Movie City Indie Archive for September, 2011

DRIVE and Los Angeles (2:07)

Home, Alone: Trailering EXTREMELY LOUD & INCREDIBLY CLOSE


More than the trailer, which seems more emphatic in its uplift than the finished film might dare, there are names other than director Stephen Daldry‘s that pop out: screenwriter Eric Roth (Forrest Gump, Benjamin Button); composer Nico Muhly (The Reader, Margaret), and, not in the credit block, cinematographer Chris Menges (The Reader, The Killing Fields, Local Hero) and editor Claire Simpson (The Reader, The Constant Gardener, Wall Street). There will be vivid widescreen imagery.

Postering the Lars Von Trier Character

In the U.K., Artificial Eye releases character posters for Melancholia. Here’s Lars von Trier’s, with a special stamp in the upper lefthand corner. The production’s website here. [Via Ultra Culture.]

X On the Jerry Lewis Telethon (1982) (2’02”)

http://www.youtube.com/watch?v=ztgMXJjxyhw&feature=player_embedded

[Via Dangerous Minds.]

TINTIN German Spot (30sec): DIE ABENTEUER VON TIM UND STRUPPI

Postering Tony Kaye’s DETACHMENT

Postering a disappearing IRON LADY

While it’s not the first horizontal/vertical mix-up on a one-sheet this month (see Janus Film’s reissue poster for Godard’s Weekend), at second glance, this is the most disturbing. Turning topsy-turvy the Houses of Parliament may resemble the streaking of a minor Gerhard Richter painting, but more readily suggest the loss of memory and personality by Thatcher as her Alzheimer’s grows worse. And what streaks away? A mind for all things governmental. Eeeesh.

Halluci-postering Thompson-Robinson’s RUM DIARY

What drugs had our faithful young correspondent Hunter S. ingested by the time of his Puerto Rican reporting days, where he laid his fictional “Rum Diary”? The revisions in the years before publication surely partook of the sort of recreational distraction that this one-sheet genially embraces. Plus: Bruce Robinson. This film must fall within the acceptable bounds of reflecting the writer-director-raconteur’s large and rumbustious personality.

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Four Silent Screams (NYC 2011; Eisenstein 1925; Kent State, 1970)



Photojournalism: a silent scream. “Davidscameracraft” is the byline of the photographer from the “Occupy Wall Street” protests. More of his solid work here, where he discovers the NYPD Deputy Inspector who randomly chose whom to pepper-spray at point blank is named “BOLOGNA.”

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Robert Bresson at 110

http://www.youtube.com/watch?v=DIPiRPk0VzI&feature=player_embedded


http://www.youtube.com/watch?v=FhWyoEhS_wA&feature=player_embedded

Francis Coppola’s TIFF TWIXT Presser (31’58”)

Japanese Art For Monte Hellman’s ROAD TO NOWHERE

[Site.]

THE 3 Rs: David Lynch Trailers Viennale 2011 (1’13”)

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Postering Godard’s WEEKEND

[Playdates for Janus Films’ new 35mm print.]

Qwikster Goes For The Classics With First Commercials

And below! Classic Qwikster! From Australia!

Read the full article »

Movie City Indie

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“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish