Movie City Indie Archive for August, 2012

Michael Cimino Introduces HEAVEN’S GATE in Venice [pic only]


“My first reaction was: ‘I don’t want to revisit Heaven’s Gate‘. I’ve had enough rejection for 33 years. Being infamous is not fun. It becomes a weird occupation in and of itself.Because of the digital technology that did not exist at the time, I was able to make editorial changes, colour changes…. Seeing it through the digital equipment, it was like a new movie.” A professional flash photo, from Agence France Presse, with quotes (like the above) that sound translated and re-translated, is here.

[Via Le Monde.]

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Clint Eastwood addresses the empty chair (11’15″)

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TIFF12 Trailering THE ACT OF KILLING, presented by Herzog & Morris (3’08′)

Killers are invited to act out their memories of murder in Indonesia: “In this chilling and provocative documentary, executive-produced by Errol Morris and Werner Herzog (who said he’d “not seen a film as powerful and frightening in at least a decade”), a collection of unrepentant, genocidal thugs are given the chance to re-enact some of their many crimes—in lurid Hollywood style. When the Indonesian government was overthrown in 1965, small-time gangster Anwar Congo and his friends went from selling movie tickets on the black-market to leading anti-communist death squads in the mass murder of over a million people. Anwar boasts of killing hundreds with his own hands, but he’s lived in his country as a hero ever since, never forced by history to accept that he had perpetrated crimes against humanity. When approached to make a film about their role in the genocide, Anwar and his friends eagerly comply—but their idea of being in a movie is not to provide reflective testimony but to dance their way through musical numbers, twist arms in film noir gangster scenes, and gallop across the prairies as yodeling cowboys. A surreal cinematic journey, THE ACT OF KILLING presents a gripping conflict between moral imagination and moral catastrophe.”

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Neil Armstrong Interviewed in March, 2012 (video)

In March, Neil Armstrong gave one of his few interviews to Alex Malley, head of the Certified Practicing Accountants of Australia. The complete interview is here.



And: Armstrong responds to conspiracy theories.

These small pieces were chopped by The Daily Beast, source of the embeds.

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TIFF12 Trailering: Klip (MNSFW)

“Serbia!” “Jasna is a beautiful girl in her mid-teens, leading a crude life in postwar Serbia. With a terminally ill father and dispirited mother, she is disillusioned and angry with everyone and everything, including herself. Having a huge crush on a boy from school, she goes on a spree of sex, drugs and partying, constantly filming with her mobile phone. Still, in that very harsh environment – love and tenderness emerge. Starring Isidora Simijonovic, Vukašin Jasnic, Sanja Mikitišin, Jovo Makisc and Monja Savic.”

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TIFF12 Trailering: BOY EATING THE BIRD’S FOOD

So what’s up in Greek filmmaking? This. “A 22-year-old boy in Athens has no job, no money, no girlfriend and no food to eat. He has only a canary bird and a beautiful singing voice. When he finds himself without a home, he must seek shelter for his bird. Starring Yiannis Papadopoulos.”
Read the full article »

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Teasing McAdams-Rapace-DePalma’s PASSION (1’05″)

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Movie City Indie

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies