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Movie City Indie Archive for May, 2010

Dennis Hopper shoots

Untitled 1991 Polaroid.jpg
Selma, Alabama (Full Employment), 1965.jpg
[RIP] Dennis Hopper, Photographer.jpg
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Dennis Hopper was 74: sweet glimpses

“I mean, what are they going to say, man, when he’s gone? Huh? ‘Cos he dies, when it dies, man… when it dies, he dies, what are they going to say about him? What, are they gonna say he was a kind man, he was a wise man, he had plans, he had wisdom, bullshit man, am I gonna be the one that’s gonna set him straight, look at me! Wrong! You.”




Someday this world’s gonna end.
Below: A scene from Wenders’ The American Friend and Hopper at the opening of his recent Taos show.

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Oh, fern!! Trailering Winnebago Man


And it’s sweet…

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IRON BABY

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At the inception of (500) Days Of Fatal Attraction: a teaser


Oh show me the way to the next karaoke bar… or surely we must die, surely we must die.

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Trailering Bruce McDonald's This Movie Is Broken


Written by Don McKellar and featuring Broken Social Scene; shot entirely across one Toronto day. Details.

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Teasering Assayas' Carlos


En français. May roll-out with an ad. Nudity.

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Toby Talbott on the New Yorker Theater at The New School


An older video, but new to me.

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Sounds familiar….

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Twitter parade, from Japan

harch_667.jpgA typo! A link that didn’t work! But now a parade: a way for Twitter users to immediately visualize how many spam accounts are marching in their wake. Insert your Twitter name here. Play loud?

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David Lynch's Lady Blue Shanghai


Marion Cotillard stars in David Lynch’s Shanghai-set contribution to Dior’s ongoing auteur-driven internet promo shorts. The FT’s Nicola Copping writes, “They called me up and said, ‘Would you like to make a short film for the internet? You can do anything you want, you just need to show the handbag, the Pearl Tower and some old Shanghai.’” For Lynch, it is clear the lines will continue to blur. “This falls between a regular film and a commercial. I liked that idea. There are ads and people get hit hard, and then there is this, where it is like coming at it from a different angle.” … It’s the third “Lady Dior” noir shorts, which all feature Cottilard, and began in May 2009 with Lady Noire, directed by La Vie en Rose‘s Olivier Dahan. “Lynch’s Lady Blue is twelve, enigmatic, weird but wonderful minutes crammed with Lynchian leitmotifs – flashing lights, flashbacks and a haunting soundtrack.”

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Chris Markergrams

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One of Chris Marker’s latest projects is breaking Article 9 of the Civil Code by taking taking photographs of other passengers on the Paris Metro. David Thomson says he got The New Republic’s seven-picture portfolio via a mutual friend. “[H]e has been a photographer all his life, and in the last few years he has found a new subject—people on the Paris Metro—shot with a secret camera.” Like Marker’s other photo work dealing with faces and crowds, there’s an empathetic gaze and attention to the found moment; the means raises other questions. Thomson: “When he first started the project, [he] was an elderly gentleman, but still nimble and fit—so he was not often noticed. He may have been 89; he could not always remember… So he used to spend part of his days and nights on the metro. And he had noticed that an elderly gentleman on the metro could sit there with an empty look in his eyes, and under that cover he could gaze upon people and observe them without being detected, or reported as a spy or a Don Juan… [T]he metro… was all silent purpose and bored crusade. These people were all going somewhere. They had a mission, and their loveliness—he thought everyone was lovely in the metro’s white light—was their purpose…” [More prose and six other shots at the link.]

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Movie City Indie

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Quote Unquotesee all »

“Women’s power is too potent to waste on selfies… Truly dangerous women aren’t looking for dates or husbands, and they do not travel in packs. They rarely have many female friends. Their register is either universal, or intensely personal. They play mind games and make promises. Whether they deliver or not remains a secret, and secrets are essential to seduction. The Web has eroded every notion of privacy and stolen the real power of women: the threat of mystery itself.  “I can see you’re trouble” was once the biggest compliment a man could pay a woman. There was going to be a dark spiral into the whirlpool of sex; there were going to be tears on both sides, secrets and regrets, scandal. Today, everyone is trouble.”
~ Joan Juliet Buck in “W”

“You have to watch the end of the show to see how I feel—I mean, kids are a wonderment. I am quite fond of most of the young people in ‘The Slap,’ actually; it’s the grown-ups who have so much to learn. But to think of ‘The Slap’ as being a critique of contemporary parenting would be to miss the point. Like saying Birdman is about a life in the theater, instead of about a vast pool of narcissism that, again, denudes all grace until all you have is blistered (male) rage and bruised egos. I can’t speak to helicopter parents, but I sure do know a lot about not waking up every day and counting your goddamn blessings, and how fucking toxic that is. And that’s what I see all around me, a kind of spiritual autism, a narcissism of small things, and that’s ‘The Slap.’ Argh. But I like to think that it’s not immutable, that there are still synaptic charges toward doing the right thing, that we are capable of recognition—and being better. I think it’s about what happens when kindness is obliterated by desire.”
~ Jon Robin Baitz

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