Movie City Indie Archive for March, 2010

Robert Culp was 79

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[Larger.]

Rock photography great Jim Marshall was 74

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I have seen this photograph on the refrigerators of more women than I care to name. Mr. John Cash at San Quentin… Rolling Stone has more details, pics.

James Cameron on Glenn Beck and other "deniers" and "boneheads"


Rudimentary as delivery systems go—video shot with a Flip camera from a microcassette recorder?—but here’s the Hollywood Reporter’s embed of an answer James Cameron gave at a press day for the Avatar video release.

Alternate Wes Anderson posters by Ibrahim Youssef

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[More.]

Impossible Project's nouveau Polaroid: DEVELOPING

DSC_2489.JPGToronto Star’s Pete Howell points out a review of The Impossible Project’s first batch of nouveau-Polaroid film. And the answer is… Nope, nope, not quite yet.

The End Of Publishing


Breathtaking. Simple. True? The genesis is here.

Trailering Jan Svěrák's Kuky se vrací (Kuky Returns)


Rough translation: “Kuky Returns is a poetic adventure, a family story in which the main roles are in a children’s fantasy world. “I’ve wanted to make a film in which I could give small details – insect light in leaves, feathers flying, and even I wonder what is happening on the scene when the actors leave. I thought I would change the scale and place the story directly into the microcosm, to make the protagonists small enough that the roots of the tree decorations, light in the atmosphere made raspberry leaves, fuzz was all the props and extras insects naturally,” Sverak says, with the intervention of Google Translate and small gods of serendipitous daffiness. Website (in Czech with pretty pictures). [Via William Gibson.]

Trailering SXSW's Serbian Film

dancingduck.gifNo, I’m not going to look. No. You can. If you want. If you dare.

Happy Birthday, Angelo Badalamenti

Trailering Godard's Socialisme, I, 6 and 2 [updated]


Taking a page from the French trailer for Femme Fatale, an enormous amount of Godard’s latest (but likely not its entirety), sped up to just over four minutes.

From Fabrizio Del Dongo, a poster of the same name, drawn from Stendhal, but on Vimeo, a 90-second edition of the idea.
Below, the original trailer for Socialisme.

Read the full article »

Avatar: advert for paganism?


“The most demonic, Satanic film I’ve ever seen,” or so the triple Tivo-owning pastor of Seattle’s Mars Hill Church, Mark Driscoll, would have you believe about the “Eastern garbage-ism” and “worldliness.”

David Byrne's "Please Don't" video

Writes Byrne, “Here’s the video for the Santigold track “Please Don’t.” We did a photo session for a magazine the other day, and I told the interviewer that on this song, by the time you get to the chorus, she owns it — she’s turned it into a Santigold song. Perfect. There are six of these videos that have been completed for this project. Most, like this one, use news and archival footage to, well, show that every word of the song is true! Most of the lyrics on this one are lifted gently from interviews and quotations — the “please don’t” chorus especially. At some point as first lady, Imelda began to feel that she could help Philippine interests by charming world leaders into seeing things her way. “Handbag diplomacy” she called it — as she liked to imply that to solve a problem, she could bypass President Marcos and just grab a handbag and hop on a plane with some of her assistants. It sometimes worked! There was, for example, an Islamic-backed insurgency rising in the south of the Philippine archipelago, and she thought that a leader in that part of the world, Qaddafi in this case, might help pull the plug on that support if he saw things her way. Apparently he did — the funding stopped and the insurrection lost momentum, and she later described him as a pushover, a mama’s boy.”

The Thai teaser for Ong Bak 3

Mr. Busey keeps on giving


That was unexpected.

Trailering Scorsese's "Boardwalk Empire" HBO pilot

Movie City Indie

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant