Movie City Indie Archive for August, 2011

Twin Towers Cameos On Film

[By Dan Meth.]

David “Honeyboy” Edwards Plays “Gamblin’ Man” (3’15”)

From “Lightnin’ in a Bottle.” (2004)

Harmony Korine And Anthony Dod Mantle For Mahindra

http://www.youtube.com/watch?v=yASJcveJ9rU&feature=player_embedded

Adweek does not care for the Indian conglomerate’s anthemic spot. (The Mahindra Group also has alliances with the Sundance Institute, which began in January.) [Via Filmmaker.]

Bartonsville, VT: Goodbye To A Covered Bridge In The Hurricane

The instant the bridge disappears, a spat of rain hits the lens and blurs the absence.

Main Street, Margaretville, New York

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Taiwanese News Animators Make A Work Of Jobs

Starts strange. Gets bizarre. Gets even stranger. Star Wars gore! Why not?

The Nouvelle Vague In 2 Minutes, 30 Seconds

David Lynch On The iPhone

A perennial that seems timely this week…

8-Bit ZARDOZ

Press PLAY. [Via Boing Boing and R.]

Encoding MARTHA MARCY MAY MARLENE

Libyan Newsreader Waves Gun In Defense Of TV Station (:45)

Not quite Anderson Cooper cracking up over pee and poo jokes, but then what is?

The Sound of RISE/APES (11’53” vid)

“Acting as a foundation with an origin story for a new film series, director Rupert Wyatt takes the audience on the science fiction summer hit, Rise of the Planet of the Apes. The stunning visual effects produced by Weta Digital for the apes are complimented by the wide range of sounds recorded and edited for the film. Leading the sound team is supervising sound editor and sound designer Chuck Michael and co-supervisor John Larsen with the talents of first assistant sound editor Smokey Cloud and sound re-recording mixers Doug Hemphill and Ron Bartlett.”

When Jeremy Piven Met Robert Rodriguez

Makeup Design Oscar? Es nada.

Movie City Indie

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“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles