Movie City Indie Archive for August, 2010

Red light

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Blue light

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Kono dezain wa arimasu ka?!

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The Maysles Brothers' Salesman is on Hulu

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Something from Somewhere


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The last words of Satoshi Kon


A dying artist’s last written thoughts. Excerpt: “Because of the visits by Maruyama-san and my parents, I feel as though I’ve taken a big burden off my shoulders. Lastly, to my wife, about whom I worry the most, but who has been my support until the end. Since that time-left pronouncement, we drowned ourselves in tears together so many times. Every day was brutal for both of us, physically and mentally. There are almost no words for it. But the reason why I was able to survive those difficult days was because of the words that you said to me right after we received the news.
“I’ll be at your side [run with you] until the end.”
True to those words, as though you were leaving my worries in the dust, you skillfully directed the demands and requests that came rushing towards us like a landslide, and quickly learned how to take care of your husband. I was so moved, watching you deal with things so efficiently.
“My wife is awesome.”
No need to keep saying that now, you say? No no. You are even more awesome now than you ever were – I truly feel this. Even after I have died, I believe that you will send Satoshi Kon to the next world with grace. Ever since we got married, I was so wrapped up in “Work, work” that I was only able to spend some time at home after the cancer – such a shame. But you stood close to me, you always understood that I needed to immerse myself in my work, that my talent was there. Thank you.” [More at the link.]

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Tweets of the day, from filmmaker Alejandro Adams

“I get tired of the abundant congratulation of economy in filmmaking. It is a medium of excess, indulgence, profligacy. I want to die of it… When books express awe at how conscientious a director was

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The opening credits of the late Satoshi Kon's Paprika

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Trailering 127 Hours




I do like that pullback upwards, the last proper shot of the until-then sunny trailer for Danny Boyle’s newest.

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"Scott Pilgrim vs. The Matrix"


Mmm… whoa?

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AWE. Some. John Boorman’s "The Matrix"


Walter Hill’s “The Dark Tower: The Gunslinger” with Clint Eastwood. Stop! 20 beauties in all here

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It's called… "Inebriation"

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The Last Chatroulette


Born for each other!

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Movie City Indie

Quote Unquotesee all »

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray

 

“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”