Movie City Indie Archive for February, 2013

“Bad Lip Reading” Goes Indie Spirit (2’06”)

I can imagine Tilda Swinton saying that.

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Annapurna Pictures Raises A Beautiful, Declarative, Grandiloquent Middle Finger

Annapurna Pictures cuts together a brief, taut sizzle reel from its first productions, LawlessThe MasterThe GrandmasterKilling Them Softly, Zero Dark ThirtySpring Breakers, and does the litany of lines from them not sound like a bold declaration of intent? In part: “‘I’m bad news, I’m not your friend…’ ‘I knew y’all was special, it’s written on your faces…’ ‘Let’s cause some trouble now…’ ‘Don’ you ever touch me agin…’ ‘I just want to make something clear, there is nobody else, there’s just us…’  ‘Everybody’s miserable here, they just see the same things…’ ‘If we are not helping him, then it is we who have failed him…’ ‘Don’ make me laugh, I’m livin’ in America and in America you’re on your own.'” And to add one more: “Ye shall know them by their fruits.”


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Cinetic’s John Sloss On Oscar On Bloomberg (4’06”)

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9 Best Drinks: RAISE ONE TO THE BEST PICTURE NOMINEES

The drinks menu at my fifth Academy Award-coinciding party (Cleo’s, 1935 W. Chicago Ave., Chicago)

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A Trailer For An Issue Of A Magazine Themed To Film With “Raymondo Winstonio” (1’08”)

PORT / Issue 9 / Spring 2013 / Preview from PORT on Vimeo.

Genially, this is the equivalent of Ray Winstone binding himself in a three-piece suit and declaiming the phone book.

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The Césars’ “Hommage aux disparus”: Those Who Passed In French Cinema 2012 (4’15”)

Veuillez installer Flash Player pour lire la vidéo
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VICE shorts: Spencer Susser’s “I Love Sarah Jane” with Mia Wasikowski (14’39”)

“When you’re young and in love the air seems clearer, the sun seems brighter, there’s a spring in the step… But all can so easily go to shit especially with a zombie apocalypse involved.”

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Bruce Willis On Oscars For Action Or Comedy

[GQ, March 2013.]

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Red-Band Trailering Harmony Korine’s SPRING BREAKERS (2’04”)

The looping, fugue-style fashion of the film comes across cleanly in the compacted form of a trailer, conveniently enough. That, plus that “m” word.

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Stream Shane Carruth’s UPSTREAM COLOR score

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Lena Dunham: “It’s funny to me…”

[Rolling Stone Issue 1177.]

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Donald Richie on AU HASARD, BALTHASAR (4’37”)

[Via Criterion.]

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Movie City Indie

Quote Unquotesee all »

What are we doing wrong?
“Well, first of all, by “we” I assume you mean the public, the public approach or the public discourse, which means the discourse that takes place in the media. And for the purposes of this discussion, let us imagine that the media is white and thus approaches the topic of race as if they (the white people) were the answer and them (the black people) were the question. And so, in the interest of fairness, they take their turn (having first, of course, given it to themselves) and then invite comment by some different white people and some similar black people. They give what purports to be simply their point of view and then everyone else gives their beside-the-point of view.

“The customary way for white people to think about the topic of race—and it is only a topic to white people—is to ask, How would it be if I were black? But you can’t separate the “I” from being white. The “I” is so informed by the experience of being white that it is its very creation—it is this “I” in this context that is, in fact, the white man’s burden. People who think of themselves as well intentioned—which is, let’s face it, how people think of themselves—believe that the best, most compassionate, most American way to understand another person is to walk a mile in their shoes. And I think that’s conventionally the way this thing is approached. And that’s why the conversation never gets anywhere and that’s why the answers always come back wrong and the situation stays static—and worse than static.”
~ Fran Lebowitz, 1997

“If one could examine his DNA, it would read ACTOR. He embraced every role with fire and fierce dedication. Playing Bela Lugosi in Tim Burton’s Ed Wood was his loving tribute to all actors and garnered him a well-deserved Academy Award. His work was his joy and his legacy.”
~ Barbara Bain On Martin Landau