Movie City Indie Archive for March, 2012

1984

[Via Annapurna Pictures.]

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1983 “HBO Feature Presentation” Intro (1’14″)

http://www.youtube.com/watch?v=oF0Pw8tiJBA

Man, is that long. [Via @PanosCosmatos.]

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Shooting TOUCH OF EVIL’s Opening (in color)

PHOTO COURTESY AMPAS

Among 70,000 production stills from the Bison Archives, the Academy acquired eight color images of the shooting of the opening of Touch of Evil.

ADDED 3/30: A map of the locations in Venice Beach.

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“The Writer’s Job Is To Get Naked”: RIP Harry Crews (9’41″)

http://www.youtube.com/watch?v=xPswt7HKBQ8

And: “Stories was everything and everything was stories“: Harry Crews in Searching For The Wrong-Eyed Jesus.

And: the trailer for Survival Is Triumph Enough.

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“The Sound of The Hunger Games”

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Fred Astaire: HIPSTER

“Tequila!” ‘n shit.

[Via Brechtian]

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5 Images From Woody’s TO ROME WITH LOVE





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Trailering Xavier Dolan’s LAURENCE ANYWAYS (2’58″)

So that’s what Xavier Dolan‘s been up to… Not necessarily to be expected from the director of How I Killed My Mother and Les amours imaginaires, but… “C’est especial.”

“I didn’t see you coming this morning. Is this a revolt?”
“No sir, it’s a revolution.”

Cannes-bound, per David Hudson at Daily MUBI.

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Girl Talk’s “Girl Walk//All Day” Part 1 (of 12) (8’05″)

In 12 chapters, a runaway Kickstarter success. The site, here. “A 71-minute dance music video of epic proportions, set to the tune of Girl Talk’s All Day. The idea behind Girl Walk // All Day emerged from our desire to expand the boundaries around the idea of the traditional music video, which usually spans the length of a single track. This album-length piece will feature a talented group of dancers across a range of public and private spaces around New York City, turning the city’s sidewalks and obstacles into part of an evolving improvisational dance routine.”

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RIP Tonino Guerra (videos)

A trailer for a documentary in the making. Guerra looks so… calm. Centered. Down-to-earth. Nice.

I once had a random conversation with Guerra at a film festival about his poetry, which I had discovered only a couple weeks earlier. He seemed pleased to be able to talk about that writing more than about the many directors he’d written screenplays with, including Angelopoulos, smoking a cigarette and glaring at the other end of a couch. (The poetry is written in his native dialect and much of it is scabrous.)

Below, “Cooking Up Ideas” with Tarkovsky, from Voyage In Time.

Photo of Tarkovsky, Antonioni, Guerra: Letter To Jane.

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DVD Distrib Lets Customers Know The Fake DRAGON TATTOO DVD Markings Are… Real

“We would like to address some confusion caused by the DVD version of The Girl with the Dragon Tattoo. Upon opening the case, librarians and patrons will find what looks to be a burned DVD-R with the movie’s title scrawled across it with a marker…” (Preview copies of Monte Hellman’s Road To Nowhere used the same effect last year, aping the opening shot of the movie.) [Via BoingBoing.]

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Albert Brooks’ DRIVE monologue auf Deutsch (1’08″)

The polymath is multilingual!

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Doug Trumbull on 70mm Filmmaking (1’45″ vid)

Ever the romantic.

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Movie City Indie

Quote Unquotesee all »

“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel