Movie City Indie Archive for November, 2012

Trailering “Girls: Season 2″ (1’51”)

Mihai Malaimare Jr. Talks The Master At Camerimage (5’51”)

Deep Inside James Lipton (3’08”)


[Via VF.]

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THR’s “The Directors: Full Uncensored Interview” With Lee, Russell, Hooper, Van Sant, Affleck, QT (1″01’02”)

Let’s just sample some Quen-teen: “When I’m writing, it’s about the page. It’s not about the movie. It’s about the literature of me putting my pen to paper and writing a good page, and making it work completely. Now it’s mine to fuck up if I go forward with it I always go forward with it. But I want to love that script so much that I’m tempted to stop. There’s stuff that’s in the script that I know will never ever make the movie, but it just makes the book—the piece of literature—better. It’s a better read. It’s more emotionally satisfying. Then just like you do with an adaptation, you peel a lot of that stuff away.”

“Kaiju Attack”: Guillermo Del Toro Lets Some Anger Out (0’54”)

Sundance13: Teasing Shane Carruth’s UPSTREAM COLOR

[Via.]

In Italy, LOOPER Takes Place In Torronah

[Click twice for largest.]

Paul Thomas Anderson Q&As THE MASTER In Melbourne (1″00’01”)

“Durch die Nacht”: James Ellroy And Bruce Wagner Prowl L. A. (52’04”)

[Via Edward Champion.]

Peter Jackson On THE HOBBIT Post-Production, 2 Days Out (14’06”)

Slanging With James Ellroy (13’52”)

LA Review Of Books’ Tom Lutz talks to James Ellroy in Victor’s Deli about his new e-novella, “Shakedown,” and the true-life character of Fred Otash, scandal monger and shakedown artist.

Frank Darabont Masterclass at Zurich Film Festival (1″48’22”)

Trailering Wong Kar-wai’s THE GRANDMASTERS (2’45”, subs)

<iframe width=”651″ height=”366″ src=”http://www.youtube.com/embed/XKWXnNfAXfM?rel=0″ frameborder=”0″ allowfullscreen></iframe>

[Translated by Andrew Chan for Film Comment.]

Movie City Indie

Quote Unquotesee all »

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh

 

“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda