Movie City Indie Archive for August, 2011

Twin Towers Cameos On Film

[By Dan Meth.]

David “Honeyboy” Edwards Plays “Gamblin’ Man” (3’15”)

From “Lightnin’ in a Bottle.” (2004)

Harmony Korine And Anthony Dod Mantle For Mahindra

http://www.youtube.com/watch?v=yASJcveJ9rU&feature=player_embedded

Adweek does not care for the Indian conglomerate’s anthemic spot. (The Mahindra Group also has alliances with the Sundance Institute, which began in January.) [Via Filmmaker.]

Bartonsville, VT: Goodbye To A Covered Bridge In The Hurricane

The instant the bridge disappears, a spat of rain hits the lens and blurs the absence.

Main Street, Margaretville, New York

1 Comment »

Taiwanese News Animators Make A Work Of Jobs

Starts strange. Gets bizarre. Gets even stranger. Star Wars gore! Why not?

The Nouvelle Vague In 2 Minutes, 30 Seconds

David Lynch On The iPhone

A perennial that seems timely this week…

8-Bit ZARDOZ

Press PLAY. [Via Boing Boing and R.]

Encoding MARTHA MARCY MAY MARLENE

Libyan Newsreader Waves Gun In Defense Of TV Station (:45)

Not quite Anderson Cooper cracking up over pee and poo jokes, but then what is?

The Sound of RISE/APES (11’53” vid)

“Acting as a foundation with an origin story for a new film series, director Rupert Wyatt takes the audience on the science fiction summer hit, Rise of the Planet of the Apes. The stunning visual effects produced by Weta Digital for the apes are complimented by the wide range of sounds recorded and edited for the film. Leading the sound team is supervising sound editor and sound designer Chuck Michael and co-supervisor John Larsen with the talents of first assistant sound editor Smokey Cloud and sound re-recording mixers Doug Hemphill and Ron Bartlett.”

When Jeremy Piven Met Robert Rodriguez

Makeup Design Oscar? Es nada.

Movie City Indie

Quote Unquotesee all »

“Don’t work with assholes. Ever. No matter what they’re offering, no matter what they bring to the table. If they’re the sort of person where the phone rings at 10 o’clock at night and you wince because you see that it’s them, then don’t do business with them. One asshole will ruin your life. I’ve managed my entire TV and filmmaking career to work with people I like and respect. If the point comes where I don’t like or respect someone, I don’t work with them anymore.”

– Anthony Bourdain

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh