Movie City Indie Archive for June, 2012

ON HER MASH-UP’S SECRET SERVICE: Michael Fassbender is Christopher Nolan’s James Bond


So that’s why Fassbender’s been wearing all those scarves.

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“I’m Oliver Stone… And I’m A Savage” (1’20”)

Another eccentric bit of transmedia promoting Oliver Stone’s Savages, as yet unscreened for most reviewers.

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Postering Mike Birbiglia’s SLEEPWALK WITH ME

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Sam Smyth’s 30th Anniversary BLADE RUNNER Poster

 

[More here and here.]

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“Andrew Sarris: Critic In Focus”: A Late Interview (11’16”)

“Directed and Edited by Casimir Nozkowski; Cinematography by Pete Fonda; Original Music by Alexander Strung; Sound Mix by Tod Chapman.”

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Josh Fox’s THE SKY IS PINK (18’34”)

From Fox’s follow-up to Gasland. Just the fracks, ma’am.

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David Lynch Loves To Paint (2’27”)

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Absurd and Beautiful and PRADA and Oldman and Dafoe…

Vision asserted.  Photos by Steven Meisel. From the comments: “If a man showed up to pick me up for a date in some of these, I might propose to him right then.”

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Movie City Indie

Quote Unquotesee all »

“During the mid-’70s, keyboardist Ian McLagan finds himself in a room with Dylan and Led Zeppelin’s infamously brutish manager Peter Grant: ‘Hello, Bob. I’m Peter Grant, I manage Led Zeppelin.’ After a short silence, Dylan replies: ‘I don’t come to you with my problems.'”
~ “37 Hilarious Bob Dylan Stories

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”