Movie City Indie Archive for November, 2011

Steve Jobs, On The World, In 45 Seconds

Ken Russell’s Teenage Wasteland

PDF of a review of Mr. Russell’s 1950s teenpix here.

KEN RUSSELL WAS 84

Miley Cyrus Lavishes Up Some “Riot Porn”

Dubbed as such by @WilbotOsterman. Cyrus posted the video on her 19th birthday, according to the description here: “The video begins starkly with a message in white font on a black screen: ‘This is dedicated to the thousands of people who are standing up for what they believe in,’ and for the next three minutes comes a rapid-fire montage of scenes of sign-waving protesters and pepper-spraying police as Miley sings, ‘It’s a liberty walk, walk. Say goodbye to the people who tied you up… Free yourself, slam the door, not a prisoner anymore.'”

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Joan Didion: The White Album to Blue Nights (72m vid)

“In conversation with David L. Ulin, book critic, Los Angeles Times. A literary icon for Los Angeles and a cultural visionary for the rest of America, the acclaimed author of The White Album, The Year of Magical Thinking, and most recently, Blue Nights, discusses her current work and life in Los Angeles in the 60s. Part of ‘Pacific Standard Time: Art in LA 1945-1980′.”

Hitler Disapproves Of A New Meme In Town: Pepper-Spray Cop

Hitler measures appropriate response and USES ALL-CAPS like a practiced commenter.

Steve Jobs Brainstorms, In Classic LP VHS (21’17”)

An episode of “Entrpreneurs,” a portentously-written but useful glimpse of Jobs at work in the NeXT computer era. Below, Jobs demonstrates how “interpersonal computing” works. [Via TNW, where there are three more videos from that time.]

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Andrea True Was 68: “More, More, More” (3’01”)

“The Sound of The Muppets (9’02”)

“In this SoundWorks Collection exclusive we talk with Director James Bobin, Film Editor James Thomas, Supervising Sound Editors Kami Asgar and Sean McCormack, and Sound Re-recording Mixer Kevin O’Connell.”

W.e.instein Trailering W.E. Anew

Trailering RAMPART

Time Code: UC Davis Pepper Spray Footage From 4 Perspectives

Brian DePalma, do you know Mike Figgis? Good. Meet Andy Baio.

NYFF 49’s Béla Tarr Forum, in full (37’54”)

Vid: “Raw Meat” for Black Lips with Leo Fitzpatrick

Cop imagery on the black-and-white streets of New York City?

“Directed by Phil Pinto, produced by Rachelyn Remz-Porter. Featuring Leo Fitzpatrick, Janell Shirtcliff, and Tennessee Thomas. ‘Raw Meat’ is from the album Arabia Mountain [Vice Records].”

Movie City Indie

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch