Movie City Indie Archive for August, 2011

Twin Towers Cameos On Film

[By Dan Meth.]

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David “Honeyboy” Edwards Plays “Gamblin’ Man” (3’15”)

From “Lightnin’ in a Bottle.” (2004)

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Harmony Korine And Anthony Dod Mantle For Mahindra

http://www.youtube.com/watch?v=yASJcveJ9rU&feature=player_embedded

Adweek does not care for the Indian conglomerate’s anthemic spot. (The Mahindra Group also has alliances with the Sundance Institute, which began in January.) [Via Filmmaker.]

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Bartonsville, VT: Goodbye To A Covered Bridge In The Hurricane

The instant the bridge disappears, a spat of rain hits the lens and blurs the absence.

Main Street, Margaretville, New York

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Taiwanese News Animators Make A Work Of Jobs

Starts strange. Gets bizarre. Gets even stranger. Star Wars gore! Why not?

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The Nouvelle Vague In 2 Minutes, 30 Seconds

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David Lynch On The iPhone

A perennial that seems timely this week…

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8-Bit ZARDOZ

Press PLAY. [Via Boing Boing and R.]

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Encoding MARTHA MARCY MAY MARLENE

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Libyan Newsreader Waves Gun In Defense Of TV Station (:45)

Not quite Anderson Cooper cracking up over pee and poo jokes, but then what is?

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The Sound of RISE/APES (11’53” vid)

“Acting as a foundation with an origin story for a new film series, director Rupert Wyatt takes the audience on the science fiction summer hit, Rise of the Planet of the Apes. The stunning visual effects produced by Weta Digital for the apes are complimented by the wide range of sounds recorded and edited for the film. Leading the sound team is supervising sound editor and sound designer Chuck Michael and co-supervisor John Larsen with the talents of first assistant sound editor Smokey Cloud and sound re-recording mixers Doug Hemphill and Ron Bartlett.”

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When Jeremy Piven Met Robert Rodriguez

Makeup Design Oscar? Es nada.

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Movie City Indie

Quote Unquotesee all »

“It’s incredibly exciting to fabricate a world. I was like, ‘Man, why doesn’t every movie do this?’ You allow yourself the freedom to have every color of the palette make a statement. You allow yourself the freedom to paint buildings whatever color you want. You get to adjust or subvert the reality around you. And I say this as someone whose first films as a student were documentaries. With La La Land, I wanted to get at reality in an indirect way. It’s an emotional portrait of L.A., not a realistic one. And I wanted to push back against the strict reliance on realism, which is one reason why Hollywood doesn’t do musicals anymore. It wasn’t always this way. Just look at the movies of Douglas Sirk or Powell and Pressburger. They always went beyond ordinary realism to get to emotions. They were both mainstream and avant-garde. They were commercial at their core but also balls-out insane.”
~ Damien Chazelle On The Look Of La La Land

Fey: How are we going to proceed with any kind of dignity in an increasingly ugly world? And I actually was thinking — because I’ve got to write something for when I get the award — to use Sherry Lansing as an inspiration because she was a lady who worked in a very, very ugly business and always managed to be quite dignified. But in a world where the president makes fun of handicapped people and fat people, how do we proceed with dignity? I want to tell people, “If you do two things this year, watch Idiocracy by Mike Judge and read Leni Riefenstahl’s 800-page autobiography and then call it a year.”
Letterman: Wait a minute. Tell me about Leni Riefenstahl.
Fey: She grew up in Germany. She was in many ways a brilliant pioneer. She pioneered sports photography as we know it. She’s the one who had the idea to dig a trench next to the track for the Olympics and put a camera on a dolly. But she also rolled with the punches and said, “Well, he’s the führer. He’s my president. I’ll make films for him.” She did some terrible, terrible things. And I remember reading 20 years ago, thinking, “This is a real lesson, to be an artist who doesn’t roll with what your leader is doing just because he’s your leader.”
Letterman: My impression of this woman is that she was the sister of Satan.
Fey: She was in many ways. But what she claimed in the book was, “He was the president, so what was I supposed to do?” And I feel a lot of people are going to start rolling that way.
~ Tina Fey And David Letterman Are Anxious