Movie City Indie Archive for October, 2012

Joe Sabia Walks 3 Miles In Darkened Downtown In NYC (8’15″)


[Via Boingboing.]

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“Darth Vader… Now That You’re Part Of The Disney Family…” (1’08″)


(With no small thanks to John Williams.)

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Picturing “PIXAR Wars” (by Andrew Chesworth)

 

[Via. Click twice for largest.]

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Humor From Michael Moore: “A Message From The Greatest Generation” (NSFW, 2’20″)


As credited: “Produced by Michael Moore with Daron Murphy & David Ambrose of ART NOT WAR. Written by Michael Moore & Jonathan Schwarz. Directed by Laura Dawn.”

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Paul Thomas Anderson On Australia APP: THE MASTER, Penises And Carly Rae Jepsen (7’51″ audio)

[Via Cigarettes and Red Vines.]

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“Midtraffik: We Will Drive You” (1’28″)

Take this bus. (via @cameroncollie)

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“Lena Dunham: Your First Time” (1’03″)

A sense of aggravation and grievance has been registered on the internet.

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Run, Lana, Run: Lana Wachowski’s HRC Visibility Award Acceptance Speech (31’09″)

The complete transcript is here. About public life vs. anonymity: “Several months ago we were sitting in this Berlin club amid beer soaked haggardness in a space not intended to be inhabited by people and sunlight trying to decide if we should shoot this introduction to a trailer for our movie that was supposed to be posted online. Tom Hanks was supposed to do it but became unavailable, Andy and I have not done press or made a public appearance including premieres in over 12 years. People have mistakenly assumed that this has something to do with my gender. It does not. After The Matrix was released in ‘99, we both experienced this alarming contraction of our world and thus our lives. We became acutely aware of the preciousness of anonymity—understanding it as a form of virginity, something you only lose once. Anonymity allows you access to civic space, to a form of participation in public life, to an egalitarian invisibility that neither of us wanted to give up. We told Warner Bros. that neither one of us wanted to do press anymore. They told us, “No. Absolutely not. This is non-negotiable. Directors are essential to selling and marketing a movie.” We said, “OK, we get it. So if it’s a choice between making movies or not doing press, we decided we’re not going to not make movies.” They said, “Hang on. Maybe there’s a little room for negotiation.” So this position in that negotiation was being examined in Berlin three months ago. All of us are conscious of the fact that not only will it be Andy and my first public appearance in a long time, but it will also be the first time that I speak publicly since my transition. Parenthetically this is a word that has very complicated subject for me because of its complicity in a binary gender narrative that I am not particularly comfortable with. Yet I realize the moment I go on camera, that act will be subject to projections that are both personal and political…” [Much more from the admitted "talker" on the video and at the link.]

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Trailering Shane Black’s IRON MAN 3

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Movie City Indie

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork