Movie City Indie Archive for March, 2012

1984

[Via Annapurna Pictures.]

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1983 “HBO Feature Presentation” Intro (1’14”)

http://www.youtube.com/watch?v=oF0Pw8tiJBA

Man, is that long. [Via @PanosCosmatos.]

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Shooting TOUCH OF EVIL’s Opening (in color)

PHOTO COURTESY AMPAS

Among 70,000 production stills from the Bison Archives, the Academy acquired eight color images of the shooting of the opening of Touch of Evil.

ADDED 3/30: A map of the locations in Venice Beach.

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“The Writer’s Job Is To Get Naked”: RIP Harry Crews (9’41”)

http://www.youtube.com/watch?v=xPswt7HKBQ8

And: “Stories was everything and everything was stories“: Harry Crews in Searching For The Wrong-Eyed Jesus.

And: the trailer for Survival Is Triumph Enough.

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“The Sound of The Hunger Games”

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Fred Astaire: HIPSTER

“Tequila!” ‘n shit.

[Via Brechtian]

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5 Images From Woody’s TO ROME WITH LOVE





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Trailering Xavier Dolan’s LAURENCE ANYWAYS (2’58”)

So that’s what Xavier Dolan‘s been up to… Not necessarily to be expected from the director of How I Killed My Mother and Les amours imaginaires, but… “C’est especial.”

“I didn’t see you coming this morning. Is this a revolt?”
“No sir, it’s a revolution.”

Cannes-bound, per David Hudson at Daily MUBI.

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Girl Talk’s “Girl Walk//All Day” Part 1 (of 12) (8’05”)

In 12 chapters, a runaway Kickstarter success. The site, here. “A 71-minute dance music video of epic proportions, set to the tune of Girl Talk’s All Day. The idea behind Girl Walk // All Day emerged from our desire to expand the boundaries around the idea of the traditional music video, which usually spans the length of a single track. This album-length piece will feature a talented group of dancers across a range of public and private spaces around New York City, turning the city’s sidewalks and obstacles into part of an evolving improvisational dance routine.”

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RIP Tonino Guerra (videos)

A trailer for a documentary in the making. Guerra looks so… calm. Centered. Down-to-earth. Nice.

I once had a random conversation with Guerra at a film festival about his poetry, which I had discovered only a couple weeks earlier. He seemed pleased to be able to talk about that writing more than about the many directors he’d written screenplays with, including Angelopoulos, smoking a cigarette and glaring at the other end of a couch. (The poetry is written in his native dialect and much of it is scabrous.)

Below, “Cooking Up Ideas” with Tarkovsky, from Voyage In Time.

Photo of Tarkovsky, Antonioni, Guerra: Letter To Jane.

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DVD Distrib Lets Customers Know The Fake DRAGON TATTOO DVD Markings Are… Real

“We would like to address some confusion caused by the DVD version of The Girl with the Dragon Tattoo. Upon opening the case, librarians and patrons will find what looks to be a burned DVD-R with the movie’s title scrawled across it with a marker…” (Preview copies of Monte Hellman’s Road To Nowhere used the same effect last year, aping the opening shot of the movie.) [Via BoingBoing.]

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Albert Brooks’ DRIVE monologue auf Deutsch (1’08”)

The polymath is multilingual!

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Doug Trumbull on 70mm Filmmaking (1’45” vid)

Ever the romantic.

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Movie City Indie

Quote Unquotesee all »

“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

“Lars. He’s done a lot of drugs. Over the hill. The last time I saw Lars, he was telling my wife he wants to have sex with her. I told him to fuck off. So he found another slut.”
~ Nicolas Winding Refn On Lars Von Trier

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