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Movie City Indie Archive for June, 2010

Restrepo's Sebastian Junger on the McChrystal matter

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Animating Hitchcock in A McGuffin

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Tilda Swinton's Edinburgh "Laurel & Hardy" flashmob


Just because.

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Oh Canada: and the police advance


This is from a movie, right, not from someone’s window, right? G20, it’s something Belgian, right? Science fiction? Updates at Twitter. Warning: next embed contains sudden violence against a woman with a camera: “muzzle blast,” it’s reportedly called.

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Trailer Jerzy Skolimowski's Essential Killing, with Vincent Gallo


From a 72-year-old director who’s made greats like Deep End and Moonlighting, this looks pleasingly out of left field.

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City in the Garden's got anger in the sky


Chicago’s motto “Urbs in Horto” momentarily “Ira in Divum.”

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Trailering The Social Network


Toggle to “fullscreen” for best results.

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Director-approved: four images from Inception

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Faye Dunaway eats an egg, by Kazumi Kurigami


Bonus: Also for Parco, Gary Numan engages with a prehensile iPad. And Paul Newman goes bird-watching for Maxwell Blendy.

Read the full article »

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Postering Winnebago Man

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Somebody’s done Jack a kindness. [Designer: Kii Arens.]

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Trailering Joel Schumacher's Twelve

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Amir Bar-Lev on The Pat Tillman Story


In the news, considering the involvement of resigned Afghan war commander McChrystal in the aftermath of Tillman’s death.

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The simple style of another "Family Circus"

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It’s not Eno’s Oblique Strategies, but there’s always room for the random wisdom of “Nietzsche Family Circus.”

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Movie City Indie

Quote Unquotesee all »

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

“HBO’s investment in these outlets for criticism belies an approach that blends the show itself with discussion about the show to create an overarching viewer experience. It’s not just the plot that entertains, but also theorizing, exploring the world’s mythology, and more that has engaged book readers for decades — and those aspects are now part of what HBO is producing, not just something happening at whatever passes for a water cooler or comic book shop these days. Benioff, Weiss, and HBO are blending entertainment and criticism into one giant, all-encompassing amalgamation of content. Something as grandiose and, indeed, as stunning, as ‘Game of Thrones’ requires it.”
#Content: Expanding Entertainment, Collapsing CriticismBy Matt Hartman

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