these men each as he is, each as he behaves, aroused, stimulated, hungry in the grip of carnal fervor and facing the array of psychological and ethical quandaries the exigencies of desire present. I haven’t shunned the hard facts in these fictions of why and how and when tumescent men do what they do, even when these have not been in harmony with the portrayal that a masculine public-relations campaign — if there were such a thing — might prefer. I’ve stepped not just inside the male head but into the reality of those urges whose obstinate pressure by its persistence can menace one’s rationality, urges sometimes so intense they may even be experienced as a form of lunacy. Consequently, none of the more extreme conduct I have been reading about in the newspapers lately has astonished me.”
~ Philip Roth