Movie City Indie Archive for June, 2010

Restrepo's Sebastian Junger on the McChrystal matter

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Animating Hitchcock in A McGuffin

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Tilda Swinton's Edinburgh "Laurel & Hardy" flashmob


Just because.

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Oh Canada: and the police advance


This is from a movie, right, not from someone’s window, right? G20, it’s something Belgian, right? Science fiction? Updates at Twitter. Warning: next embed contains sudden violence against a woman with a camera: “muzzle blast,” it’s reportedly called.

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Trailer Jerzy Skolimowski's Essential Killing, with Vincent Gallo


From a 72-year-old director who’s made greats like Deep End and Moonlighting, this looks pleasingly out of left field.

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City in the Garden's got anger in the sky


Chicago’s motto “Urbs in Horto” momentarily “Ira in Divum.”

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Trailering The Social Network


Toggle to “fullscreen” for best results.

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Director-approved: four images from Inception

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Faye Dunaway eats an egg, by Kazumi Kurigami


Bonus: Also for Parco, Gary Numan engages with a prehensile iPad. And Paul Newman goes bird-watching for Maxwell Blendy.

Read the full article »

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Postering Winnebago Man

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Somebody’s done Jack a kindness. [Designer: Kii Arens.]

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Trailering Joel Schumacher's Twelve

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Amir Bar-Lev on The Pat Tillman Story


In the news, considering the involvement of resigned Afghan war commander McChrystal in the aftermath of Tillman’s death.

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The simple style of another "Family Circus"

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It’s not Eno’s Oblique Strategies, but there’s always room for the random wisdom of “Nietzsche Family Circus.”

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Movie City Indie

Quote Unquotesee all »

INTERVIEW: What’s the last movie that made you cry?
RODRIGO PRIETOThe Broken Circle Breakdown.
INTERVIEW: Oh the Belgian one? That movie was devastating.
RODRIGO PRIETO: Yeah, I love that movie. Sometimes I cry while shooting, while operating the camera. I can think of two examples. One was in Amores Perros, when the character that has all these dogs–he’s a killer for hire–and he leaves a message for his daughter on the answering machine. When we shot that the actor was looking at a photograph of his actual daughter and in fact, that photo that you see in the movie of the little girl, is his daughter. The girl that’s he’s following, that you just see fleetingly, is his daughter. When he leaves that message, he got really touched. Of course, I have two daughters and it really touched me as well. It’s all about him wanting to be more present, which is something that happens in this career that I picked, which is very intense and time-consuming, and there are a lot of times when I’d like to be with my daughters more and I haven’t been able to. So it made me cry. The second time was in 21 Grams, when we were shooting Naomi Watts listening to the message that her husband left right before they were run over by a car. Hearing the little girls–at that time my girls were little–her listening to it over and over, I was bawling.
~ Cinematographer Rodrigo Prieto

“Two words: devotion and love. The very medium of documentary offers us the opportunity to make real the biblical expression asking us to love our neighbor. It gives us the knowledge of our neighbors far and wide. Knowledge by which we can love our neighbors.”
~ Albert Maysles