Movie City Indie Archive for March, 2010

Rodarte X Maggie Cheung, by Wing Shya


Wing Shyahas been a photographer on Wong Kar-Wai’s films. There’s lovely stuff at the link. Music by Peter Kam.

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Diesel takes Godard shopping


While Hal Hartley gently weeps. From the YouTube link: “This is a new campaign from Diesel called “A Hundred Lovers” and mixes a cool brand video with a unique shopping experience as part of the larger “be stupid” work on the new Diesel Website.”

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Postering $9.99

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By Jeremy Saunders.

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Butterfly swarms still threaten civilization

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Eva Markvoort, subject of 65_Redroses, was 25

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[Yung Chang, Nimisha Mukerji, Philip Lyall, Eva Markvoort, HotDocs 2009]
65_RedRoses’ Eva Markvoort has died. “A New Westminster woman who became a celebrated cystic fibrosis campaigner died in her Vancouver General Hospital bed of the disease on Saturday (March 27) morning. She was 25. Markvoort was diagnosed with cystic fibrosis as a baby. The former Miss New Westminster and University of Victoria theatre student received a double lung transplant in 2007, but her body wouldn’t accept the donated organs. She was awaiting a second donation when she died. Markvoort brought worldwide attention to the disease while encouraging people to become organ donors through her online journal, 65 Red Roses—a name chosen for how she would mispronounce “cystic fibrosis” as a toddler—as well as an award-winning documentary of the same name made by Vancouver filmmakers Nimisha Mukerji and Philip Lyall. Two days before she died, she wrote in her blog that she was “supersaturated” with drugs and that her doctors were going to try taking her off some of them to see how she would manage. Her final words in a blog post were: “and i am not managing, not managing at all. i’m drowning in the medications. i can’t breathe. every hour, once an hour, i can’t breathe. something has to change.”

Markvoort’s last video. Her LiveJournal. Below: the trailer for the fiercely moving, intimate documentary.

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HBO's 15-minute "Making of 'Treme'"

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Dennis Hopper on "Bad Things" (Nike Comm'l)

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Dennis Hopper on collecting art


Directed and Produced by Kimberly M. Wang.

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Crediting Noe's Enter the Void


[Via Scott Macaulay.]

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Tron vs. Saul Bass


By Hexagonall.

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[PR] Composer John Barry to be honored at Ghent Film Festival

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John Barry to receive the Lifetime Achievement Award at 10th anniversary of World Soundtrack Academy
(Ghent, Belgium) On October 21, 2010 the music of four-time Oscar winner, John Barry will be performed live in concert at the Ghent International Film Festival.The 80 -iece Brussels Philharmonic will perform selections from Barry’s scores including Goldfinger, Mary Queen of Scots, Out of Africa, Dances with Wolves and Midnight Cowboy, conducted by Nicholas Dodd. The concert will be accompanied by a video presentation of film clips. With the John Barry concert, the Ghent Film Festival will be continuing its tradition of showcasing memorable, award-winning film music in the form of live concerts. Previous editions have featured Ennio Morricone, Maurice Jarre, Elmer Bernstein, Hans Zimmer, Howard Shore and Alexandre Desplat. Go here for more information.

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The Internet, seen from 1969


Prescient! [Via Kottke.]

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"Unloveable": Johnny Depp directs a video


A little bit “An Occurence At Owl Creek Bridge”…

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Trailering David Simon's "Treme"

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[PR] Oscar's moving back to February

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Key Dates Announced for 83rd Academy Awards®
Beverly Hills, CA (March 25, 2010) — The 83rd Annual Academy Awards will be presented on Sunday, February 27, 2011, Academy President Tom Sherak announced today. The ceremony will again take place at the Kodak Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. Key dates currently scheduled are:

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Movie City Indie

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas