Movie City Indie Archive for August, 2011

Twin Towers Cameos On Film

[By Dan Meth.]

David “Honeyboy” Edwards Plays “Gamblin’ Man” (3’15”)

From “Lightnin’ in a Bottle.” (2004)

Harmony Korine And Anthony Dod Mantle For Mahindra

http://www.youtube.com/watch?v=yASJcveJ9rU&feature=player_embedded

Adweek does not care for the Indian conglomerate’s anthemic spot. (The Mahindra Group also has alliances with the Sundance Institute, which began in January.) [Via Filmmaker.]

Bartonsville, VT: Goodbye To A Covered Bridge In The Hurricane

The instant the bridge disappears, a spat of rain hits the lens and blurs the absence.

Main Street, Margaretville, New York

1 Comment »

Taiwanese News Animators Make A Work Of Jobs

Starts strange. Gets bizarre. Gets even stranger. Star Wars gore! Why not?

The Nouvelle Vague In 2 Minutes, 30 Seconds

David Lynch On The iPhone

A perennial that seems timely this week…

8-Bit ZARDOZ

Press PLAY. [Via Boing Boing and R.]

Encoding MARTHA MARCY MAY MARLENE

Libyan Newsreader Waves Gun In Defense Of TV Station (:45)

Not quite Anderson Cooper cracking up over pee and poo jokes, but then what is?

The Sound of RISE/APES (11’53” vid)

“Acting as a foundation with an origin story for a new film series, director Rupert Wyatt takes the audience on the science fiction summer hit, Rise of the Planet of the Apes. The stunning visual effects produced by Weta Digital for the apes are complimented by the wide range of sounds recorded and edited for the film. Leading the sound team is supervising sound editor and sound designer Chuck Michael and co-supervisor John Larsen with the talents of first assistant sound editor Smokey Cloud and sound re-recording mixers Doug Hemphill and Ron Bartlett.”

When Jeremy Piven Met Robert Rodriguez

Makeup Design Oscar? Es nada.

Movie City Indie

Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama