Movie City Indie Archive for December, 2010

Calligraphing the new Wong Kar-Wai

So that’s what his swordplay pic’s about.

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Did Anyone Tell Ira Glass?

Was looking for examples of  great poster art from 2010, and found THIS not-so-subtle Italian retitling of the Dave Eggers-Vendela Vida-Sam Mendes Away We Go.

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Let It Snow: A Blizzard Symphony [UPDATED JAN 3]

An overnight drift, saluted by Roger Ebert, explained by filmmaker Jamie Stuart. [Stuart’s video went viral after Ebert’s oomph; he’s added a link to the press his sifty symphony has gotten—print, online and broadcast—here.]

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Terry Gilliam’s 1884 Animation Test

To be produced by Mr. Gilliam and directed by Tim Ollive. [Via Cory Doctorow.]

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SANTA AND THE ICE CREAM BUNNY

This seems… scary. A much more entertaining, exploitation-style newspaper ad from the 1972 release BELOW.

Read the full article »

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Teasing Kevin Smith’s Sundance-Debuting Horror, RED STATE

http://www.youtube.com/watch?v=9K-4aLeGWF4&feature=player_embedded

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WTF FTW: Trailering Hanna

http://www.youtube.com/watch?v=qRUx88vRjIk&feature=player_embedded

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A Fine Sundance-Bound Poster

David Lowery, whose St. Nick is very fine, posts this Sundance-bound poster. Here’s hoping the film is as fine. A story is offered at the link.

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A Conversation With Paul Greengrass

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A Well-Loved Christmas Tradition

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I Know What You Did Last Year At Marienbad

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The Inception of Movie Editing: The Art of D. W. Griffith

A video essay by Michael Joshua Rowin and Kevin B. Lee. Worth it for a glimpse of a tinted Intolerance backed by Hans Zimmer’s Inception score as well as its punchline.  Text. [Via Matt Zoller Seitz (@mattzollerseitz).]

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One Minkey and Many Birdie Num-Nums: Blake Edwards Was 88

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Movie City Indie

Quote Unquotesee all »

“The outstanding political film of the 2016 presidential season is about the 2013 New York City mayoral race. Like many of the best documentaries, it brings you so close to people in their unguarded moments that you marvel at the trust, or complicity, that grew between the filmmakers and their subjects. Unlike most, it shows some of these people wondering how the film has even come to exist—an inescapable question, given that the intrusion into its chosen candidate’s life is extreme, and the candidate’s urge to self-broadcast has led to his extremity. “Shit. This is the worst: doing a documentary on my scandal,” mutters An­thony Weiner—seven-time US congressman, two-time New York mayoral candidate, and twice-exposed enthusiast of cell-phone flirtation—­as seen at the beginning of Weiner. At the conclusion, after this second mayoral bid has ended in humiliation, an off-camera Josh Kriegman (who codirected with Elyse Steinberg) rounds out the theme by asking the obvious: “Why have you let me film this?”
~ Stuart Klawans Measures Weiner

“This very crowded, reasonably enjoyable installment in the Avengers cycle reveals, even more than its predecessors, an essential truth about the Marvel Cinematic Universe. It’s not so much a grand science-fiction saga, or even a series of action-adventure movies, as a very expensive, perpetually renewed workplace sitcom. New characters are added as the seasons wear on. Cast members are replaced. The thing gets a little baroque and tests the boundaries of coherence, but we keep showing up because it can be pleasant, in a no-pressure, low-key kind of way, to hang out with these people as they banter and squabble and get the job done. Sometimes you want to go where everybody knows both your street name and your nom de cape. (And yes, thank you, I’m perfectly aware that these Marvel superheroes don’t wear capes.)”
~ A. O. Scott’s Captain America Review Exemplifies What Variety Once Described As “Torpid Mitting”

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