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Movie City Indie Archive for February, 2013

“Bad Lip Reading” Goes Indie Spirit (2’06″)

I can imagine Tilda Swinton saying that.

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Annapurna Pictures Raises A Beautiful, Declarative, Grandiloquent Middle Finger

Annapurna Pictures cuts together a brief, taut sizzle reel from its first productions, LawlessThe MasterThe GrandmasterKilling Them Softly, Zero Dark ThirtySpring Breakers, and does the litany of lines from them not sound like a bold declaration of intent? In part: “‘I’m bad news, I’m not your friend…’ ‘I knew y’all was special, it’s written on your faces…’ ‘Let’s cause some trouble now…’ ‘Don’ you ever touch me agin…’ ‘I just want to make something clear, there is nobody else, there’s just us…’  ’Everybody’s miserable here, they just see the same things…’ ‘If we are not helping him, then it is we who have failed him…’ ‘Don’ make me laugh, I’m livin’ in America and in America you’re on your own.’” And to add one more: “Ye shall know them by their fruits.”


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Cinetic’s John Sloss On Oscar On Bloomberg (4’06″)

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9 Best Drinks: RAISE ONE TO THE BEST PICTURE NOMINEES

The drinks menu at my fifth Academy Award-coinciding party (Cleo’s, 1935 W. Chicago Ave., Chicago)

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A Trailer For An Issue Of A Magazine Themed To Film With “Raymondo Winstonio” (1’08″)

PORT / Issue 9 / Spring 2013 / Preview from PORT on Vimeo.

Genially, this is the equivalent of Ray Winstone binding himself in a three-piece suit and declaiming the phone book.

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The Césars’ “Hommage aux disparus”: Those Who Passed In French Cinema 2012 (4’15″)

Veuillez installer Flash Player pour lire la vidéo
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VICE shorts: Spencer Susser’s “I Love Sarah Jane” with Mia Wasikowski (14’39″)

“When you’re young and in love the air seems clearer, the sun seems brighter, there’s a spring in the step… But all can so easily go to shit especially with a zombie apocalypse involved.”

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Bruce Willis On Oscars For Action Or Comedy

[GQ, March 2013.]

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Red-Band Trailering Harmony Korine’s SPRING BREAKERS (2’04″)

The looping, fugue-style fashion of the film comes across cleanly in the compacted form of a trailer, conveniently enough. That, plus that “m” word.

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Stream Shane Carruth’s UPSTREAM COLOR score

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Lena Dunham: “It’s funny to me…”

[Rolling Stone Issue 1177.]

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Donald Richie on AU HASARD, BALTHASAR (4’37″)

[Via Criterion.]

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Movie City Indie

Quote Unquotesee all »

“Women’s power is too potent to waste on selfies… Truly dangerous women aren’t looking for dates or husbands, and they do not travel in packs. They rarely have many female friends. Their register is either universal, or intensely personal. They play mind games and make promises. Whether they deliver or not remains a secret, and secrets are essential to seduction. The Web has eroded every notion of privacy and stolen the real power of women: the threat of mystery itself.  “I can see you’re trouble” was once the biggest compliment a man could pay a woman. There was going to be a dark spiral into the whirlpool of sex; there were going to be tears on both sides, secrets and regrets, scandal. Today, everyone is trouble.”
~ Joan Juliet Buck in “W”

“You have to watch the end of the show to see how I feel—I mean, kids are a wonderment. I am quite fond of most of the young people in ‘The Slap,’ actually; it’s the grown-ups who have so much to learn. But to think of ‘The Slap’ as being a critique of contemporary parenting would be to miss the point. Like saying Birdman is about a life in the theater, instead of about a vast pool of narcissism that, again, denudes all grace until all you have is blistered (male) rage and bruised egos. I can’t speak to helicopter parents, but I sure do know a lot about not waking up every day and counting your goddamn blessings, and how fucking toxic that is. And that’s what I see all around me, a kind of spiritual autism, a narcissism of small things, and that’s ‘The Slap.’ Argh. But I like to think that it’s not immutable, that there are still synaptic charges toward doing the right thing, that we are capable of recognition—and being better. I think it’s about what happens when kindness is obliterated by desire.”
~ Jon Robin Baitz

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