Movie City Indie Archive for March, 2010

Rodarte X Maggie Cheung, by Wing Shya


Wing Shyahas been a photographer on Wong Kar-Wai’s films. There’s lovely stuff at the link. Music by Peter Kam.

No Comments »

Diesel takes Godard shopping


While Hal Hartley gently weeps. From the YouTube link: “This is a new campaign from Diesel called “A Hundred Lovers” and mixes a cool brand video with a unique shopping experience as part of the larger “be stupid” work on the new Diesel Website.”

No Comments »

Postering $9.99

999.jpg
By Jeremy Saunders.

No Comments »

Butterfly swarms still threaten civilization

No Comments »

Eva Markvoort, subject of 65_Redroses, was 25

redroses
[Yung Chang, Nimisha Mukerji, Philip Lyall, Eva Markvoort, HotDocs 2009]
65_RedRoses’ Eva Markvoort has died. “A New Westminster woman who became a celebrated cystic fibrosis campaigner died in her Vancouver General Hospital bed of the disease on Saturday (March 27) morning. She was 25. Markvoort was diagnosed with cystic fibrosis as a baby. The former Miss New Westminster and University of Victoria theatre student received a double lung transplant in 2007, but her body wouldn’t accept the donated organs. She was awaiting a second donation when she died. Markvoort brought worldwide attention to the disease while encouraging people to become organ donors through her online journal, 65 Red Roses—a name chosen for how she would mispronounce “cystic fibrosis” as a toddler—as well as an award-winning documentary of the same name made by Vancouver filmmakers Nimisha Mukerji and Philip Lyall. Two days before she died, she wrote in her blog that she was “supersaturated” with drugs and that her doctors were going to try taking her off some of them to see how she would manage. Her final words in a blog post were: “and i am not managing, not managing at all. i’m drowning in the medications. i can’t breathe. every hour, once an hour, i can’t breathe. something has to change.”

Markvoort’s last video. Her LiveJournal. Below: the trailer for the fiercely moving, intimate documentary.

No Comments »

HBO's 15-minute "Making of 'Treme'"

No Comments »

Dennis Hopper on "Bad Things" (Nike Comm'l)

No Comments »

Dennis Hopper on collecting art


Directed and Produced by Kimberly M. Wang.

No Comments »

Crediting Noe's Enter the Void


[Via Scott Macaulay.]

No Comments »

Tron vs. Saul Bass


By Hexagonall.

No Comments »

[PR] Composer John Barry to be honored at Ghent Film Festival

John Barry_sm_sm.jpg
John Barry to receive the Lifetime Achievement Award at 10th anniversary of World Soundtrack Academy
(Ghent, Belgium) On October 21, 2010 the music of four-time Oscar winner, John Barry will be performed live in concert at the Ghent International Film Festival.The 80 -iece Brussels Philharmonic will perform selections from Barry’s scores including Goldfinger, Mary Queen of Scots, Out of Africa, Dances with Wolves and Midnight Cowboy, conducted by Nicholas Dodd. The concert will be accompanied by a video presentation of film clips. With the John Barry concert, the Ghent Film Festival will be continuing its tradition of showcasing memorable, award-winning film music in the form of live concerts. Previous editions have featured Ennio Morricone, Maurice Jarre, Elmer Bernstein, Hans Zimmer, Howard Shore and Alexandre Desplat. Go here for more information.

No Comments »

The Internet, seen from 1969


Prescient! [Via Kottke.]

No Comments »

"Unloveable": Johnny Depp directs a video


A little bit “An Occurence At Owl Creek Bridge”…

No Comments »

Trailering David Simon's "Treme"

No Comments »

[PR] Oscar's moving back to February

Welles, I was saying.gif
Key Dates Announced for 83rd Academy Awards®
Beverly Hills, CA (March 25, 2010) — The 83rd Annual Academy Awards will be presented on Sunday, February 27, 2011, Academy President Tom Sherak announced today. The ceremony will again take place at the Kodak Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. Key dates currently scheduled are:

Read the full article »

No Comments »

Movie City Indie

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé