Night Moves

Movie City Indie Archive for May, 2011

Teasing Mia Hansen-Løve’s UN AMOUR DE JEUNESSE (nudity)

http://www.youtube.com/watch?v=1HLhW39kE-4&feature=player_embedded

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Christopher Borelli Profiles Cartoonist Ivan Brunetti

Chris Borelli writes a lot of swell profiles for the Chicago Tribune. I’m acquainted with cartoonist Ivan Brunetti, the subject of this piece. It’s very good, let’s start by saying that, and I’ll helicopter into the middle of an anecdote:

Ivan Brunetti is cringing.

He is a Chicago cartoonist and illustrator, swooned over by peers, beloved by his students at Columbia College, revered by a fervent cult of admirers, and coming into his own. At the moment, though, he’s cringing. He’s cringing at this story, at the picture, at what you think of him, at the nice things people say about him. He doesn’t think he deserves to be mentioned in the same breath as his peers: His best friend is the celebrated cartoonist Chris Ware; another good friend is cartoonist Daniel Clowes (“Ghost World”), who, like Brunetti, spent some formative years in Hyde Park. When I mention these guys, he cringes.

“Because I feel like a fraud most of the time,” he said. “I haven’t proven myself the way those guys have. I should feel lucky, right? I don’t. I’m constantly complaining. Most of my problems are caused by myself.”

One day I told him I wasn’t exactly certain when this profile would appear in the Tribune. “It’s a floater,” I said.

“Like a turd,” he replied quietly.”

Please read the rest.

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Orson Welles does a magic trick

Just. Because.

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Martin Scorsese’s LETTER TO ELIA

Watch the full episode.

From an interview on the American Experience website:

Martin Scorsese: We were going to do interviews. And then it seemed like the right idea to go in a different direction.

Kent Jones: There’s a very good film to be made about Kazan as a person, as the man who started with the Group Theatre, who acted in Waiting for Lefty, who went on to revolutionize Broadway, then started the Actors’ Studio, then became a friendly witness before HUAC and suffered the consequences, then made a string of great films, changed the face of acting in theater and movies, suffered through the trauma of his first wife’s death, reinvented himself as a writer, and so on. It would be a real epic. But that felt like someone else’s idea.

Scorsese: The thing was to convey something about the relationship, and by that I mean my relationship to the films, and that meant going back to the way that I received them when I saw them as an adolescent.

Jones: And the distinction between your relationship with the films and your relationship with the man, and the way you saw the films when you were young and the way you see them now.

Scorsese: Right.

Jones: I thought that was really interesting, because it doesn’t have anything to do with film aesthetics or official history. Actually, in a sense, it does – it’s the way you receive films when you’re young and wide open to them.

Scorsese: Yes. You don’t know how it’s done or why, you just know that the picture is speaking to you and addressing something that can’t be addressed in your life, by anyone you know, because it’s private, embarrassing. You’re young and figuring out who you are in relation to everyone around you, the adult world around you, but you’re not on the adult wavelength yet.

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Mother… brother…

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Testino On Rooney On Salander

To accompany Memorial Day weekend’s “hacked” trailer for The Girl With The Dragon Tattoo that mysteriously still has yet to be yanked, Lynn Hirchsberg’s February 2011 W magazine preview offers a fistful of Mario Testino photos of Mara Rooney as Über-hacker Lisbeth Salander. Article and images here.

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Teasing Jackie Chan’s 100th Pic

“General director” Jackie Chan. Directed by Zhang Li.

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Harto’s “Advice From the Hart”

@shelbyfero is funnier on the Twitter. But! Who’s comparing? Where did these two funny persons come from all of a sudden? Hart’s “My Drunk Kitchen” videos are something else: below, Brunch!
Read the full article »

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Yeeeesh… The Return Of “Salad Fingers”

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TGWTDT: “The Feel Bad Movie For Christmas”

Oh yes. Somewhere on the internet…

ADDED: Okay, if even Time Warner’s Entertainment Weekly is embedding the clip, and YouTube hasn’t been asked to pull it down, here goes: a relatively high quality leak of the trailer for David Fincher’s The Girl With the Dragon Tattoo… with suspiciously clear sound and steady image and still it’s up on YouTube hours later…

REVISED 1 JUNE 2011:

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Trailering Takashi Miike’s NINJA KIDS

http://www.youtube.com/watch?v=R4wHB9JWw5Q&feature=player_embedded

Or, “Nintama Rantoro.”

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Terrence Malick Acts

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“LINDSAY LOHAN – A RICHARD PHILLIPS FILM”

Bret Easton Ellis daydream. Painter turns to film. Bombastic music FTW. “What fascinates me about Lindsay are not her problems but the way she embodies an eminence on the level of a Bardot or an Ullmann,” Phillips said. “She’s a combination of the fantastic and the real, which is what makes her so magnetic. She can also bring forward an existential presence that speaks to the isolated self.” Both Persona and Contempt, he pointed out, examine those issues, and his brief psychological portrait of Lohan attempts to unite the irreconcilable differences in her divided personality.”

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Sean Young’s BLADE RUNNER Polaroids




































Enhance 224 to 176.
Enhance.
Stop.
Move in, stop.
Pull out, track right, stop.
Center in, pull back.
Stop.
Track 45 right.
Stop.
Center and stop.
Enhance 34 to 36.
Pan right and pull back.
Stop.
Enhance 34 to 46.
Pull back.
Wait a minute, go right, stop.
Enhance 57 to 19.
Track 45 left.
Stop.
Enhance 15 to 23.

Give me a hard copy right there.

Here. [Via Richard Metzger.]

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Movie City Indie

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“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…