The Chicago International Film Festival’s 45th edition runs through Thursday, but juried awards were handed out Saturday night at the Pump Room of the Ambassador East Hotel. In the International Feature Film Competition, three prizes went to Tina Mabry’s Mississippi Damned, a Gold Hugo for Best Film, a Gold Plaque for Best Supporting Acress to Jossie Harris Thacker and another GP for Mabry’s screenplay. Andrea Arnold’s Fish Tank took a Silver Hugo Special Jury Award for “esthetic boldness” along with a GP for Michael Fassbender for Best Supporting Actor. Vincere took Silver Hugos for Marco Bellocchio as Best Director, Giovanna Mezzogiorno as Best Actress and Filippo Timi for Best Actor, along with a Gold Plaque for Best Cinematography, Daniele Cipri. Hipsters took a Gold Plaque for Best Art Direction. Only a handful of winners were present: the Mississippi Damned crew was happy to be there. New Directors and Short Film nods listed in the festival press release after the jump, along with video (below) of Martin Landau accepting an Achievement Award in the Chicago hotel where North by Northwest was shot. [Ray Pride.]
This is critic John Russell Taylor’s 39th consecutive CIFF, he says.
David Robinson served on the documentary jury. Bruce Webb directed competition entry The Be All And End All. Martin Landau says the film industry has changed in 50 years. A scrum of autograph hunters outside the hotel sought a signature from jury president Jacqueline Bissett.
The wavy rainbows when the VHS recorder was restarted after commercial are a nice throwback as well. The other embeds are below on a single page. Via @Ebertchicago. And here’s sixteen or so hours for your iPod: the complete recordings of the Hitchcock-Truffaut interviews.
Sez the Academy:
Albania, “Alive!,” Artan Minarolli, director;
Argentina, “El Secreto de Sus Ojos,” Juan Jose Campanella, director;
Armenia, “Autumn of the Magician,” Rouben Kevorkov and Vaheh Kevorkov, directors;
Australia, “Samson & Delilah,” Warwick Thornton, director;
Austria, “For a Moment Freedom,” Arash T. Riahi, director;
Bangladesh, “Beyond the Circle,” Golam Rabbany Biplob, director;
Belgium, “The Misfortunates,” Felix van Groeningen, director;
Bolivia, “Zona Sur,” Juan Carlos Valdivia, director;
Bosnia and Herzegovina, “Nightguards,” Namik Kabil, director;
Brazil, “Time of Fear,” Sergio Rezende, director;
Bulgaria, “The World Is Big and Salvation Lurks around the Corner,” Stephan Komandarev, director;
Canada, “I Killed My Mother,” Xavier Dolan, director;
Chile, “Dawson, Isla 10,” Miguel Littin, director;
China, “Forever Enthralled,” Chen Kaige, director;
Colombia, “The Wind Journeys,” Ciro Guerra, director;
Croatia, “Donkey,” Antonio Nuic, director;
Cuba, “Fallen Gods,” Ernesto Daranas, director;
Czech Republic, “Protektor,” Marek Najbrt, director;
Denmark, “Terribly Happy,” Henrik Ruben Genz, director;
IFC’s circulating the link to Peter Debruge’s The Satanic Mr. Fox mashup: a warning that there’s footage from the thus-far most notorious scene from Antichrist. (But not involving human mutilation.) Here’s the YouTube link.
Which is easier, writing or directing a film? Those are two totally different things. Writing is slightly easier because you can do it in bed.
~ Ben Wheatley To The BBC
You can neither make beautiful, great movies without risk as you can make babies without sex. Risk is part of the artistic process. That’s why I like performance, because performance is walking a high wire.
~ Francis Coppola