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Movie City Indie Archive for January, 2011

Black Swan’s VFX Reel

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Postering HANNA (She Seems Nice)

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Skeptic

Skeptic

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Is there really a movie called I MELT WITH YOU?

So there really is a movie by Mark Pellington called I Melt With You? (Yes, it’s not just a series of videos!)

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Sasha Gray from I MELT WITH YOU

The YouTube skin police get wind of the NSFW version of this modest mouse. Here’s the SFW edition. From Mark Pellington’s Sundance-premiering I Melt With You.

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Live@Sundance Opening Presser… from a café in Chicago

The first Sundance I’ve attended where I couldn’t make it to opening day, and I’m missing the tradition of the opening presser, where Robert Redford offers his opening invocation of the ideals of Sundance. (All’s missing is thin air and the murmuring of cynical scribes seated nearby.) The work of the Sundance Institute gets described in general terms before the specific results light up the screens for ten days to come. But for 2011, the opening remarks by Robert Redford and new Executive Director of the Institute, Keri Putnam [profile], as well as John Cooper. “It’s great to be in a second year, and not a first year, let me tell you,” Cooper says. “I’m almost relaxed!” “We are live-streaming this, so hello out there!”

Cooper repeats his prediction that it may be one of the most packed festivals in years, but warns that’s anecdotal. “We’re already sold out, but the word on the street, I think, it’s going to be a very big year and maybe very crowded on the streets. I fear that this kind of constant, ongoing situtation of ambush marketers may be back—I like to call them riff-raff. At an event of this size, that is to be expected. I wish they could find a way to contribute to independent film in generral, but I have to keep looking at the sponsors who support this festival and the year-round stuff that we do.” The magic happens in the theaters, he added, “because that’s what we do.” Cooper also adds that for 2011, the festival received over 10,000 submissions.

“Mr Redford, you’re in your 70s, any plans of retiring?” a woman asks and Cooper bolts from the stage. “Who are you?” he laughs. Redford says, “I think you’ve just given me a great idea! I have not thought about retiring. I’m going to die,” he says, laughing, “but I haven’t thought about retiring.”





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It’s Christian McKay’s Happening And It’s Freaking Him Out

From Mark Pellington’s I Melt With You.

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Kevin Smith Does Not Want The Press Writing About RED STATE…

… but a press release presumes he wants publicity?

FOR IMMEDIATE RELEASE:

THE HARVEY BOYS WILL PICKET THE WESTBORO BAPTIST CHURCH PICKET OF THE SCREENING OF “RED STATE” AT THE ECCLES THEATRE, SUNDAY, JANUARY 23

Picket 6:00 – 6:30 PM Screening of “Red State”

@thatkevinsmith – January 19, 2011 - Here are the facts: (1) The Westboro Baptist Church are haters of Biblical proportions! “Thou shalt not hate thy brother in thine heart: thou shalt in any wise rebuke thy neighbour, & not suffer sin upon him.” (Lev 19:17) (2) The WBC’s punishment in Hell for their hatred will be administered by the very Jesus they blaspheme daily. “…he shall be tormented with fire & brimstone in the presence of the holy angels, & in the presence of the Lamb: & the smoke of their torment ascendeth up forever & ever: & they have no rest day nor night.” (Rev 14:10-11)

The Harvey Boys are seeking the aid of the Mighty Thor, hoping he’ll lay down his hammer and instead pick up a protest sign on our behalf, in a Park City battle of the mega-gods! If he’s in reshoots, we’ll be reaching out to Sigourney Weaver to channel Zuul on our behalf. If she’s not at Sundance this year, we’ll start praying to Krom. And if you don’t help us, Krom? Then to hell witchoo.

For thirty minutes of fun-filled photo-opportunities, the Harvey Boys will peacefully counter-protest the WBC Eccles Theater Protest. All are welcome. Wear YOUR dopey sentiments nobody gives a s— about on a sign of your own making, as you stand shoulder-to-shoulder with the folks who’ve mastered the art of writing utter horseshit on cardboard! BYOS (Bring Your Own Sign)

The scoffing and the mocking will begin sharply at 6pm. Remember: this is a PEACEFUL protest. The only venom you bring is printed on a placard, your only weapon: wit.

“Woe unto them that call evil good, and good evil; that put darkness for light, and light for darkness…” (Isa 5:20)

GOD DOESN’T HATE F–S OR
ANYBODY ELSE FOR THAT MATTER.
GOD SAVES! THEN, GOD PASSES IT
TO GRETZKY – WHO ROOFS THAT
S—, TOP-SHELF! THEN GOD AND
GRETZKY HIGH FIVE & BELLY-BUMP,
CELEBRATING THEIR HOCKEY
PROWESS. AND NEVER ONCE DO
THEY GIVE A S— IF ANYBODY’S
GAY OR NOT.

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It’s Thomas Jane’s Turn In I MELT WITH YOU

From Mark Pellington’s Sundance-premiering I Melt With You.

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It Gets Icy In Pittsburgh, At Least On This Hill

http://www.youtube.com/watch?v=F7O3abzX298&feature=player_embedded

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Opening Ebert Presents Lemire-Vishnevetsky At The Movies

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Teasing I MELT WITH YOU (Piven Edition)

From Mark Pellington’s Sundance-premiering I Melt With You.

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Steve Jobs’ 2005 Stanford Commencement Address

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Teasing Sundance-Bound I MELT WITH YOU

From Mark Pellington’s Sundance-premiering I Melt With You.

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We’re Young And We’re Dancing

[Via Fox Searchlight Twitter.]

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Movie City Indie

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“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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