Movie City Indie Archive for November, 2012

Trailering “Girls: Season 2″ (1’51”)

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Deep Inside James Lipton (3’08”)


[Via VF.]

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THR’s “The Directors: Full Uncensored Interview” With Lee, Russell, Hooper, Van Sant, Affleck, QT (1″01’02”)

Let’s just sample some Quen-teen: “When I’m writing, it’s about the page. It’s not about the movie. It’s about the literature of me putting my pen to paper and writing a good page, and making it work completely. Now it’s mine to fuck up if I go forward with it I always go forward with it. But I want to love that script so much that I’m tempted to stop. There’s stuff that’s in the script that I know will never ever make the movie, but it just makes the book—the piece of literature—better. It’s a better read. It’s more emotionally satisfying. Then just like you do with an adaptation, you peel a lot of that stuff away.”

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Sundance13: Teasing Shane Carruth’s UPSTREAM COLOR

[Via.]

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In Italy, LOOPER Takes Place In Torronah

[Click twice for largest.]

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“Durch die Nacht”: James Ellroy And Bruce Wagner Prowl L. A. (52’04”)

[Via Edward Champion.]

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Slanging With James Ellroy (13’52”)

LA Review Of Books’ Tom Lutz talks to James Ellroy in Victor’s Deli about his new e-novella, “Shakedown,” and the true-life character of Fred Otash, scandal monger and shakedown artist.

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Trailering Wong Kar-wai’s THE GRANDMASTERS (2’45”, subs)

<iframe width=”651″ height=”366″ src=”http://www.youtube.com/embed/XKWXnNfAXfM?rel=0″ frameborder=”0″ allowfullscreen></iframe>

[Translated by Andrew Chan for Film Comment.]

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Movie City Indie

Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick