Movie City Indie Archive for December, 2012

Stream QT’s Copious Commentary On The DJANGO UNCHAINED Soundtrack (1’26″06′)


UPDATE 4 January 2013: While Soundcloud has deleted this track (for good?), you can find a few more listenables from the soundtrack here.

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Two Scenes From Paulo Rocha’s OS VERDES ANOS (1963)


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Dr. King McTeague (from GREED)

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The Making Of THE DEEP (3’42”)

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Tom Hooper’s SEGA-Right Said Fred Musical Video (1994) (4’37”)

Wow. It’s Les Misérables 18 years avant la lettre. “Well, it was a very surreal moment. I was doing an extended essay at Oxford University on James Joyce’s ‘Ulysses’ and ‘Finnegans Wake.’ I’ve got a 12,000 word essay and bunking off without telling people to direct a commercial staring Right Said Fred and some dancing fat grannies for Sega, the games company. And I just thought that never again in my life will I have the strongest disjunct between high and low culture. But the short answer is: Right Said Fred is extremely nice. And disappointingly uneccentric.”

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Quincy Explores Punk x 2


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sigur rós’ Christmas Card

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Postering Soderbergh’s SIDE EFFECTS

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Trailering THE GREAT BAZBY, Take Two (2’34”)

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Euro-Trailering Malick’s TO THE WONDER (1’41”)


Makes it look like a heart-breaking wonderment. (But festival viewing mileage may vary.)

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Movie City Indie

Quote Unquotesee all »

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”

“Richard Schickel was a very perceptive critic and a wonderful writer and documentary filmmaker. As a person he was, to use a once popular term, ‘crusty,’ and he could be brutally funny. But it’s his deep and abiding love of movies that I’ll always remember about him. His early 70s PBS series ‘The Men Who Made the Movies,’ his 2004 restoration of Sam Fuller’s The Big Red One, his wonderful little book about ‘Double Indemnity,’ his biographies of Chaplin and Cary Grant… this is a man who gave his life to the thing he loved.”
~ Martin Scorsese