Movie City Indie Archive for December, 2010

Calligraphing the new Wong Kar-Wai

So that’s what his swordplay pic’s about.

Kenneth Anger And Dennis Lim At The Ann Arbor Film Festival

[Via Mike Everleth.]

Did Anyone Tell Ira Glass?

Was looking for examples of  great poster art from 2010, and found THIS not-so-subtle Italian retitling of the Dave Eggers-Vendela Vida-Sam Mendes Away We Go.

Let It Snow: A Blizzard Symphony [UPDATED JAN 3]

An overnight drift, saluted by Roger Ebert, explained by filmmaker Jamie Stuart. [Stuart’s video went viral after Ebert’s oomph; he’s added a link to the press his sifty symphony has gotten—print, online and broadcast—here.]

Terry Gilliam’s 1884 Animation Test

To be produced by Mr. Gilliam and directed by Tim Ollive. [Via Cory Doctorow.]

SANTA AND THE ICE CREAM BUNNY

This seems… scary. A much more entertaining, exploitation-style newspaper ad from the 1972 release BELOW.

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Teasing Kevin Smith’s Sundance-Debuting Horror, RED STATE

http://www.youtube.com/watch?v=9K-4aLeGWF4&feature=player_embedded

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Taiwanese News Animators On “Spider-Man: Turn Off The Dark”

WTF FTW: Trailering Hanna

http://www.youtube.com/watch?v=qRUx88vRjIk&feature=player_embedded

A Fine Sundance-Bound Poster

David Lowery, whose St. Nick is very fine, posts this Sundance-bound poster. Here’s hoping the film is as fine. A story is offered at the link.

A Conversation With Paul Greengrass

A Well-Loved Christmas Tradition

I Know What You Did Last Year At Marienbad

The Inception of Movie Editing: The Art of D. W. Griffith

A video essay by Michael Joshua Rowin and Kevin B. Lee. Worth it for a glimpse of a tinted Intolerance backed by Hans Zimmer’s Inception score as well as its punchline.  Text. [Via Matt Zoller Seitz (@mattzollerseitz).]

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One Minkey and Many Birdie Num-Nums: Blake Edwards Was 88

Movie City Indie

Quote Unquotesee all »

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West