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Movie City Indie Archive for July, 2010

Postering Enter The Void

All the information that’s in the eye-punching credit sequence… in sixty seconds.

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Markets of Britain, a short film by Lee Titt

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Trailering Mao's Last Dancer

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Maury Chaykin with Jian Ghomeshi, April 2010


He comes across as such a sweet man.

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Maury Chaykin in War Games

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Trailering Happy People, narration/narrated by Werner Herzog


… just not in the trailer.

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David Brooks' "magic green jacket"

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Now that’s an in-joke: who inside nytimes.com made this “mistake”? The correct photo is likely in place now on the original page.

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Rating of the week: Countdown to Zero

“Rated PG for heavy foreboding, images of devastation.”

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Comic-Con carne: Robert Rodriquez wants to serve you tacos…

tacotaco_45678.jpg… if you’re in San Diego. As the p.r. has it: “Robert Rodriguez and the cast of his new film, MACHETE, will be serving tacos at the MACHETE Taco Truck before showing Exclusive Footage from the film at 9 PM. This event is open to the public. The invitation below has information about where it will be taking place. It can be redeemed for a free taco!”

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Christopher Nolan's Doodlebug (1997)


Hint: it’s all in his head. From the Cinema 16 shorts series.

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Picturing unknown Brando

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Sixty years ago today Marlon Brando’s first feature, The Men, was released. LIFE’s published a gallery of the “the brilliant brat,” from which these are drawn, here.
“Accompanying Ed Clark’s images in LIFE’s archives were meticulous notes about Brando written by Theodore Strauss, who would ultimately write the magazine’s 1950 profile coinciding with the release of The Men. Strauss details every quirk of the actor: what he wore, how he ate, what he read, how he shunned any sort of red carpet that might have been laid out for him when he came to town. “Stanley Kramer, producer of The Men, had intended on putting Brando in a good hotel, but Brando would have none of it,” Strauss writes. “First of all he insisted on living with the paraplegics in Birmingham Veterans Hospital during the four weeks before production began. This, he felt, was necessary to giving a completely knowledgeable and valid performance in his role. At the hospital he was given a bed in a 32-bed ward, where he was treated almost like any other patient.” Pictured: On the grounds of the hospital, Brando attempts to tip back and balance his wheelchair.” First photo: Margaret Bourke-White. Second, Credit: Edward Clark/TIME & LIFE Pictures

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Trailering Chris Nolan's Following reissue on VOD


From the press release: “IFC Films is proud to present Christopher Nolan’s debut feature film, FOLLOWING, available nationwide on demand. A fascinating introduction to the talent and vision of a filmmaker who is fast becoming one of the major American directors of our time, FOLLOWING originally debuted in 1998, and enjoyed a quick succession of Festival prizes and wild critical acclaim. The film is a sly neo-noir thriller which follows a writer who picks out strangers at random from the crowded streets of London shadows them see where they go, how they spend their days. FOLLOWING features the innovative blend of high-minded style and genre elements that Nolan has now made his trademark. The film will enjoy a three month period of availability on demand via cable providers Comcast, Cox, Cablevision, Time Warner, Bright House, Charter and Insight.”

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Trailering Schnabel's Miral

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Inception, based upon an idea by Andy Warhol

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Trailering The Social Network

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Movie City Indie

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Quote Unquotesee all »

“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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