Movie City Indie Archive for July, 2010
All the information that’s in the eye-punching credit sequence… in sixty seconds.
He comes across as such a sweet man.
… just not in the trailer.
Now that’s an in-joke: who inside nytimes.com made this “mistake”? The correct photo is likely in place now on the original page.
“Rated PG for heavy foreboding, images of devastation.”
… if you’re in San Diego. As the p.r. has it: “Robert Rodriguez and the cast of his new film, MACHETE, will be serving tacos at the MACHETE Taco Truck before showing Exclusive Footage from the film at 9 PM. This event is open to the public. The invitation below has information about where it will be taking place. It can be redeemed for a free taco!”
Hint: it’s all in his head. From the Cinema 16 shorts series.
Sixty years ago today Marlon Brando’s first feature, The Men, was released. LIFE’s published a gallery of the “the brilliant brat,” from which these are drawn, here.
“Accompanying Ed Clark’s images in LIFE’s archives were meticulous notes about Brando written by Theodore Strauss, who would ultimately write the magazine’s 1950 profile coinciding with the release of The Men. Strauss details every quirk of the actor: what he wore, how he ate, what he read, how he shunned any sort of red carpet that might have been laid out for him when he came to town. “Stanley Kramer, producer of The Men, had intended on putting Brando in a good hotel, but Brando would have none of it,” Strauss writes. “First of all he insisted on living with the paraplegics in Birmingham Veterans Hospital during the four weeks before production began. This, he felt, was necessary to giving a completely knowledgeable and valid performance in his role. At the hospital he was given a bed in a 32-bed ward, where he was treated almost like any other patient.” Pictured: On the grounds of the hospital, Brando attempts to tip back and balance his wheelchair.” First photo: Margaret Bourke-White. Second, Credit: Edward Clark/TIME & LIFE Pictures
From the press release: “IFC Films is proud to present Christopher Nolan’s debut feature film, FOLLOWING, available nationwide on demand. A fascinating introduction to the talent and vision of a filmmaker who is fast becoming one of the major American directors of our time, FOLLOWING originally debuted in 1998, and enjoyed a quick succession of Festival prizes and wild critical acclaim. The film is a sly neo-noir thriller which follows a writer who picks out strangers at random from the crowded streets of London shadows them see where they go, how they spend their days. FOLLOWING features the innovative blend of high-minded style and genre elements that Nolan has now made his trademark. The film will enjoy a three month period of availability on demand via cable providers Comcast, Cox, Cablevision, Time Warner, Bright House, Charter and Insight.”