Movie City Indie Archive for February, 2013

“Bad Lip Reading” Goes Indie Spirit (2’06”)

I can imagine Tilda Swinton saying that.

Annapurna Pictures Raises A Beautiful, Declarative, Grandiloquent Middle Finger

Annapurna Pictures cuts together a brief, taut sizzle reel from its first productions, LawlessThe MasterThe GrandmasterKilling Them Softly, Zero Dark ThirtySpring Breakers, and does the litany of lines from them not sound like a bold declaration of intent? In part: “‘I’m bad news, I’m not your friend…’ ‘I knew y’all was special, it’s written on your faces…’ ‘Let’s cause some trouble now…’ ‘Don’ you ever touch me agin…’ ‘I just want to make something clear, there is nobody else, there’s just us…’  ‘Everybody’s miserable here, they just see the same things…’ ‘If we are not helping him, then it is we who have failed him…’ ‘Don’ make me laugh, I’m livin’ in America and in America you’re on your own.'” And to add one more: “Ye shall know them by their fruits.”


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Cinetic’s John Sloss On Oscar On Bloomberg (4’06”)

9 Best Drinks: RAISE ONE TO THE BEST PICTURE NOMINEES

The drinks menu at my fifth Academy Award-coinciding party (Cleo’s, 1935 W. Chicago Ave., Chicago)

A Trailer For An Issue Of A Magazine Themed To Film With “Raymondo Winstonio” (1’08”)

PORT / Issue 9 / Spring 2013 / Preview from PORT on Vimeo.

Genially, this is the equivalent of Ray Winstone binding himself in a three-piece suit and declaiming the phone book.

The Césars’ “Hommage aux disparus”: Those Who Passed In French Cinema 2012 (4’15”)

Veuillez installer Flash Player pour lire la vidéo

VICE shorts: Spencer Susser’s “I Love Sarah Jane” with Mia Wasikowski (14’39”)

“When you’re young and in love the air seems clearer, the sun seems brighter, there’s a spring in the step… But all can so easily go to shit especially with a zombie apocalypse involved.”

Bruce Willis On Oscars For Action Or Comedy

[GQ, March 2013.]

Red-Band Trailering Harmony Korine’s SPRING BREAKERS (2’04”)

The looping, fugue-style fashion of the film comes across cleanly in the compacted form of a trailer, conveniently enough. That, plus that “m” word.

Stream Shane Carruth’s UPSTREAM COLOR score

Lena Dunham: “It’s funny to me…”

[Rolling Stone Issue 1177.]

Donald Richie on AU HASARD, BALTHASAR (4’37”)

[Via Criterion.]

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Movie City Indie

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“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West

“When I was first divorced, I started dating younger women, and it was really exciting. But after a while I was like, This is just dumb. You date someone younger and it’s… limited. There’s no future in it. And as far as just going out and getting laid, that kinda got tired for me very quickly. It’s just—it’s very intimate. You’re letting her right into the middle of your life. You see someone and you’re like, She’s really hot, I want to be naked with her. And then you’re naked with her and you’re like, Jesus, she’s in my —-ing room and we’re naked. The idea of that—of just —-ing somebody—became silly to me.”
~ Louis C. K. To GQ, 2011