Movie City Indie Archive for February, 2012

A Yorgos Lanthimos Masterclass (55’38″) At Göteborg International Film Festival 2012

Interesting observations from the director of Dogtooth and the forthcoming Alps.

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RIP Barney Rosset, 1922-2012

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Lonergan’s MARGARET in Chicago

Sell-outs from the get-go. Two more night’s showings in 35mm.

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Picturing WGA Winner Alexander Payne



[Thessaloniki, Greece, November 2011. Photos © Ray Pride.]

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Trailering Lena Dunham’s “Girls”

http://www.youtube.com/watch?v=9RIqj_ZgGN0

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MPAA Rating Advisory Of The Week: PROJECT X

Project X opens in theaters Friday, March 2. The film has been rated R by the MPAA for crude and sexual content throughout, nudity, drugs, drinking, pervasive language, reckless behavior and mayhem—all involving teens.” Mmmm, mayhem!

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ABC CINEMA: Animating An Alphabet Of Movies (0’58″)

Shiny. By Evan Seitz.

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That’s What Goes On In A Cat’s Head (0’36″)

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NSFW: Carlos Charlie Perez Book-Trailers “The Vanishers” 1’52″

“A short film based on THE VANISHERS, a new novel by Heidi Julavits, out March 13 from Doubleday. Film by Carlos Charlie Perez. From the acclaimed novelist and The Believer editor Heidi Julavits, a wildly imaginative and emotionally intense novel about mothers, daughters, and the psychic damage women can inflict on one another.”

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Neil Young approves Tavi Gevinson’s “Heart of Gold” cover (3’17″)

What if a corporate-support-underwritten Rookie fashionista wunderkind does some more stuff that’s not half-bad? Eh, Neil Young, gotten old, approves.

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RIP Peter Breck

Seen here in Samuel Fuller’s Shock Corridor, after exclaiming in interior monologue, “Nymphos!”

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For Valentine’s Day, T-Mobile Clips A Joe Swanberg Movie

http://www.youtube.com/watch?v=fW24eHQg5JY

A clip from Alexander The Last? Um…. thanks, Cupid? [Via Joe Swanberg.]

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Leonard Cohen On How To Speak Poetry (3’51″)

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Somewhere, IRON SKY Lost Its Mind; Gained Udo Kier, Sarah Palin (trailer)

“I’ll see you in Valhalla.” Music by  Laibach. And the slightly stranger, smaller-scale original trailer. [Via Iron Sky.]

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Movie City Indie

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé