Movie City Indie Archive for November, 2011

Steve Jobs, On The World, In 45 Seconds

Ken Russell’s Teenage Wasteland

PDF of a review of Mr. Russell’s 1950s teenpix here.

KEN RUSSELL WAS 84

Miley Cyrus Lavishes Up Some “Riot Porn”

Dubbed as such by @WilbotOsterman. Cyrus posted the video on her 19th birthday, according to the description here: “The video begins starkly with a message in white font on a black screen: ‘This is dedicated to the thousands of people who are standing up for what they believe in,’ and for the next three minutes comes a rapid-fire montage of scenes of sign-waving protesters and pepper-spraying police as Miley sings, ‘It’s a liberty walk, walk. Say goodbye to the people who tied you up… Free yourself, slam the door, not a prisoner anymore.'”

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Joan Didion: The White Album to Blue Nights (72m vid)

“In conversation with David L. Ulin, book critic, Los Angeles Times. A literary icon for Los Angeles and a cultural visionary for the rest of America, the acclaimed author of The White Album, The Year of Magical Thinking, and most recently, Blue Nights, discusses her current work and life in Los Angeles in the 60s. Part of ‘Pacific Standard Time: Art in LA 1945-1980′.”

Hitler Disapproves Of A New Meme In Town: Pepper-Spray Cop

Hitler measures appropriate response and USES ALL-CAPS like a practiced commenter.

Steve Jobs Brainstorms, In Classic LP VHS (21’17”)

An episode of “Entrpreneurs,” a portentously-written but useful glimpse of Jobs at work in the NeXT computer era. Below, Jobs demonstrates how “interpersonal computing” works. [Via TNW, where there are three more videos from that time.]

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Andrea True Was 68: “More, More, More” (3’01”)

“The Sound of The Muppets (9’02”)

“In this SoundWorks Collection exclusive we talk with Director James Bobin, Film Editor James Thomas, Supervising Sound Editors Kami Asgar and Sean McCormack, and Sound Re-recording Mixer Kevin O’Connell.”

W.e.instein Trailering W.E. Anew

Trailering RAMPART

Time Code: UC Davis Pepper Spray Footage From 4 Perspectives

Brian DePalma, do you know Mike Figgis? Good. Meet Andy Baio.

NYFF 49’s Béla Tarr Forum, in full (37’54”)

Vid: “Raw Meat” for Black Lips with Leo Fitzpatrick

Cop imagery on the black-and-white streets of New York City?

“Directed by Phil Pinto, produced by Rachelyn Remz-Porter. Featuring Leo Fitzpatrick, Janell Shirtcliff, and Tennessee Thomas. ‘Raw Meat’ is from the album Arabia Mountain [Vice Records].”

Movie City Indie

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“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles