Movie City Indie Archive for December, 2012

Stream QT’s Copious Commentary On The DJANGO UNCHAINED Soundtrack (1’26″06′)


UPDATE 4 January 2013: While Soundcloud has deleted this track (for good?), you can find a few more listenables from the soundtrack here.

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Two Scenes From Paulo Rocha’s OS VERDES ANOS (1963)


The First 4 Minutes Of Jonathan Levine’s ZomCom WARM BODIES

Dr. King McTeague (from GREED)

The Making Of THE DEEP (3’42”)

Tom Hooper’s SEGA-Right Said Fred Musical Video (1994) (4’37”)

Wow. It’s Les Misérables 18 years avant la lettre. “Well, it was a very surreal moment. I was doing an extended essay at Oxford University on James Joyce’s ‘Ulysses’ and ‘Finnegans Wake.’ I’ve got a 12,000 word essay and bunking off without telling people to direct a commercial staring Right Said Fred and some dancing fat grannies for Sega, the games company. And I just thought that never again in my life will I have the strongest disjunct between high and low culture. But the short answer is: Right Said Fred is extremely nice. And disappointingly uneccentric.”

Quincy Explores Punk x 2


sigur rós’ Christmas Card

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Postering Soderbergh’s SIDE EFFECTS

Trailering THE GREAT BAZBY, Take Two (2’34”)

Michael Bay Walks Among Us Again (2’34”)

Pain & Gain Trailer from Michael Bay Dot Com on Vimeo.

Euro-Trailering Malick’s TO THE WONDER (1’41”)


Makes it look like a heart-breaking wonderment. (But festival viewing mileage may vary.)

Movie City Indie

Quote Unquotesee all »

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh

 

“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda