Movie City Indie Archive for June, 2010

Restrepo's Sebastian Junger on the McChrystal matter

Animating Hitchcock in A McGuffin

Tilda Swinton's Edinburgh "Laurel & Hardy" flashmob


Just because.

Oh Canada: and the police advance


This is from a movie, right, not from someone’s window, right? G20, it’s something Belgian, right? Science fiction? Updates at Twitter. Warning: next embed contains sudden violence against a woman with a camera: “muzzle blast,” it’s reportedly called.

Trailer Jerzy Skolimowski's Essential Killing, with Vincent Gallo


From a 72-year-old director who’s made greats like Deep End and Moonlighting, this looks pleasingly out of left field.

City in the Garden's got anger in the sky


Chicago’s motto “Urbs in Horto” momentarily “Ira in Divum.”

Trailering The Social Network


Toggle to “fullscreen” for best results.

Ry Russo-Young's Muscle Top, a serial for PAPER


[Via Ron Mwangaguhunga.]

Director-approved: four images from Inception

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Faye Dunaway eats an egg, by Kazumi Kurigami


Bonus: Also for Parco, Gary Numan engages with a prehensile iPad. And Paul Newman goes bird-watching for Maxwell Blendy.

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Postering Winnebago Man

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Somebody’s done Jack a kindness. [Designer: Kii Arens.]

Trailering Joel Schumacher's Twelve

Amir Bar-Lev on The Pat Tillman Story


In the news, considering the involvement of resigned Afghan war commander McChrystal in the aftermath of Tillman’s death.

The simple style of another "Family Circus"

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It’s not Eno’s Oblique Strategies, but there’s always room for the random wisdom of “Nietzsche Family Circus.”

Movie City Indie

Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo