Movie City Indie Archive for November, 2012

Trailering “Girls: Season 2″ (1’51”)

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Deep Inside James Lipton (3’08”)


[Via VF.]

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THR’s “The Directors: Full Uncensored Interview” With Lee, Russell, Hooper, Van Sant, Affleck, QT (1″01’02”)

Let’s just sample some Quen-teen: “When I’m writing, it’s about the page. It’s not about the movie. It’s about the literature of me putting my pen to paper and writing a good page, and making it work completely. Now it’s mine to fuck up if I go forward with it I always go forward with it. But I want to love that script so much that I’m tempted to stop. There’s stuff that’s in the script that I know will never ever make the movie, but it just makes the book—the piece of literature—better. It’s a better read. It’s more emotionally satisfying. Then just like you do with an adaptation, you peel a lot of that stuff away.”

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Sundance13: Teasing Shane Carruth’s UPSTREAM COLOR

[Via.]

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In Italy, LOOPER Takes Place In Torronah

[Click twice for largest.]

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“Durch die Nacht”: James Ellroy And Bruce Wagner Prowl L. A. (52’04”)

[Via Edward Champion.]

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Slanging With James Ellroy (13’52”)

LA Review Of Books’ Tom Lutz talks to James Ellroy in Victor’s Deli about his new e-novella, “Shakedown,” and the true-life character of Fred Otash, scandal monger and shakedown artist.

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Trailering Wong Kar-wai’s THE GRANDMASTERS (2’45”, subs)

<iframe width=”651″ height=”366″ src=”http://www.youtube.com/embed/XKWXnNfAXfM?rel=0″ frameborder=”0″ allowfullscreen></iframe>

[Translated by Andrew Chan for Film Comment.]

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Movie City Indie

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“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”

“Richard Schickel was a very perceptive critic and a wonderful writer and documentary filmmaker. As a person he was, to use a once popular term, ‘crusty,’ and he could be brutally funny. But it’s his deep and abiding love of movies that I’ll always remember about him. His early 70s PBS series ‘The Men Who Made the Movies,’ his 2004 restoration of Sam Fuller’s The Big Red One, his wonderful little book about ‘Double Indemnity,’ his biographies of Chaplin and Cary Grant… this is a man who gave his life to the thing he loved.”
~ Martin Scorsese