Movie City Indie Archive for October, 2012

Joe Sabia Walks 3 Miles In Darkened Downtown In NYC (8’15”)


[Via Boingboing.]

1 Comment »

“Darth Vader… Now That You’re Part Of The Disney Family…” (1’08”)


(With no small thanks to John Williams.)

2012 FYC Screenplay Season Continues With Focus Features


Paranorman and Moonrise Kingdom. Earlier: Universal.

Picturing “PIXAR Wars” (by Andrew Chesworth)

 

[Via. Click twice for largest.]

Humor From Michael Moore: “A Message From The Greatest Generation” (NSFW, 2’20”)


As credited: “Produced by Michael Moore with Daron Murphy & David Ambrose of ART NOT WAR. Written by Michael Moore & Jonathan Schwarz. Directed by Laura Dawn.”

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Joss Whedon On The Necessity of Mitt Romney (2’13”)

Paul Thomas Anderson On Australia APP: THE MASTER, Penises And Carly Rae Jepsen (7’51” audio)

[Via Cigarettes and Red Vines.]

“Midtraffik: We Will Drive You” (1’28”)

Take this bus. (via @cameroncollie)

“Paul Thomas Plainview,” by Leandro Copperfield (0’46”)

“Lena Dunham: Your First Time” (1’03”)

A sense of aggravation and grievance has been registered on the internet.

2 Comments »

What Hath Gondry Wrought!: A Sweet Single-Shot IKEA Holiday Ad

Run, Lana, Run: Lana Wachowski’s HRC Visibility Award Acceptance Speech (31’09”)

The complete transcript is here. About public life vs. anonymity: “Several months ago we were sitting in this Berlin club amid beer soaked haggardness in a space not intended to be inhabited by people and sunlight trying to decide if we should shoot this introduction to a trailer for our movie that was supposed to be posted online. Tom Hanks was supposed to do it but became unavailable, Andy and I have not done press or made a public appearance including premieres in over 12 years. People have mistakenly assumed that this has something to do with my gender. It does not. After The Matrix was released in ‘99, we both experienced this alarming contraction of our world and thus our lives. We became acutely aware of the preciousness of anonymity—understanding it as a form of virginity, something you only lose once. Anonymity allows you access to civic space, to a form of participation in public life, to an egalitarian invisibility that neither of us wanted to give up. We told Warner Bros. that neither one of us wanted to do press anymore. They told us, “No. Absolutely not. This is non-negotiable. Directors are essential to selling and marketing a movie.” We said, “OK, we get it. So if it’s a choice between making movies or not doing press, we decided we’re not going to not make movies.” They said, “Hang on. Maybe there’s a little room for negotiation.” So this position in that negotiation was being examined in Berlin three months ago. All of us are conscious of the fact that not only will it be Andy and my first public appearance in a long time, but it will also be the first time that I speak publicly since my transition. Parenthetically this is a word that has very complicated subject for me because of its complicity in a binary gender narrative that I am not particularly comfortable with. Yet I realize the moment I go on camera, that act will be subject to projections that are both personal and political…” [Much more from the admitted “talker” on the video and at the link.]

1 Comment »

Trailering Shane Black’s IRON MAN 3

Movie City Indie

Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o