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Movie City Indie Archive for July, 2012

Agnès Varda for Chris Marker

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LA JETTE (1962)

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Danny Boyle (2007, SUNSHINE)

[© Ray Pride.]

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Danny Boyle’s Introduction In The Olympic Program

 

 

[Via Riz Ahmed. Click three times for largest size.]

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Gerard Courant’s Cinematons: Julie Delpy (1984), Sam Fuller (1985)

From a 175-hour film comprised of 2,627 silent Super-8 portraits, each three minutes and twenty-five seconds long. [Via Dangerous Minds.]

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When Siri Met Marty

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Trailering COSMOPOLIS (u.s.) (2’06”)

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Movie City Indie

Quote Unquotesee all »

DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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