Movie City Indie Archive for August, 2010

Red light

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Blue light

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Kono dezain wa arimasu ka?!

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The Maysles Brothers' Salesman is on Hulu

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Something from Somewhere


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The last words of Satoshi Kon


A dying artist’s last written thoughts. Excerpt: “Because of the visits by Maruyama-san and my parents, I feel as though I’ve taken a big burden off my shoulders. Lastly, to my wife, about whom I worry the most, but who has been my support until the end. Since that time-left pronouncement, we drowned ourselves in tears together so many times. Every day was brutal for both of us, physically and mentally. There are almost no words for it. But the reason why I was able to survive those difficult days was because of the words that you said to me right after we received the news.
“I’ll be at your side [run with you] until the end.”
True to those words, as though you were leaving my worries in the dust, you skillfully directed the demands and requests that came rushing towards us like a landslide, and quickly learned how to take care of your husband. I was so moved, watching you deal with things so efficiently.
“My wife is awesome.”
No need to keep saying that now, you say? No no. You are even more awesome now than you ever were – I truly feel this. Even after I have died, I believe that you will send Satoshi Kon to the next world with grace. Ever since we got married, I was so wrapped up in “Work, work” that I was only able to spend some time at home after the cancer – such a shame. But you stood close to me, you always understood that I needed to immerse myself in my work, that my talent was there. Thank you.” [More at the link.]

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Tweets of the day, from filmmaker Alejandro Adams

“I get tired of the abundant congratulation of economy in filmmaking. It is a medium of excess, indulgence, profligacy. I want to die of it… When books express awe at how conscientious a director was

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The opening credits of the late Satoshi Kon's Paprika

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Trailering 127 Hours




I do like that pullback upwards, the last proper shot of the until-then sunny trailer for Danny Boyle’s newest.

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"Scott Pilgrim vs. The Matrix"


Mmm… whoa?

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AWE. Some. John Boorman’s "The Matrix"


Walter Hill’s “The Dark Tower: The Gunslinger” with Clint Eastwood. Stop! 20 beauties in all here

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It's called… "Inebriation"

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The Last Chatroulette


Born for each other!

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Movie City Indie

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies