Movie City Indie Archive for October, 2009

Yes… feeding squirrel-like kitten with chopsticks

Good days? Bad days? Good days.



Week later, two million views, still a classic.

Charles and Ray Eames' Polaroid SX-70 promo film



Technology arrives…

Out of the box: Richard Kelly's 1996 The Goodbye Place

VIFF 2009 trailers: Sexuality and Subtitles



Vancouver’s fest trailers are always pretty swell.

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Picturing Chicago International Film Festival 45 award ceremonies

The Chicago International Film Festival’s 45th edition runs through Thursday, but juried awards were handed out Saturday night at the Pump Room of the Ambassador East Hotel. In the International Feature Film Competition, three prizes went to Tina Mabry’s Mississippi Damned, a Gold Hugo for Best Film, a Gold Plaque for Best Supporting Acress to Jossie Harris Thacker and another GP for Mabry’s screenplay. Andrea Arnold’s Fish Tank took a Silver Hugo Special Jury Award for “esthetic boldness” along with a GP for Michael Fassbender for Best Supporting Actor. Vincere took Silver Hugos for Marco Bellocchio as Best Director, Giovanna Mezzogiorno as Best Actress and Filippo Timi for Best Actor, along with a Gold Plaque for Best Cinematography, Daniele Cipri. Hipsters took a Gold Plaque for Best Art Direction. Only a handful of winners were present: the Mississippi Damned crew was happy to be there. New Directors and Short Film nods listed in the festival press release after the jump, along with video (below) of Martin Landau accepting an Achievement Award in the Chicago hotel where North by Northwest was shot. [Ray Pride.]
John Russell Taylor's 39th Chicago International Film Festival


This is critic John Russell Taylor’s 39th consecutive CIFF, he says.


David Robinson

David Robinson served on the documentary jury.

Bruce Webb, director, The Be All And End ALL

Bruce Webb directed competition entry The Be All And End All.

Martin Landau

Martin Landau says the film industry has changed in 50 years.

Bisset signs

A scrum of autograph hunters outside the hotel sought a signature from jury president Jacqueline Bissett.


Remarks

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An hour of Hitchcock on the "Tomorrow" show



The wavy rainbows when the VHS recorder was restarted after commercial are a nice throwback as well. The other embeds are below on a single page. Via @Ebertchicago. And here’s sixteen or so hours for your iPod: the complete recordings of the Hitchcock-Truffaut interviews.

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Für Falcon: A fictional, non-hoax balloon ride gone wrong



Roger Michel’s beautifully edited opening scene of Enduring Love, dubbed in German, but it still looks swell.

Trailering Edge of Darkness

Oscar's got 65 foreign-language contenders

Sez the Academy:
Albania, “Alive!,” Artan Minarolli, director;
Argentina, “El Secreto de Sus Ojos,” Juan Jose Campanella, director;
Armenia, “Autumn of the Magician,” Rouben Kevorkov and Vaheh Kevorkov, directors;
Australia, “Samson & Delilah,” Warwick Thornton, director;
Austria, “For a Moment Freedom,” Arash T. Riahi, director;
Bangladesh, “Beyond the Circle,” Golam Rabbany Biplob, director;
Belgium, “The Misfortunates,” Felix van Groeningen, director;
Bolivia, “Zona Sur,” Juan Carlos Valdivia, director;
Bosnia and Herzegovina, “Nightguards,” Namik Kabil, director;
Brazil, “Time of Fear,” Sergio Rezende, director;
Bulgaria, “The World Is Big and Salvation Lurks around the Corner,” Stephan Komandarev, director;
oscahs2010.jpgCanada, “I Killed My Mother,” Xavier Dolan, director;
Chile, “Dawson, Isla 10,” Miguel Littin, director;
China, “Forever Enthralled,” Chen Kaige, director;
Colombia, “The Wind Journeys,” Ciro Guerra, director;
Croatia, “Donkey,” Antonio Nuic, director;
Cuba, “Fallen Gods,” Ernesto Daranas, director;
Czech Republic, “Protektor,” Marek Najbrt, director;
Denmark, “Terribly Happy,” Henrik Ruben Genz, director;

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#chaosreigns: IFC embraces viral goofing for Antichrist

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IFC’s circulating the link to Peter Debruge’s The Satanic Mr. Fox mashup: a warning that there’s footage from the thus-far most notorious scene from Antichrist. (But not involving human mutilation.) Here’s the YouTube link.

John Woo at U.S. premiere of Red Cliff at Chicago International Film Festival

John Woo
John Woo screened


Woo was late to a pre-premiere reception; journalists traded Hong Kong gangster film scenarios for the director’s non-appearance.

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Movie City Indie

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain