Movie City Indie Archive for September, 2012

“How The James Bond Theme Was Born” (3’43”)

Wall Street Journal journos can be yakkers, too!

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MNSFW: THE MASTER: “Last One/Thank You” (4’33”)

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Backstage with Western Costume (2’44”)

The MPAA’s “The Creditsvisits the 100-year-old Hollywood mainstay.
Directed by Austin Saya, DP: Stewart Yost, Music: Geoffrey Yandle

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TV-Spotting THIS IS 40 (0’31”)

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Cinema Scope’s Denizens Roundtable TIFF12 (46’55”)

Avec Jason Anderson, Robert Koehler, Adam Nayman, Mark Peranson, Kiva Reardon and John Semley.

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BERGMAN’S VIDEO, A Documentary About Ingmar’s Collection (with González Iñárritu, Alfredson)

The videos start on autoplay; you should stop all three then watch one at a time.

From SVT. If you’re in Sweden, there’s hours of extracts and outtakes to be seen. Below, Alejandro González Iñárritu prowls Bergman’s video room and Faroe (“If film is religion, then this is Mecca, or the Vatican.”), then Tomas Alfredson.
Read the full article »

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Wouldn’t You Know A “West Wing” Reunion Would Be A Political Ad? (4’04”)

I”m Bridget Mary McCormack, and I approve this message…”  Here’s how it happened: “Trying to get your campaign video to go viral? How about getting the cast of the “West Wing” to reunite? It worked for Bridget Mary McCormack, a candidate for Michigan’s State Supreme Court. The four-minute video starsMartin SheenBradley WhitfordAllison Janney and six other familiar faces from the beloved, long-running series explaining the less-than-scintillating dynamics of non-partisan ballots — with a sweet plug for the first-time candidate thrown in for good measure…” [More at the link.]

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Trailering Al Maysles’ Iris Apfel Project (5’10”)

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Ed Lachman Sez You Can’t Shoot Everything And Create Story Later (1’29”)


Another outtake from Side By Side.

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Movie City Indie

Quote Unquotesee all »

Fey: How are we going to proceed with any kind of dignity in an increasingly ugly world? And I actually was thinking — because I’ve got to write something for when I get the award — to use Sherry Lansing as an inspiration because she was a lady who worked in a very, very ugly business and always managed to be quite dignified. But in a world where the president makes fun of handicapped people and fat people, how do we proceed with dignity? I want to tell people, “If you do two things this year, watch Idiocracy by Mike Judge and read Leni Riefenstahl’s 800-page autobiography and then call it a year.”
Letterman: Wait a minute. Tell me about Leni Riefenstahl.
Fey: She grew up in Germany. She was in many ways a brilliant pioneer. She pioneered sports photography as we know it. She’s the one who had the idea to dig a trench next to the track for the Olympics and put a camera on a dolly. But she also rolled with the punches and said, “Well, he’s the führer. He’s my president. I’ll make films for him.” She did some terrible, terrible things. And I remember reading 20 years ago, thinking, “This is a real lesson, to be an artist who doesn’t roll with what your leader is doing just because he’s your leader.”
Letterman: My impression of this woman is that she was the sister of Satan.
Fey: She was in many ways. But what she claimed in the book was, “He was the president, so what was I supposed to do?” And I feel a lot of people are going to start rolling that way.
~ Tina Fey And David Letterman Are Anxious

“I love it! Shia’s crazy and he’s great. It’s a good combination for me. I don’t know if he’s going to jump up and attack me, or the camera, or the actor, and I kind of enjoy that. He brings something unexpected, all the time. A little frightening, a little grey, so I really enjoy that kind of madness. I think he takes this work very serious, really serious, and sometimes maybe that comes across arrogant or annoying, and I understand that. But it’s nice when someone cares so much. I don’t know how easy it is to be a big movie star, I’ll never understand that world, but to show up and care that much, to me, is a nice deal and I’ll take it. With all the craziness.”
~ Dito Montiel On Shia Labeouf