Movie City Indie Archive for August, 2011

Twin Towers Cameos On Film

[By Dan Meth.]

No Comments »

David “Honeyboy” Edwards Plays “Gamblin’ Man” (3’15″)

From “Lightnin’ in a Bottle.” (2004)

No Comments »

Harmony Korine And Anthony Dod Mantle For Mahindra

http://www.youtube.com/watch?v=yASJcveJ9rU&feature=player_embedded

Adweek does not care for the Indian conglomerate’s anthemic spot. (The Mahindra Group also has alliances with the Sundance Institute, which began in January.) [Via Filmmaker.]

No Comments »

Bartonsville, VT: Goodbye To A Covered Bridge In The Hurricane

The instant the bridge disappears, a spat of rain hits the lens and blurs the absence.

Main Street, Margaretville, New York

1 Comment »

Taiwanese News Animators Make A Work Of Jobs

Starts strange. Gets bizarre. Gets even stranger. Star Wars gore! Why not?

No Comments »

The Nouvelle Vague In 2 Minutes, 30 Seconds

No Comments »

David Lynch On The iPhone

A perennial that seems timely this week…

No Comments »

8-Bit ZARDOZ

Press PLAY. [Via Boing Boing and R.]

No Comments »

Encoding MARTHA MARCY MAY MARLENE

No Comments »

Libyan Newsreader Waves Gun In Defense Of TV Station (:45)

Not quite Anderson Cooper cracking up over pee and poo jokes, but then what is?

No Comments »

The Sound of RISE/APES (11’53″ vid)

“Acting as a foundation with an origin story for a new film series, director Rupert Wyatt takes the audience on the science fiction summer hit, Rise of the Planet of the Apes. The stunning visual effects produced by Weta Digital for the apes are complimented by the wide range of sounds recorded and edited for the film. Leading the sound team is supervising sound editor and sound designer Chuck Michael and co-supervisor John Larsen with the talents of first assistant sound editor Smokey Cloud and sound re-recording mixers Doug Hemphill and Ron Bartlett.”

No Comments »

When Jeremy Piven Met Robert Rodriguez

Makeup Design Oscar? Es nada.

No Comments »

Movie City Indie

Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour