Movie City Indie Archive for September, 2012

“How The James Bond Theme Was Born” (3’43”)

Wall Street Journal journos can be yakkers, too!

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MNSFW: THE MASTER: “Last One/Thank You” (4’33”)

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Backstage with Western Costume (2’44”)

The MPAA’s “The Creditsvisits the 100-year-old Hollywood mainstay.
Directed by Austin Saya, DP: Stewart Yost, Music: Geoffrey Yandle

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TV-Spotting THIS IS 40 (0’31”)

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Cinema Scope’s Denizens Roundtable TIFF12 (46’55”)

Avec Jason Anderson, Robert Koehler, Adam Nayman, Mark Peranson, Kiva Reardon and John Semley.

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BERGMAN’S VIDEO, A Documentary About Ingmar’s Collection (with González Iñárritu, Alfredson)

The videos start on autoplay; you should stop all three then watch one at a time.

From SVT. If you’re in Sweden, there’s hours of extracts and outtakes to be seen. Below, Alejandro González Iñárritu prowls Bergman’s video room and Faroe (“If film is religion, then this is Mecca, or the Vatican.”), then Tomas Alfredson.
Read the full article »

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Wouldn’t You Know A “West Wing” Reunion Would Be A Political Ad? (4’04”)

I”m Bridget Mary McCormack, and I approve this message…”  Here’s how it happened: “Trying to get your campaign video to go viral? How about getting the cast of the “West Wing” to reunite? It worked for Bridget Mary McCormack, a candidate for Michigan’s State Supreme Court. The four-minute video starsMartin SheenBradley WhitfordAllison Janney and six other familiar faces from the beloved, long-running series explaining the less-than-scintillating dynamics of non-partisan ballots — with a sweet plug for the first-time candidate thrown in for good measure…” [More at the link.]

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Trailering Al Maysles’ Iris Apfel Project (5’10”)

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Ed Lachman Sez You Can’t Shoot Everything And Create Story Later (1’29”)

Another outtake from Side By Side.

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Movie City Indie

Quote Unquotesee all »

“People used to love to call me a maverick, because I had a big mouth, and I’d say, ‘That bum!’ or something like that when I was young. Mainly, because I believed it, and I didn’t know there was anybody’s pain connected to the business. I was so young, I didn’t feel any pain. I just thought, ‘Why don’t they do some exciting, venturesome things? Why are they just sitting there, doing these dull pictures that have already been done many, many times, and calling them exciting? That’s a lie — they’re not exciting. Exciting is an experiment… That reputation keeps with you, through the years. Once the press calls you a maverick, it stays in their files. I’ll be dead five years, and they’ll still be saying, ‘That maverick son-of-a-bitch, he’s off in Colorado, making a movie.’ As if they really cared. You know, in this business, it’s all jealousy. I mean, this is the dumbest business I’ve ever seen in my life. If somebody gets married, they say, ‘It’ll never work.’ If somebody gets divorced, they say, ‘Good. I’ll give you my lawyer.’ If somebody loses a job, everyone will call him — to gloat. They’ll discuss it, they’ll be happy, they’ll have parties. I don’t understand how people that can see each other all the time, and be friends, can be so happy about each other’s demise.”
~ John Cassavetes


“There’s a culture of friendship in Latin American cinema, between people like Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro, which they in turn inherited from others. They’re a sensation of brotherhood, that people care abut you, look after you, which we’ve sought to maintain consciously. That ‘brotherhood’ is the best way to survive, to make better films, but it also a way of coming close to the biggest reason to make films. Filmmaking for me is like a fraternal act, like being with your family, and feeling that what we’re doing, when the film is over and makes some impact, is worth it. That intense encounter with all those people flowers, emanates for ever. You’re a kind of cousin, brother, lover, father, son of all those people with whom you worked. It’s a beautiful sensation.”
Gael García Bernal


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