Movie City Indie Archive for December, 2012

Stream QT’s Copious Commentary On The DJANGO UNCHAINED Soundtrack (1’26″06′)


UPDATE 4 January 2013: While Soundcloud has deleted this track (for good?), you can find a few more listenables from the soundtrack here.

2 Comments »

Two Scenes From Paulo Rocha’s OS VERDES ANOS (1963)


The First 4 Minutes Of Jonathan Levine’s ZomCom WARM BODIES

Dr. King McTeague (from GREED)

The Making Of THE DEEP (3’42”)

Tom Hooper’s SEGA-Right Said Fred Musical Video (1994) (4’37”)

Wow. It’s Les Misérables 18 years avant la lettre. “Well, it was a very surreal moment. I was doing an extended essay at Oxford University on James Joyce’s ‘Ulysses’ and ‘Finnegans Wake.’ I’ve got a 12,000 word essay and bunking off without telling people to direct a commercial staring Right Said Fred and some dancing fat grannies for Sega, the games company. And I just thought that never again in my life will I have the strongest disjunct between high and low culture. But the short answer is: Right Said Fred is extremely nice. And disappointingly uneccentric.”

Quincy Explores Punk x 2


sigur rós’ Christmas Card

1 Comment »

Postering Soderbergh’s SIDE EFFECTS

Trailering THE GREAT BAZBY, Take Two (2’34”)

Michael Bay Walks Among Us Again (2’34”)

Pain & Gain Trailer from Michael Bay Dot Com on Vimeo.

Euro-Trailering Malick’s TO THE WONDER (1’41”)


Makes it look like a heart-breaking wonderment. (But festival viewing mileage may vary.)

Movie City Indie

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch