Movie City Indie Archive for December, 2011

Trailering Tony Gatlif’s INDIGNADOS

http://vimeo.com/34377474

Premiering Berlinale 2012: Gatlif shot both a fiction and documentary version of his observation of the European “Indignados,” predecessors to the “Occupy” protests around the world. Reports Cineuropa: “According to Gatlif, Indignados “plunges into the dense and palpable reality of a Europe in revolt just to be able to live, through the gaze and illusions of Betty (Mamebetty Honoré Diallo), a young African illegal immigrant.” Travelling along the edge of the borders of a Europe on the verge of collapse in terms of its social cohesion, Betty confronts this reality and the absurd situations it creates… At the same time, Gatlif has directed the documentary Indignez-vous! for Arte.” Gatlif: “This is urgent. The disorder of financial capitalism is throwing the world and its population into a crisis that is increasingly tough for millions of people, reduced to unemployment and plunged into poverty. These dark times in which we live may lead to worse still, a surge in xenophobic and racist violence, a war of civilisation, pitting nations against other nations in the name of God, the incompatibility of cultures, or quite simply hatred of the other. Cinema, like literature, music and the other arts, must fight against this terrible outcome.”

“Cry Me A River,” from DREILEBEN

Oh my. So good. From Dreileben. Wonder which of the three films? The Petzold? [Via Dennis Lim.]

Inside The Stanford Apple Archives (2’24”)

[Associated Press.]

Postering THE PAPERBOY

[Millennium Films.]

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Harvey Korman’s CARVING MAGIC (10’28”)

John Roecker’s “They’re All Out Without You,” A Green Day “Punk Opera” (29’35”)

From the Vimeo link: “Based on the Characters from Green Day’s Grammy Award Winning Album American Idiot. John Roecker who directed the soon to be released documentary “Heart Like a Hand Grenade” (“HLAHG”) about the making of Green Day’s best selling album to date—”American Idiot”—brings you his take on the characters as originally visualized from AI, what many consider to be the first true “punk rock” opera. John’s longtime friendship with Billie Joe Armstrong, (the lead singer and guitarist of Green Day) gave him insight into the band’s creative vision, and put John at ground zero… in the recording studio along with the band. John’s task seemed simply really, to document the creative process as it unfolded – honest, uncensored, and real. What emerged The American Idiot Album, now considered by many to be Green Day’s greatest musical achievement. As John continued to document the layers of creativity behind the music of AI, he started to visualize who the characters were, and what they were truly meant to be.

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Orphaned Polar Bear Cub. That Is All.

http://www.youtube.com/watch?feature=player_embedded&v=jwKwbuW2GdA

19 “For Your Consideration” 2011 Scripts Now Include MARGARET, WAR HORSE

These are PDF downloads. Streaming the Contagion score makes for a nice background. (Paramount has scripts, but only upon request and if qualified.)

Margaret

War Horse

The Artist

Beginners

Bridesmaids

Coriolanus

The Debt

The Descendants

Hanna

The Help

The Iron Lady

Jane Eyre

Martha Marcy May Marlene

My Week With Marilyn

Pariah

Shame

Tinker, Tailor, Soldier, Spy

Warrior

Win Win

 

Terry Gilliam’s “Happy Christmas Wishes” (1968, 2:45)

Terry Gilliam Socks

Photo: Ray Pride, Marrakech, December 2011.

Ladies & Gentlemen… Julianne Moore (:52)

http://www.youtube.com/watch?feature=player_embedded&v=V4YlDkCIoIs

Woodkid’s BORN TO DIE for Lana Del Rey

About the director: “The Evolution Of Woodkid.”

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Clipping Tony Kaye’s DETACHMENT (language NSFW)

“I used to be very angry.” February 24th on VOD; theatrical in March. More at the film’s website.

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Tex Avery Drinks The Kool-Aid (1’00)

[Via CartoonBrew.]

CONTAGION II

Trailering Guy Maddin’s KEYHOLE

Post-production diary here.

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Movie City Indie

Quote Unquotesee all »

“Brett Ratner’s Hilhaven Lodge is my second home, and Brett has become an essential force in world cinema whose star on the Walk of Fame will add fresh luster to that stellar sidewalk,” says James Toback. “Brett’s a wonderful person and a great storyteller. I’m working on a film for RatPac called ‘The Man Who Beat Vegas.’ I think it’s the best thing I’ve ever written, and it’s a contemporary Las Vegas story. ”

“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn