Movie City Indie Archive for November, 2011

Steve Jobs, On The World, In 45 Seconds

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Ken Russell’s Teenage Wasteland

PDF of a review of Mr. Russell’s 1950s teenpix here.

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KEN RUSSELL WAS 84

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Miley Cyrus Lavishes Up Some “Riot Porn”

Dubbed as such by @WilbotOsterman. Cyrus posted the video on her 19th birthday, according to the description here: “The video begins starkly with a message in white font on a black screen: ‘This is dedicated to the thousands of people who are standing up for what they believe in,’ and for the next three minutes comes a rapid-fire montage of scenes of sign-waving protesters and pepper-spraying police as Miley sings, ‘It’s a liberty walk, walk. Say goodbye to the people who tied you up… Free yourself, slam the door, not a prisoner anymore.'”

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Joan Didion: The White Album to Blue Nights (72m vid)

“In conversation with David L. Ulin, book critic, Los Angeles Times. A literary icon for Los Angeles and a cultural visionary for the rest of America, the acclaimed author of The White Album, The Year of Magical Thinking, and most recently, Blue Nights, discusses her current work and life in Los Angeles in the 60s. Part of ‘Pacific Standard Time: Art in LA 1945-1980′.”

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Hitler Disapproves Of A New Meme In Town: Pepper-Spray Cop

Hitler measures appropriate response and USES ALL-CAPS like a practiced commenter.

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Steve Jobs Brainstorms, In Classic LP VHS (21’17”)

An episode of “Entrpreneurs,” a portentously-written but useful glimpse of Jobs at work in the NeXT computer era. Below, Jobs demonstrates how “interpersonal computing” works. [Via TNW, where there are three more videos from that time.]

Read the full article »

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Andrea True Was 68: “More, More, More” (3’01”)

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“The Sound of The Muppets (9’02”)

“In this SoundWorks Collection exclusive we talk with Director James Bobin, Film Editor James Thomas, Supervising Sound Editors Kami Asgar and Sean McCormack, and Sound Re-recording Mixer Kevin O’Connell.”

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W.e.instein Trailering W.E. Anew

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Trailering RAMPART

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Time Code: UC Davis Pepper Spray Footage From 4 Perspectives

Brian DePalma, do you know Mike Figgis? Good. Meet Andy Baio.

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NYFF 49’s Béla Tarr Forum, in full (37’54”)

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Vid: “Raw Meat” for Black Lips with Leo Fitzpatrick

Cop imagery on the black-and-white streets of New York City?

“Directed by Phil Pinto, produced by Rachelyn Remz-Porter. Featuring Leo Fitzpatrick, Janell Shirtcliff, and Tennessee Thomas. ‘Raw Meat’ is from the album Arabia Mountain [Vice Records].”

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Movie City Indie

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Fey: How are we going to proceed with any kind of dignity in an increasingly ugly world? And I actually was thinking — because I’ve got to write something for when I get the award — to use Sherry Lansing as an inspiration because she was a lady who worked in a very, very ugly business and always managed to be quite dignified. But in a world where the president makes fun of handicapped people and fat people, how do we proceed with dignity? I want to tell people, “If you do two things this year, watch Idiocracy by Mike Judge and read Leni Riefenstahl’s 800-page autobiography and then call it a year.”
Letterman: Wait a minute. Tell me about Leni Riefenstahl.
Fey: She grew up in Germany. She was in many ways a brilliant pioneer. She pioneered sports photography as we know it. She’s the one who had the idea to dig a trench next to the track for the Olympics and put a camera on a dolly. But she also rolled with the punches and said, “Well, he’s the führer. He’s my president. I’ll make films for him.” She did some terrible, terrible things. And I remember reading 20 years ago, thinking, “This is a real lesson, to be an artist who doesn’t roll with what your leader is doing just because he’s your leader.”
Letterman: My impression of this woman is that she was the sister of Satan.
Fey: She was in many ways. But what she claimed in the book was, “He was the president, so what was I supposed to do?” And I feel a lot of people are going to start rolling that way.
~ Tina Fey And David Letterman Are Anxious

“I love it! Shia’s crazy and he’s great. It’s a good combination for me. I don’t know if he’s going to jump up and attack me, or the camera, or the actor, and I kind of enjoy that. He brings something unexpected, all the time. A little frightening, a little grey, so I really enjoy that kind of madness. I think he takes this work very serious, really serious, and sometimes maybe that comes across arrogant or annoying, and I understand that. But it’s nice when someone cares so much. I don’t know how easy it is to be a big movie star, I’ll never understand that world, but to show up and care that much, to me, is a nice deal and I’ll take it. With all the craziness.”
~ Dito Montiel On Shia Labeouf