Movie City Indie Archive for June, 2010

Restrepo's Sebastian Junger on the McChrystal matter

Animating Hitchcock in A McGuffin

Tilda Swinton's Edinburgh "Laurel & Hardy" flashmob


Just because.

Oh Canada: and the police advance


This is from a movie, right, not from someone’s window, right? G20, it’s something Belgian, right? Science fiction? Updates at Twitter. Warning: next embed contains sudden violence against a woman with a camera: “muzzle blast,” it’s reportedly called.

Trailer Jerzy Skolimowski's Essential Killing, with Vincent Gallo


From a 72-year-old director who’s made greats like Deep End and Moonlighting, this looks pleasingly out of left field.

City in the Garden's got anger in the sky


Chicago’s motto “Urbs in Horto” momentarily “Ira in Divum.”

Trailering The Social Network


Toggle to “fullscreen” for best results.

Ry Russo-Young's Muscle Top, a serial for PAPER


[Via Ron Mwangaguhunga.]

Director-approved: four images from Inception

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Faye Dunaway eats an egg, by Kazumi Kurigami


Bonus: Also for Parco, Gary Numan engages with a prehensile iPad. And Paul Newman goes bird-watching for Maxwell Blendy.

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Postering Winnebago Man

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Somebody’s done Jack a kindness. [Designer: Kii Arens.]

Trailering Joel Schumacher's Twelve

Amir Bar-Lev on The Pat Tillman Story


In the news, considering the involvement of resigned Afghan war commander McChrystal in the aftermath of Tillman’s death.

The simple style of another "Family Circus"

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It’s not Eno’s Oblique Strategies, but there’s always room for the random wisdom of “Nietzsche Family Circus.”

Movie City Indie

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray