Movie City Indie Archive for January, 2009

Will Ferrell in Star Trek: Old School



Mashing it up.

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That's Special



T-shirt at Wire & Twine.

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[PR] AMC repeats their Oscar-stravaganza

Five Oscar nominees in one solitary Saturday, all for $30, neck massages not included: “Kansas City, Mo. (Jan. 30, 2009) – AMC Entertainment Inc. (AMC), one of the world’s largest and most innovative theatrical exhibition companies, is proud to offer guests the rare opportunity to experience all five motion pictures nominated by the Academy of Motion Picture Arts and Sciences for “Best Picture,” on one special day. On Saturday, Feb. 21, the AMC Best Picture ShowcaseSM will take place at acm4-logo.gifapproximately 97 AMC theatres in 42 North American markets. Guests can purchase an exclusive AMC Best Picture Showcase All-Day Pass for only $30…. Moviegoers will have the chance to see all five Oscar®-nominated “Best Picture” films and will also receive a large popcorn with unlimited refills for the entire day. This offer is valued at more than $50 and marks the third year of this exclusive event. The Oscar® “Best Picture” nominees, “Milk,” “The Reader,” “The Curious Case of Benjamin Button,” “Slumdog Millionaire” and “Frost/Nixon,” will play in one dedicated auditorium back-to-back throughout the day. Upon arrival to the theatre, guests will receive a souvenir lanyard, which will feature artwork from the five nominated films and give guests the freedom to come and go throughout the event as they please.

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The Slumdog statements

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FILMMAKERS STATEMENT: From the moment that we hired them and long before the press became interested in this story, we have paid painstaking and considered attention to how Azhar and Rubina’s involvement in the film could be of lasting benefit to them over and above the payment they received for their work. The children had never attended school, and in consultation with their parents we agreed that this would be our priority. Since June 2008 and at our expense, both kids have been attending school and they are flourishing under the tutelage of their dedicated and committed teachers. Financial resources have been made available for their education until they are 18. We were delighted to see them progressing well when we visited their school and met with their teachers last week. In addition to their educational requirements, a fund is in place to meet their basic living costs, health care and any other emergencies. Furthermore, as an incentive for them to continue to attend school a substantial lump sum will be released to each child when they complete their studies. Taking into account all of the children’s circumstances we believe that this is the right course of action. Since putting in place these arrangements more than 12 months ago we have never sought to publicize them, and we are doing so now only in response to the questions raised recently in the press. We trust that the matter can now be put to bed, and we would request that the media respect the children’s privacy at this formative time in their lives. —Danny Boyle and Christian Colson

DISTRIBUTOR STATEMENT: The welfare of Azhar and Rubina has always been a top priority for everyone involved with Slumdog Millionaire. A plan has been in place for over 12 months to ensure that their experience working on Slumdog Millionaire would be of long term benefit. For 30 days work, the children were paid three times the average local annual adult salary. Last year after completing filming, they were enrolled in school for the first time and a fund was established for their future welfare, which they will receive if they are still in school when they turn 18. Due to the exposure and potential jeopardy created by the unwarranted press attention, we are looking into additional measures to protect Azhar and Rubina and their families. We are extremely proud of this film, and proud of the way our child actors have been treated. —Fox Searchlight Pictures, Fox Star Studios, Pathe International

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Someday, the intertubes (1981)

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Glowing cities under a nighttime sky


Awwwwww. Via Kottke.

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Lovely video for Lykke Li's "Tonight"



Directed by Christian Haag, filmed in Stockholm.

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Kitten fail



A tiny epic.

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Greek pol calls for eBooks for every student

Via John Aravosis: “George Papandreou, the opposition leader in Greece, addressing the Greek parliament about eBooks… [I]n Greece, the government pays for 99% of students’ books. Papandreou argues, why not give the kids every book in existence for a hundred bucks (or $360 in the case of the Kindle).”

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Pants off men: an uber-cartoon



Ihre Welt ist nicht ganz davon geträumt, in Deutsch?

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How bacon is made



I need to go to the grocery.

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Think pink

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A casual way with racially-charged terms at Sharon Waxman's new site

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A quick glance at the front page of Sharon Waxman’s new online venture, The Wrap, with a claimed $500,000 in VC to burn through, offered at least one insight: two examples of a headline writer’s casual way with racially-charged verbiage (among ways to cut costs, a sparing use of apostrophes also seems in store).

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Capturing Obama's stealth visit to Sundance



A film by Jesse Epstein and Natalie Difford.

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Movie City Indie

Quote Unquotesee all »

“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award