Movie City Indie Archive for September, 2012

“How The James Bond Theme Was Born” (3’43″)

Wall Street Journal journos can be yakkers, too!

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MNSFW: THE MASTER: “Last One/Thank You” (4’33″)

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Backstage with Western Costume (2’44″)

The MPAA’s “The Creditsvisits the 100-year-old Hollywood mainstay.
Directed by Austin Saya, DP: Stewart Yost, Music: Geoffrey Yandle

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TV-Spotting THIS IS 40 (0’31″)

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Cinema Scope’s Denizens Roundtable TIFF12 (46’55″)

Avec Jason Anderson, Robert Koehler, Adam Nayman, Mark Peranson, Kiva Reardon and John Semley.

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BERGMAN’S VIDEO, A Documentary About Ingmar’s Collection (with González Iñárritu, Alfredson)

The videos start on autoplay; you should stop all three then watch one at a time.

From SVT. If you’re in Sweden, there’s hours of extracts and outtakes to be seen. Below, Alejandro González Iñárritu prowls Bergman’s video room and Faroe (“If film is religion, then this is Mecca, or the Vatican.”), then Tomas Alfredson.
Read the full article »

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Wouldn’t You Know A “West Wing” Reunion Would Be A Political Ad? (4’04″)

I”m Bridget Mary McCormack, and I approve this message…”  Here’s how it happened: “Trying to get your campaign video to go viral? How about getting the cast of the “West Wing” to reunite? It worked for Bridget Mary McCormack, a candidate for Michigan’s State Supreme Court. The four-minute video starsMartin SheenBradley WhitfordAllison Janney and six other familiar faces from the beloved, long-running series explaining the less-than-scintillating dynamics of non-partisan ballots — with a sweet plug for the first-time candidate thrown in for good measure…” [More at the link.]

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Trailering Al Maysles’ Iris Apfel Project (5’10″)

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Ed Lachman Sez You Can’t Shoot Everything And Create Story Later (1’29″)


Another outtake from Side By Side.

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Movie City Indie

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies