Movie City Indie Archive for November, 2012

Trailering “Girls: Season 2″ (1’51”)

Mihai Malaimare Jr. Talks The Master At Camerimage (5’51”)

Deep Inside James Lipton (3’08”)


[Via VF.]

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THR’s “The Directors: Full Uncensored Interview” With Lee, Russell, Hooper, Van Sant, Affleck, QT (1″01’02”)

Let’s just sample some Quen-teen: “When I’m writing, it’s about the page. It’s not about the movie. It’s about the literature of me putting my pen to paper and writing a good page, and making it work completely. Now it’s mine to fuck up if I go forward with it I always go forward with it. But I want to love that script so much that I’m tempted to stop. There’s stuff that’s in the script that I know will never ever make the movie, but it just makes the book—the piece of literature—better. It’s a better read. It’s more emotionally satisfying. Then just like you do with an adaptation, you peel a lot of that stuff away.”

“Kaiju Attack”: Guillermo Del Toro Lets Some Anger Out (0’54”)

Sundance13: Teasing Shane Carruth’s UPSTREAM COLOR

[Via.]

In Italy, LOOPER Takes Place In Torronah

[Click twice for largest.]

Paul Thomas Anderson Q&As THE MASTER In Melbourne (1″00’01”)

“Durch die Nacht”: James Ellroy And Bruce Wagner Prowl L. A. (52’04”)

[Via Edward Champion.]

Peter Jackson On THE HOBBIT Post-Production, 2 Days Out (14’06”)

Slanging With James Ellroy (13’52”)

LA Review Of Books’ Tom Lutz talks to James Ellroy in Victor’s Deli about his new e-novella, “Shakedown,” and the true-life character of Fred Otash, scandal monger and shakedown artist.

Frank Darabont Masterclass at Zurich Film Festival (1″48’22”)

Trailering Wong Kar-wai’s THE GRANDMASTERS (2’45”, subs)

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[Translated by Andrew Chan for Film Comment.]

Movie City Indie

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“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz