Movie City Indie Archive for February, 2012

A Yorgos Lanthimos Masterclass (55’38”) At Göteborg International Film Festival 2012

Interesting observations from the director of Dogtooth and the forthcoming Alps.

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RIP Barney Rosset, 1922-2012

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Lonergan’s MARGARET in Chicago

Sell-outs from the get-go. Two more night’s showings in 35mm.

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Picturing WGA Winner Alexander Payne



[Thessaloniki, Greece, November 2011. Photos © Ray Pride.]

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Trailering Lena Dunham’s “Girls”

http://www.youtube.com/watch?v=9RIqj_ZgGN0

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MPAA Rating Advisory Of The Week: PROJECT X

Project X opens in theaters Friday, March 2. The film has been rated R by the MPAA for crude and sexual content throughout, nudity, drugs, drinking, pervasive language, reckless behavior and mayhem—all involving teens.” Mmmm, mayhem!

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ABC CINEMA: Animating An Alphabet Of Movies (0’58”)

Shiny. By Evan Seitz.

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That’s What Goes On In A Cat’s Head (0’36”)

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NSFW: Carlos Charlie Perez Book-Trailers “The Vanishers” 1’52”

“A short film based on THE VANISHERS, a new novel by Heidi Julavits, out March 13 from Doubleday. Film by Carlos Charlie Perez. From the acclaimed novelist and The Believer editor Heidi Julavits, a wildly imaginative and emotionally intense novel about mothers, daughters, and the psychic damage women can inflict on one another.”

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Neil Young approves Tavi Gevinson’s “Heart of Gold” cover (3’17”)

What if a corporate-support-underwritten Rookie fashionista wunderkind does some more stuff that’s not half-bad? Eh, Neil Young, gotten old, approves.

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RIP Peter Breck

Seen here in Samuel Fuller’s Shock Corridor, after exclaiming in interior monologue, “Nymphos!”

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For Valentine’s Day, T-Mobile Clips A Joe Swanberg Movie

http://www.youtube.com/watch?v=fW24eHQg5JY

A clip from Alexander The Last? Um…. thanks, Cupid? [Via Joe Swanberg.]

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Leonard Cohen On How To Speak Poetry (3’51”)

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Somewhere, IRON SKY Lost Its Mind; Gained Udo Kier, Sarah Palin (trailer)

“I’ll see you in Valhalla.” Music by  Laibach. And the slightly stranger, smaller-scale original trailer. [Via Iron Sky.]

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Movie City Indie

Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick