Movie City Indie Archive for October, 2012

Joe Sabia Walks 3 Miles In Darkened Downtown In NYC (8’15”)

[Via Boingboing.]

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“Darth Vader… Now That You’re Part Of The Disney Family…” (1’08”)

(With no small thanks to John Williams.)

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Picturing “PIXAR Wars” (by Andrew Chesworth)


[Via. Click twice for largest.]

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Humor From Michael Moore: “A Message From The Greatest Generation” (NSFW, 2’20”)

As credited: “Produced by Michael Moore with Daron Murphy & David Ambrose of ART NOT WAR. Written by Michael Moore & Jonathan Schwarz. Directed by Laura Dawn.”


Paul Thomas Anderson On Australia APP: THE MASTER, Penises And Carly Rae Jepsen (7’51” audio)

[Via Cigarettes and Red Vines.]

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“Midtraffik: We Will Drive You” (1’28”)

Take this bus. (via @cameroncollie)

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“Lena Dunham: Your First Time” (1’03”)

A sense of aggravation and grievance has been registered on the internet.


Run, Lana, Run: Lana Wachowski’s HRC Visibility Award Acceptance Speech (31’09”)

The complete transcript is here. About public life vs. anonymity: “Several months ago we were sitting in this Berlin club amid beer soaked haggardness in a space not intended to be inhabited by people and sunlight trying to decide if we should shoot this introduction to a trailer for our movie that was supposed to be posted online. Tom Hanks was supposed to do it but became unavailable, Andy and I have not done press or made a public appearance including premieres in over 12 years. People have mistakenly assumed that this has something to do with my gender. It does not. After The Matrix was released in ‘99, we both experienced this alarming contraction of our world and thus our lives. We became acutely aware of the preciousness of anonymity—understanding it as a form of virginity, something you only lose once. Anonymity allows you access to civic space, to a form of participation in public life, to an egalitarian invisibility that neither of us wanted to give up. We told Warner Bros. that neither one of us wanted to do press anymore. They told us, “No. Absolutely not. This is non-negotiable. Directors are essential to selling and marketing a movie.” We said, “OK, we get it. So if it’s a choice between making movies or not doing press, we decided we’re not going to not make movies.” They said, “Hang on. Maybe there’s a little room for negotiation.” So this position in that negotiation was being examined in Berlin three months ago. All of us are conscious of the fact that not only will it be Andy and my first public appearance in a long time, but it will also be the first time that I speak publicly since my transition. Parenthetically this is a word that has very complicated subject for me because of its complicity in a binary gender narrative that I am not particularly comfortable with. Yet I realize the moment I go on camera, that act will be subject to projections that are both personal and political…” [Much more from the admitted “talker” on the video and at the link.]

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Trailering Shane Black’s IRON MAN 3

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Movie City Indie

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“I run a movie for myself the first time, and if I can forget I had anything to do with the picture, and I’m halfway through the movie and I’m just the audience, then that is my litmus test for a film working. It doesn’t mean it’s going to work for anybody outside of myself, but when I lose the aesthetic distance between the screen and where I’m sitting, the first time I run a picture that I’ve directed for myself, if I’m aware to the very end that I’m the director, and all I can do is find things to fault, then I know I have my work cut out for me. And I have to roll up my sleeves and fix everything. But when I can watch a movie and I can forget that I made the movie, that’s the first sign that I’m going to be pretty happy with it, that I’m going to be able to live with it.”
~ Steven Spielberg On When He Thinks A Movie Is Working

“I was brought up on newspapers. I love newspapers. I love old-fashioned newspapers, but today I read them on the Internet because of time. And in New York, I read the morning papers, then I read the London papers on my iPad. But entertainment is very important. With broadband coming, everything is changing. People now spend four or five hours on their iPhones, their smartphones, which is changing the world totally. I found it with my young children. They are on their iPhones while they are watching television, doing two things at once. The fact that now we have 2.5 billion people with smartphones, with access to knowledge all over the world, with access to each other, government is going to change, the world is going to change. And it’s going to change very fast. We’ve only had smartphones for eight years, and now we have 2.5 billion of them. In another eight years, we will have 5 billion. The whole world will be on them… If newspapers have opinions, if they are really well-written, if they’re very reliable, people will pay for them. Then they are viable. We found [that] with the Wall Street Journal. You have newspapers on the Internet which are so good people will pay for them. There are people who steal things, rewrite them and put them out, like Google, but they are not reliable at all.”
~ Rupert Murdoch