Movie City Indie Archive for June, 2009

You want to travel blind: portraits

Kitano considers
Azita
Ondaatje before reading
An exhibition of portraits of film figures and friends is running in Chicago through July 26 at the Rainbo Club. The address, more information and other pictures are here. [Takeshi Kitano; Azita Youssefi; Michael Ondaatje]

Riot police turn and run from BBC Persia

hurrah_they_yelled.jpgLink here.












Animation: She Farted and Created the World by Scott Coello

Under fire [violence]

Truth in advertising?

lepetderniereamarienbad.jpgA campaign for the DVD of Paul Blart, Mall Cop was replaced on The Awl by one for Last Year At Marienbad, but part of the earlier ad remains… Or is this a new Criterion we’re seeing here?

Jerzy Skolimowski on his missing years as a director

skolimowski_the_judgement_full.JPGIn Vertigo, John Riley talks to about the 17 years between features. “Even during that long break, I looked at film projects, but either I was too lazy or just resting or I was focusing on becoming a serious painter. The process of painting feeds my needs now. You concentrate on doing something exactly as you want. With film-making there are always compromises, you can’t do exactly as you would wish, you’re not even trying to do that. But Four Nights With Anna is as close as I’ve ever got to making exactly the film I wanted—maybe not 100% but the high 90s. It was a small budget but I insisted on doing things exactly as I wanted. Filmmaking is really hard work, physically hard work, so I can’t say I enjoy it, but to create art one has to suffer! But, to my surprise, I feel ready to make another film: I have a great subject, I can see how to do it; I’m working on a script and have about half the money for my next project. So the prospects are good!” [A good career overview.][Art.]

Mad Max in Esfehan, Iran


Leather-jacketed riot cops on motor scooters chased by protesting citizens… the end of the shot is like the end shots of Wenders’ State of Things and Jarmusch’s Limits of Control. [Via Andrew Sullivan.]


But, of course, it’s not fiction:


[Via Laura Secor in the New Yorker.]

Tetro, brought to you by…

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This has to be the most honest film ad in ages… What brought you Tetro? What paid for Coppola’s latest opus? Safeway, aisle 3. Synergy, theater 4. The citation of the theater at the bottom of the ad is also neatly reminiscent of the 1970s full-page ads for Cinema 1 or Cinema 2 or the Beekman premiering Nashville or The Conversation. [From Friday, June 12’s New York Times.]

Excellent Response


From a project by MJ Buffett.

Deadline by Bang-yao Liu


The pressures of deadlines reflected in stop-motion animation of Post-It notes. A student project from the Savannah College of Art and Design.

Circles, squares, dollars, cents

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[PR] Anvil, stars of Anvil! The Story Of Anvil opening for AC/DC at Giants Stadium

anvil460.jpg


[Photo by Brent J. Craig.]
HARD ROCK LEGENDS AC/DC TAP CANADIAN METAL BAND ANVIL OF THE CRITICALLY ACCLAIMED FILM “ANVIL! THE STORY OF ANVIL” AS OPENERS FOR JULY 28 SHOW AT GILLETTE STADIUM AND JULY 31 SHOW AT GIANTS STADIUM
New York, NY (June 8, 2009) – Based on the overwhelming response to and incredible buzz created by the critically acclaimed documentary “Anvil! The Story of Anvil,” the band has been chosen to fill the spot as opening act for rock legends AC/DC at their Gillette Stadium show on July 28th and their Giants Stadium show on July 31st. Anvil band members, Steve “Lips” Kudlow and Robb Reiner will see their dreams come true as they are set to open for one of the greatest hard rock bands in the world, AC/DC, for the two biggest shows on their Black Ice World Tour. This opportunity marks a stellar comeback for the 30 year-old band that continues to reach new heights with the success and continued expansion of their documentary and recent features in Newsweek and Rolling Stone.
“Anvil! The Story of Anvil” is the directorial debut of screenwriter Sacha Gervasi (“The Terminal”) and was produced by Rebecca Yeldham (“The Kite Runner” and “The Motorcycle Diaries”). The film follows Steve “Lips” Kudlow and Robb Reiner and their band, Anvil, which released one of the heaviest albums in metal history, 1982’s Metal on Metal. The album influenced an entire musical generation of rock bands, including Metallica, Slayer, and Anthrax, who all went on to sell millions of records. Anvil, on the other hand, took a different path—straight to obscurity. The film is both entertaining and touching as it follows their last-ditch quest for the fame and fortune that has been so elusive to them. “Anvil! The Story of Anvil” is a timeless tale of survival and the unadulterated passion it takes to follow your dream, year after year.

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David Fincher directs iPhone spot, "Break In"


Or, download here.

Indie is waking up

Perchance to dreamIvyLeaned

Movie City Indie

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“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho