Movie City Indie Archive for October, 2012

Joe Sabia Walks 3 Miles In Darkened Downtown In NYC (8’15”)


[Via Boingboing.]

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“Darth Vader… Now That You’re Part Of The Disney Family…” (1’08”)


(With no small thanks to John Williams.)

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Picturing “PIXAR Wars” (by Andrew Chesworth)

 

[Via. Click twice for largest.]

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Humor From Michael Moore: “A Message From The Greatest Generation” (NSFW, 2’20”)


As credited: “Produced by Michael Moore with Daron Murphy & David Ambrose of ART NOT WAR. Written by Michael Moore & Jonathan Schwarz. Directed by Laura Dawn.”

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Paul Thomas Anderson On Australia APP: THE MASTER, Penises And Carly Rae Jepsen (7’51” audio)

[Via Cigarettes and Red Vines.]

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“Midtraffik: We Will Drive You” (1’28”)

Take this bus. (via @cameroncollie)

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“Lena Dunham: Your First Time” (1’03”)

A sense of aggravation and grievance has been registered on the internet.

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Run, Lana, Run: Lana Wachowski’s HRC Visibility Award Acceptance Speech (31’09”)

The complete transcript is here. About public life vs. anonymity: “Several months ago we were sitting in this Berlin club amid beer soaked haggardness in a space not intended to be inhabited by people and sunlight trying to decide if we should shoot this introduction to a trailer for our movie that was supposed to be posted online. Tom Hanks was supposed to do it but became unavailable, Andy and I have not done press or made a public appearance including premieres in over 12 years. People have mistakenly assumed that this has something to do with my gender. It does not. After The Matrix was released in ‘99, we both experienced this alarming contraction of our world and thus our lives. We became acutely aware of the preciousness of anonymity—understanding it as a form of virginity, something you only lose once. Anonymity allows you access to civic space, to a form of participation in public life, to an egalitarian invisibility that neither of us wanted to give up. We told Warner Bros. that neither one of us wanted to do press anymore. They told us, “No. Absolutely not. This is non-negotiable. Directors are essential to selling and marketing a movie.” We said, “OK, we get it. So if it’s a choice between making movies or not doing press, we decided we’re not going to not make movies.” They said, “Hang on. Maybe there’s a little room for negotiation.” So this position in that negotiation was being examined in Berlin three months ago. All of us are conscious of the fact that not only will it be Andy and my first public appearance in a long time, but it will also be the first time that I speak publicly since my transition. Parenthetically this is a word that has very complicated subject for me because of its complicity in a binary gender narrative that I am not particularly comfortable with. Yet I realize the moment I go on camera, that act will be subject to projections that are both personal and political…” [Much more from the admitted “talker” on the video and at the link.]

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Trailering Shane Black’s IRON MAN 3

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Movie City Indie

Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick