Movie City Indie Archive for January, 2011

Black Swan’s VFX Reel

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Postering HANNA (She Seems Nice)

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Skeptic

Skeptic

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Is there really a movie called I MELT WITH YOU?

So there really is a movie by Mark Pellington called I Melt With You? (Yes, it’s not just a series of videos!)

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Sasha Gray from I MELT WITH YOU

The YouTube skin police get wind of the NSFW version of this modest mouse. Here’s the SFW edition. From Mark Pellington’s Sundance-premiering I Melt With You.

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Live@Sundance Opening Presser… from a café in Chicago

The first Sundance I’ve attended where I couldn’t make it to opening day, and I’m missing the tradition of the opening presser, where Robert Redford offers his opening invocation of the ideals of Sundance. (All’s missing is thin air and the murmuring of cynical scribes seated nearby.) The work of the Sundance Institute gets described in general terms before the specific results light up the screens for ten days to come. But for 2011, the opening remarks by Robert Redford and new Executive Director of the Institute, Keri Putnam [profile], as well as John Cooper. “It’s great to be in a second year, and not a first year, let me tell you,” Cooper says. “I’m almost relaxed!” “We are live-streaming this, so hello out there!”

Cooper repeats his prediction that it may be one of the most packed festivals in years, but warns that’s anecdotal. “We’re already sold out, but the word on the street, I think, it’s going to be a very big year and maybe very crowded on the streets. I fear that this kind of constant, ongoing situtation of ambush marketers may be back—I like to call them riff-raff. At an event of this size, that is to be expected. I wish they could find a way to contribute to independent film in generral, but I have to keep looking at the sponsors who support this festival and the year-round stuff that we do.” The magic happens in the theaters, he added, “because that’s what we do.” Cooper also adds that for 2011, the festival received over 10,000 submissions.

“Mr Redford, you’re in your 70s, any plans of retiring?” a woman asks and Cooper bolts from the stage. “Who are you?” he laughs. Redford says, “I think you’ve just given me a great idea! I have not thought about retiring. I’m going to die,” he says, laughing, “but I haven’t thought about retiring.”





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It’s Christian McKay’s Happening And It’s Freaking Him Out

From Mark Pellington’s I Melt With You.

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Kevin Smith Does Not Want The Press Writing About RED STATE…

… but a press release presumes he wants publicity?

FOR IMMEDIATE RELEASE:

THE HARVEY BOYS WILL PICKET THE WESTBORO BAPTIST CHURCH PICKET OF THE SCREENING OF “RED STATE” AT THE ECCLES THEATRE, SUNDAY, JANUARY 23

Picket 6:00 – 6:30 PM Screening of “Red State”

@thatkevinsmith – January 19, 2011 - Here are the facts: (1) The Westboro Baptist Church are haters of Biblical proportions! “Thou shalt not hate thy brother in thine heart: thou shalt in any wise rebuke thy neighbour, & not suffer sin upon him.” (Lev 19:17) (2) The WBC’s punishment in Hell for their hatred will be administered by the very Jesus they blaspheme daily. “…he shall be tormented with fire & brimstone in the presence of the holy angels, & in the presence of the Lamb: & the smoke of their torment ascendeth up forever & ever: & they have no rest day nor night.” (Rev 14:10-11)

The Harvey Boys are seeking the aid of the Mighty Thor, hoping he’ll lay down his hammer and instead pick up a protest sign on our behalf, in a Park City battle of the mega-gods! If he’s in reshoots, we’ll be reaching out to Sigourney Weaver to channel Zuul on our behalf. If she’s not at Sundance this year, we’ll start praying to Krom. And if you don’t help us, Krom? Then to hell witchoo.

For thirty minutes of fun-filled photo-opportunities, the Harvey Boys will peacefully counter-protest the WBC Eccles Theater Protest. All are welcome. Wear YOUR dopey sentiments nobody gives a s— about on a sign of your own making, as you stand shoulder-to-shoulder with the folks who’ve mastered the art of writing utter horseshit on cardboard! BYOS (Bring Your Own Sign)

The scoffing and the mocking will begin sharply at 6pm. Remember: this is a PEACEFUL protest. The only venom you bring is printed on a placard, your only weapon: wit.

“Woe unto them that call evil good, and good evil; that put darkness for light, and light for darkness…” (Isa 5:20)

GOD DOESN’T HATE F–S OR
ANYBODY ELSE FOR THAT MATTER.
GOD SAVES! THEN, GOD PASSES IT
TO GRETZKY – WHO ROOFS THAT
S—, TOP-SHELF! THEN GOD AND
GRETZKY HIGH FIVE & BELLY-BUMP,
CELEBRATING THEIR HOCKEY
PROWESS. AND NEVER ONCE DO
THEY GIVE A S— IF ANYBODY’S
GAY OR NOT.

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It’s Thomas Jane’s Turn In I MELT WITH YOU

From Mark Pellington’s Sundance-premiering I Melt With You.

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It Gets Icy In Pittsburgh, At Least On This Hill

http://www.youtube.com/watch?v=F7O3abzX298&feature=player_embedded

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Opening Ebert Presents Lemire-Vishnevetsky At The Movies

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Teasing I MELT WITH YOU (Piven Edition)

From Mark Pellington’s Sundance-premiering I Melt With You.

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Steve Jobs’ 2005 Stanford Commencement Address

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Teasing Sundance-Bound I MELT WITH YOU

From Mark Pellington’s Sundance-premiering I Melt With You.

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We’re Young And We’re Dancing

[Via Fox Searchlight Twitter.]

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Movie City Indie

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé