Movie City Indie Archive for August, 2010

Red light

Blue light

Kono dezain wa arimasu ka?!

The Maysles Brothers' Salesman is on Hulu

Something from Somewhere


The last words of Satoshi Kon


A dying artist’s last written thoughts. Excerpt: “Because of the visits by Maruyama-san and my parents, I feel as though I’ve taken a big burden off my shoulders. Lastly, to my wife, about whom I worry the most, but who has been my support until the end. Since that time-left pronouncement, we drowned ourselves in tears together so many times. Every day was brutal for both of us, physically and mentally. There are almost no words for it. But the reason why I was able to survive those difficult days was because of the words that you said to me right after we received the news.
“I’ll be at your side [run with you] until the end.”
True to those words, as though you were leaving my worries in the dust, you skillfully directed the demands and requests that came rushing towards us like a landslide, and quickly learned how to take care of your husband. I was so moved, watching you deal with things so efficiently.
“My wife is awesome.”
No need to keep saying that now, you say? No no. You are even more awesome now than you ever were – I truly feel this. Even after I have died, I believe that you will send Satoshi Kon to the next world with grace. Ever since we got married, I was so wrapped up in “Work, work” that I was only able to spend some time at home after the cancer – such a shame. But you stood close to me, you always understood that I needed to immerse myself in my work, that my talent was there. Thank you.” [More at the link.]

Tweets of the day, from filmmaker Alejandro Adams

“I get tired of the abundant congratulation of economy in filmmaking. It is a medium of excess, indulgence, profligacy. I want to die of it… When books express awe at how conscientious a director was

"She Said Yeah," Scorsese's Stones-scored short for Bleu de Chanel

The opening credits of the late Satoshi Kon's Paprika

Trailering 127 Hours




I do like that pullback upwards, the last proper shot of the until-then sunny trailer for Danny Boyle’s newest.

"Scott Pilgrim vs. The Matrix"


Mmm… whoa?

Sam Smyth’s posters for Harmony Korine’s new short


More.

AWE. Some. John Boorman’s "The Matrix"


Walter Hill’s “The Dark Tower: The Gunslinger” with Clint Eastwood. Stop! 20 beauties in all here

It's called… "Inebriation"

The Last Chatroulette


Born for each other!

Movie City Indie

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento