Movie City Indie Archive for July, 2010

Postering Enter The Void

All the information that’s in the eye-punching credit sequence… in sixty seconds.

Read the full article »

Markets of Britain, a short film by Lee Titt

Trailering Mao's Last Dancer

Read the full article »

Maury Chaykin with Jian Ghomeshi, April 2010


He comes across as such a sweet man.

Maury Chaykin in War Games

Trailering Happy People, narration/narrated by Werner Herzog


… just not in the trailer.

David Brooks' "magic green jacket"

Screen shot 2010-07-26 at 8.33.27 PM.jpg
Now that’s an in-joke: who inside nytimes.com made this “mistake”? The correct photo is likely in place now on the original page.

Rating of the week: Countdown to Zero

“Rated PG for heavy foreboding, images of devastation.”

Comic-Con carne: Robert Rodriquez wants to serve you tacos…

tacotaco_45678.jpg… if you’re in San Diego. As the p.r. has it: “Robert Rodriguez and the cast of his new film, MACHETE, will be serving tacos at the MACHETE Taco Truck before showing Exclusive Footage from the film at 9 PM. This event is open to the public. The invitation below has information about where it will be taking place. It can be redeemed for a free taco!”

Read the full article »

1 Comment »

Christopher Nolan's Doodlebug (1997)


Hint: it’s all in his head. From the Cinema 16 shorts series.

Picturing unknown Brando

Brando4_LIFE.jpg
wheels up 2_LIFE.jpg
Sixty years ago today Marlon Brando’s first feature, The Men, was released. LIFE’s published a gallery of the “the brilliant brat,” from which these are drawn, here.
“Accompanying Ed Clark’s images in LIFE’s archives were meticulous notes about Brando written by Theodore Strauss, who would ultimately write the magazine’s 1950 profile coinciding with the release of The Men. Strauss details every quirk of the actor: what he wore, how he ate, what he read, how he shunned any sort of red carpet that might have been laid out for him when he came to town. “Stanley Kramer, producer of The Men, had intended on putting Brando in a good hotel, but Brando would have none of it,” Strauss writes. “First of all he insisted on living with the paraplegics in Birmingham Veterans Hospital during the four weeks before production began. This, he felt, was necessary to giving a completely knowledgeable and valid performance in his role. At the hospital he was given a bed in a 32-bed ward, where he was treated almost like any other patient.” Pictured: On the grounds of the hospital, Brando attempts to tip back and balance his wheelchair.” First photo: Margaret Bourke-White. Second, Credit: Edward Clark/TIME & LIFE Pictures

Trailering Chris Nolan's Following reissue on VOD


From the press release: “IFC Films is proud to present Christopher Nolan’s debut feature film, FOLLOWING, available nationwide on demand. A fascinating introduction to the talent and vision of a filmmaker who is fast becoming one of the major American directors of our time, FOLLOWING originally debuted in 1998, and enjoyed a quick succession of Festival prizes and wild critical acclaim. The film is a sly neo-noir thriller which follows a writer who picks out strangers at random from the crowded streets of London shadows them see where they go, how they spend their days. FOLLOWING features the innovative blend of high-minded style and genre elements that Nolan has now made his trademark. The film will enjoy a three month period of availability on demand via cable providers Comcast, Cox, Cablevision, Time Warner, Bright House, Charter and Insight.”

Trailering Schnabel's Miral

Inception, based upon an idea by Andy Warhol

Trailering The Social Network

Movie City Indie

Quote Unquotesee all »

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain